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| Author | : Gerri Kimber |
| Publisher | : Edinburgh University Press |
| Total Pages | : 264 |
| Release | : 2018-08-30 |
| Genre | : Literary Criticism |
| ISBN | : 1474439675 |
Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices
| Author | : Angela Smith |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 183 |
| Release | : 2001-01-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780333618776 |
In a letter, Katherine Mansfield wrote: "I hate the sort of license that English people give themselves--to spread over and flop and roll about. I feel as fastidious as though I write with acid." This book explores Mansfield's idiosyncratic aesthetic by focusing on her position as an outsider in Britain: a New-Zealander, a woman writer, a Fauvist, and eventually a consumptive. Her sharp-edged fiction is discussed in relation to her involvement with Post-Impressionist painting and painters.
| Author | : Patricia L. Moran |
| Publisher | : University of Virginia Press |
| Total Pages | : 236 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780813916750 |
Word of Mouth focuses on the two most prominent women in British modernism, Virginia Woolf and Katherine Mansfield. Both wrote with an extraordinary and sometimes celebratory self-consciousness about their status as "women writers". At odds with their explicit privileging of female difference, however, are patterns of imagery that demonstrate self-revulsion and self-hatred, the woman writer's rejection of herself. Patricia Moran points out that strategies of resistance and challenge are also strategies of repudiation and revulsion directed at female embodiment. Word of Mouth reevaluates Mansfield and Woolf, focusing on the figures of the anorexic and the hysteric and on the extensive imagery of eating, feeding, starvation, suffocation, flesh, and longing that permeates both fictional and nonfictional texts; it locates this writing within the overlapping frames of psychoanalytic theory, studies of women and eating disorders, and feminist work on women's anxiety of authorship.
| Author | : Katherine Mansfield |
| Publisher | : Modernista |
| Total Pages | : 48 |
| Release | : 2024-04-26 |
| Genre | : |
| ISBN | : 918094857X |
»Prelude« is a short story by Katherine Mansfield, first published in 1918. KATHERINE MANSFIELD, actually Kathleen Mansfield Beauchamp (later Murry), was born in 1888 in Wellington, New Zealand, and died in 1923 as a result of her pulmonary tuberculosis at a hospital near Fontainebleau, France. Mansfield left her homeland at the age of 19 and moved to Europe. In London, she established herself as a writer and became friends with Virginia Woolf and D.H. Lawrence. Rumour has it that the latter infected her with the lung disease that became her demise, at the young age of 35.
| Author | : Nóra Séllei |
| Publisher | : Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften |
| Total Pages | : 176 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : |
Katherine Mansfield and Virginia Woolf were bound together by a tie alternately characterised as a «curious friendship» and an «uneasy sisterhood». Relying on feminist and poststructural critiques of thinking about writing and writers in terms of autonomous creative subjects, the book reconsiders the relationship between these writers from the biographical and the literary points of view. Their respective self-created models show the multiplicity within the paradigm of the «New Woman», and correspond with their divergent but complementary female modernisms. Mansfield's thematic femininity and Woolf's feminine textuality are integrated into contemporary feminist theory and women writers' creative practice: like Mansfield, they utter previously unutterable experiences but in a language that flows like Woolf's sentences.
| Author | : Katherine Mansfield |
| Publisher | : |
| Total Pages | : 278 |
| Release | : 1922 |
| Genre | : English fiction |
| ISBN | : |
| Author | : Claire Drewery |
| Publisher | : Routledge |
| Total Pages | : 159 |
| Release | : 2016-04-15 |
| Genre | : Fiction |
| ISBN | : 1317094514 |
Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
| Author | : Emma Claire Sweeney |
| Publisher | : Legend Press Ltd |
| Total Pages | : 308 |
| Release | : 2016-07-01 |
| Genre | : Fiction |
| ISBN | : 1785079662 |
“Tender and unflinching, a beautifully observed novel about familial love and stoicism in the face of heartbreak.”—Carys Bray, award-winning author of The Museum of You Maeve Maloney is a force to be reckoned with. Despite nearing 80, she keeps Sea View Lodge just as her parents did during Morecambe’s 1950s heyday. But now only her employees and regular guests recognize the tenderness and heartbreak hidden beneath her spikiness. Until, that is, Vincent shows up. Vincent is the last person Maeve wants to see. He is the only man alive to have known her twin sister, Edie. The nightingale to Maeve’s crow, the dawn to Maeve’s dusk, Edie would have set her sights on the stage—all things being equal. But, from birth, things never were. If only Maeve could confront the secret past she shares with Vincent, she might finally see what it means to love and be loved—a lesson that her exuberant yet inexplicable twin may have been trying to teach her all along. Stylist Magazine Top “Books to Read on a Staycation” “Funny, heartbreaking and truly remarkable.”—Susan Barker, New York Times bestselling author “I found the novel most poignant and tender in its depiction of disability, without a whiff of sentimentality . . . it crept under my skill and will stay there for a long time.”—Emma Henderson, Orange Prize-shortlisted author of Grace Williams Says It Loud “Amazing: fierce, intelligent, compassionate and deeply moving . . . an important and very beautiful book.”—Edward Hogan, Desmond Elliot Prize-winning author of Blackmoor “Fresh, poignant and unlike anything else.”—Jill Dawson, Whitbread and Orange Prize-shortlisted author of The Crime Writer
| Author | : Anne Witchard |
| Publisher | : Edinburgh University Press |
| Total Pages | : 235 |
| Release | : 2015-03-01 |
| Genre | : Literary Criticism |
| ISBN | : 0748690972 |
This volume examines the ways in which an intellectual vogue for a mythic China was a constituent element of British modernism.
| Author | : Deborah Martinson |
| Publisher | : Ohio State University Press |
| Total Pages | : 192 |
| Release | : 2003 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780814209523 |
Martinson examines the diaries of Virginia Woolf, Katherine Mansfield, Violet Hunt and Doris Lessing's fictional character Anna Wulf. She argues that these diaries (and others like them) are not entirely private writings, but that their authors wrote them knowing they would be read. She argues that the audience is the author's male lover or husband and describes how knowledge of this audience affects the language and content in each diary. She argues that this audience enforces a certain 'male censorship' which changes the shape of the revelations and of the writer herself.
