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| Author | : Hiroko Tomida |
| Publisher | : Women in Japanese History |
| Total Pages | : 408 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : |
This volume contains some of the most recent findings in the field of Japanese women's history in Japan, Australia, the United States and the UK, and introduces new approaches to studying Japanese women's history.
| Author | : Mara Patessio |
| Publisher | : University of Michigan Press |
| Total Pages | : 241 |
| Release | : 2020-08-06 |
| Genre | : Social Science |
| ISBN | : 0472901605 |
Women and Public Life in Early Meiji Japan focuses on women’s activities in the new public spaces of Meiji Japan. With chapters on public, private, and missionary schools for girls, their students, and teachers, on social and political groups women created, on female employment, and on women’s participation in print media, this book offers a new perspective on nineteenth- and early twentieth-century Japanese history. Women’s founding of and participation in conflicting discourses over the value of women in Meiji public life demonstrate that during this period active and vocal women were everywhere, that they did not meekly submit to the dictates of the government and intellectuals over what women could or should do, and that they were fully integrated in the production of Meiji culture. Mara Patessio shows that the study of women is fundamental not only in order to understand fully the transformations of the Meiji period, but also to understand how later generations of women could successfully move the battle forward. Women and Public Life in Early Meiji Japan is essential reading for all students and teachers of 19th- and early 20th-century Japanese history and is of interest to scholars of women’s history more generally.
| Author | : Tatsuya Kageki |
| Publisher | : Taylor & Francis |
| Total Pages | : 281 |
| Release | : 2023-01-12 |
| Genre | : History |
| ISBN | : 100084529X |
Contributors to this book provide an Asian women’s history from the perspective of gender analysis, assessing Japanese imperial policy and propaganda in its colonies and occupied territories and particularly its impact on women. Tackling topics including media, travel, migration, literature, and the perceptions of the empire by the colonized, the authors present an eclectic history, unified by the perspective of gender studies and the spatial and political lens of the Japanese Empire. They look at the lives of women in,Taiwan, Korea, Manchuria, Mainland China, Micronesia, and Okinawa, among others. These women were wives, mothers, writers, migrants, intellectuals and activists, and thus had a very broad range of views and experiences of Imperial Japan. Where women have tended in the past to be studied as objects of the imperial system, the contributors to this book study them as the subject of history, while also providing an outside-in perspective on the Japanese Empire by other Asians. A vital new perspective for scholars of twentieth-century history of East Asian countries and regions.
| Author | : Marcia Yonemoto |
| Publisher | : Univ of California Press |
| Total Pages | : 305 |
| Release | : 2016-09-27 |
| Genre | : History |
| ISBN | : 0520965582 |
Early modern Japan was a military-bureaucratic state governed by patriarchal and patrilineal principles and laws. During this time, however, women had considerable power to directly affect social structure, political practice, and economic production. This apparent contradiction between official norms and experienced realities lies at the heart of The Problem of Women in Early Modern Japan. Examining prescriptive literature and instructional manuals for women—as well as diaries, memoirs, and letters written by and about individual women from the late seventeenth century to the early nineteenth century—Marcia Yonemoto explores the dynamic nature of Japanese women’s lives during the early modern era.
| Author | : Kim Iryŏp |
| Publisher | : University of Hawaii Press |
| Total Pages | : 322 |
| Release | : 2014-03-31 |
| Genre | : Religion |
| ISBN | : 0824840232 |
The life and work of Kim Iryŏp (1896–1971) bear witness to Korea’s encounter with modernity. A prolific writer, Iryŏp reflected on identity and existential loneliness in her poems, short stories, and autobiographical essays. As a pioneering feminist intellectual, she dedicated herself to gender issues and understanding the changing role of women in Korean society. As an influential Buddhist nun, she examined religious teachings and strove to interpret modern human existence through a religious world view. Originally published in Korea when Iryŏp was in her sixties, Reflections of a Zen Buddhist Nun (Ŏnŭ sudoin ŭi hoesang) makes available for the first time in English a rich, intimate, and unfailingly candid source of material with which to understand modern Korea, Korean women, and Korean Buddhism. Throughout her writing, Iryŏp poses such questions as: How does one come to terms with one’s identity? What is the meaning of revolt and what are its limitations? How do we understand the different dimensions of love in the context of Buddhist teachings? What is Buddhist awakening? How do we attain it? How do we understand God and the relationship between good and evil? What is the meaning of religious practice in our time? We see through her thought and life experiences the co-existence of seemingly conflicting ideas and ideals—Christianity and Buddhism, sexual liberalism and religious celibacy, among others. In Reflections of a Zen Buddhist Nun, Iryŏp challenges readers with her creative interpretations of Buddhist doctrine and her reflections on the meaning of Buddhist practice. In the process she offers insight into a time when the ideas and contributions of women to twentieth-century Korean society and intellectual life were just beginning to emerge from the shadows, where they had been obscured in the name of modernization and nation-building.
| Author | : Susan R. Grayzel |
| Publisher | : Oxford University Press |
| Total Pages | : 305 |
| Release | : 2017-05-30 |
| Genre | : History |
| ISBN | : 0190271108 |
The centenary of the First World War in 2014-18 offers an opportunity to reflect upon the role of gender history in shaping our understanding of this pivotal international event. From the moment of its outbreak, the gendered experiences of the war have been seen by contemporary observers and postwar commentators and scholars as being especially significant for shaping how the war can and must be understood. The negotiating of ideas about gender by women and men across vast reaches of the globe characterizes this modern, instrumental conflict. Over the past twenty-five years, as the scholarship on gender and this war has grown, there has never been a forum such as the one presented here that placed so many of the varying threads of this complex historiography into conversation with one another in a manner that is at once accessible and provocative. Given the vast literature on the war itself, scholarship on gender and various themes and topics provides students as well as scholars with a chance to think not only about the subject of the war but also the methodological implications of how historians have approached it. While many studies have addressed the national or transnational narrative of women in the war, none address both femininity and masculinity, and the experiences of both women and men across the same geographic scope as the studies presented in this volume.
| Author | : Michael Saler |
| Publisher | : Routledge |
| Total Pages | : 784 |
| Release | : 2014-11-20 |
| Genre | : History |
| ISBN | : 1317604814 |
This comprehensive and beautifully illustrated collection of essays conveys a vivid picture of a fascinating and hugely significant period in history, the Fin de Siècle. Featuring contributions from over forty international scholars, this book takes a thematic approach to a period of huge upheaval across all walks of life, and is truly innovative in examining the Fin de Siècle from a global perspective. The volume includes pathbreaking essays on how the period was experienced not only in Europe and North America, but also in China, Japan, the Middle East, Latin America, Africa, India, and elsewhere across the globe. Thematic topics covered include new concepts of time and space, globalization, the city, and new political movements including nationalism, the "New Liberalism", and socialism and communism. The volume also looks at the development of mass media over this period and emerging trends in culture, such as advertising and consumption, film and publishing, as well as the technological and scientific changes that shaped the world at the turn of the nineteenth century, such as the invention of the telephone, new transport systems, eugenics and physics. The Fin-de-Siècle World also considers issues such as selfhood through chapters looking at gender, sexuality, adolescence, race and class, and considers the importance of different religions, both old and new, at the turn of the century. Finally the volume examines significant and emerging trends in art, music and literature alongside movements such as realism and aestheticism. This volume conveys a vivid picture of how politics, religion, popular and artistic culture, social practices and scientific endeavours fitted together in an exciting world of change. It will be invaluable reading for all students and scholars of the Fin-de-Siècle period.
| Author | : John V. H. Dippel |
| Publisher | : Prometheus Books |
| Total Pages | : 466 |
| Release | : 2011-09-27 |
| Genre | : History |
| ISBN | : 1616143134 |
Dippel reviews social circumstances leading up to conflicts from the American Civil War through the Vietnam War and the current clash with Islamic fundamentalists, and explores how tensions over gender roles affect men's willingness to go to war.
| Author | : Barbara Molony |
| Publisher | : BRILL |
| Total Pages | : 631 |
| Release | : 2020-05-11 |
| Genre | : History |
| ISBN | : 1684174171 |
"In the past quarter-century, gender has emerged as a lively area of inquiry for historians and other scholars, and gender analysis has suggested important revisions of the “master narratives” of national histories—the dominant, often celebratory tales of the successes of a nation and its leaders. Although modern Japanese history has not yet been restructured by a foregrounding of gender, historians of Japan have begun to embrace gender as an analytic category. The sixteen chapters in this volume treat men as well as women, theories of sexuality as well as gender prescriptions, and same-sex as well as heterosexual relations in the period from 1868 to the present. All of them take the position that history is gendered; that is, historians invariably, perhaps unconsciously, construct a gendered notion of past events, people, and ideas. Together, these essays construct a history informed by the idea that gender matters because it was part of the experience of people and because it often has been a central feature in the construction of modern ideologies, discourses, and institutions. Separately, each chapter examines how Japanese have (en)gendered their ideas, institutions, and society. "
| Author | : Brigid Cohen |
| Publisher | : University of Chicago Press |
| Total Pages | : 390 |
| Release | : 2022-05-05 |
| Genre | : Music |
| ISBN | : 0226818020 |
Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varèse, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city’s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.
