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| Author | : Paul Huys Janssen |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 408 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
This catalogue includes all of van Bijlert's known works - historical scenes, genre paintings, and portraits. Placing van Bijlert in an historical context, the text focuses firstly on the life and career of the painter, and then describes van Bijlert's place in art history.
| Author | : Johannes A. Mol |
| Publisher | : Uitgeverij Verloren |
| Total Pages | : 322 |
| Release | : 2006 |
| Genre | : Counter-Reformation |
| ISBN | : 9065509135 |
| Author | : Wayne E. Franits |
| Publisher | : Yale University Press |
| Total Pages | : 342 |
| Release | : 2004-01-01 |
| Genre | : Art |
| ISBN | : 0300102372 |
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
| Author | : Ernst van de Wetering |
| Publisher | : Univ of California Press |
| Total Pages | : 348 |
| Release | : 2016-04-18 |
| Genre | : Art |
| ISBN | : 0520290259 |
Throughout his life, Rembrandt van Rijn (1606-1669) was considered an exceptional artist by contemporary art lovers. In this highly original book, Ernst van de Wetering investigates why Rembrandt, from a very early age, was praised by high-placed connoisseurs like Constantijn Huygens. It turns out that Rembrandt, from his first endeavours in painting on, had embarked on a journey past all the 'foundations of the art of painting' which were considered essential in the seventeenth century. In his systematic exploration of these foundations, Rembrandt achieved mastery in all of them, thus becoming the 'pittore famoso' that count Cosimo the Medici visited at the end of his life. Rembrandt never stopped searching for ever better solutions to the pictorial problems he saw himself confronted with; this sometimes led to radical decisions and alterations in his way of working, which cannot simply be explained by attributing them to a 'change in style' or a 'natural development'. In a quest as rigorous and novel as Rembrandt's, Van de Wetering shows us how Rembrandt dealt with the foundations of his art and used them to try and become the best painter the world had ever seen. His book sheds new light both on Rembrandt's exceptional accomplishments and on the practice of painting in the Dutch Golden Age at large.
| Author | : Sheila D. Muller |
| Publisher | : Routledge |
| Total Pages | : 664 |
| Release | : 2013-07-04 |
| Genre | : Social Science |
| ISBN | : 1135495742 |
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
| Author | : NatashaT. Seaman |
| Publisher | : Routledge |
| Total Pages | : 283 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351541110 |
The first in-depth study of the Utrecht artist to address questions beyond connoisseurship and attribution, this book makes a significant contribution to Ter Brugghen and Northern Caravaggist studies. Focusing on the Dutch master's simultaneous use of Northern archaisms with Caravaggio's motifs and style, Natasha Seaman nuances our understanding of Ter Brugghen's appropriations from the Italian painter. Her analysis centers on four paintings, all depicting New Testament subjects. They include Ter Brugghen's largest and first known signed work (Crowning with Thorns), his most archaizing (the Crucifixion), and the two paintings most directly related to the works of Caravaggio (the Doubting Thomas and the Calling of Matthew). By examining the ways in which Ter Brugghen's paintings deliberately diverge from Caravaggio's, Seaman sheds new light on the Utrecht artist and his work. For example, she demonstrates that where Caravaggio's paintings are boldly illusionistic and mimetic, thus de-emphasizing their materiality, Ter Brugghen's works examined here create the opposite effect, connecting their content to their made form. This study not only illuminates the complex meanings of the paintings addressed here, but also offers insights into the image debates and the status of devotional art in Italy and Utrecht in the seventeenth century by examining one artist's response to them.
| Author | : Kristoffer Neville |
| Publisher | : Penn State Press |
| Total Pages | : 257 |
| Release | : 2019-12-10 |
| Genre | : Art |
| ISBN | : 0271085231 |
Politically and militarily powerful, early modern Scandinavia played an essential role in the development of Central European culture from the sixteenth to the eighteenth century. In this volume, Kristoffer Neville shows how the cultural ambitions of Denmark and Sweden were inextricably bound to those of other Central European kingdoms. Tracing the visual culture of the Danish and Swedish courts from the Reformation to their eventual decline in the eighteenth century, Neville explains how and why they developed into important artistic centers. He examines major projects by figures largely unknown outside of Northern Europe alongside other, more canonical artists—including Cornelis Floris, Adriaen de Vries, and Johann Bernhard Fischer von Erlach—to propose a more coherent view of this part of Europe, one that rightly includes Scandinavia as a vital component. The seventeenth century has long seemed a bleak moment in Central European culture. Neville’s authoritative and unprecedented study does much to change this perception, showing that the arts did not die in the Reformation and Thirty Years’ War but rather flourished in the Baltic region.
| Author | : Benjamin J. Kaplan |
| Publisher | : BRILL |
| Total Pages | : 383 |
| Release | : 2019-09-16 |
| Genre | : Religion |
| ISBN | : 900435395X |
Reformation and the Practice of Toleration examines the remarkable religious toleration that characterized Dutch society in the early modern era. It shows how this toleration originated, how it functioned, and how people of different faiths interacted, especially in ‘mixed’ marriages.
| Author | : Walter A. Liedtke |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 642 |
| Release | : 2001 |
| Genre | : Art, Dutch |
| ISBN | : 0870999737 |
Walter Liedtke, curator of European paintings at the Metropolitan Museum of Art in New York, has assembled a splendid catalog of Vermeer and his artistic milieu. Seven lengthy, well-illustrated chapters (Liedtke wrote five, Dutch art historians Michiel Plomp and Marten Jan Bok wrote the others) describe life in the city of Delft; the painters Carel Fabritius, Leonart Bramer, and others who preceded Vermeer; the careers of Vermeer and De Hooch; the making of drawings and prints in 17th-century Delft; and the collecting of art in the same period. The catalog follows: each painting, print, and drawing accompanied by a lengthy catalog essay. Oversize: 12.25x9.75". c. Book News Inc.
| Author | : Willem van Asselt |
| Publisher | : BRILL |
| Total Pages | : 546 |
| Release | : 2007-09-30 |
| Genre | : Philosophy |
| ISBN | : 904742249X |
This book focuses on iconoclastic controversies and, in particular, their impact on the creation of religious identities. In the history of Jewish, Christian and Muslim culture, religious identity was not only formed through historical claims, but also through the use of certain images: ‘images of God’, ‘images of the others’, and ‘images of the self.’ Moreover, in the struggle for religious identity these ‘images’ were time and again employed for the purpose of establishing distinct groups, both ortho- dox and deviant. At the same time, they supplied weapons in the theological debate and found explicit expression in certain rituals or liturgical traditions. These conference proceedings include a discussion of the role of images in society, politics, theology and liturgy, in particular addressing the ‘iconoclash’ of physical, mental and verbal images on the construction of religious identity.
