I've Heard the Mermaids Singing
| Author | : |
| Publisher | : |
| Total Pages | : 21 |
| Release | : 1987 |
| Genre | : |
| ISBN | : |
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I've Heard the Mermaids Singing
| Author | : Julia Mendenhall |
| Publisher | : Arsenal Pulp Press |
| Total Pages | : 160 |
| Release | : 2014-12-08 |
| Genre | : Performing Arts |
| ISBN | : 1551525658 |
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A Queer Film Classic on Canadian director Patricia Rozema's I've Heard the Mermaids Singing, her quirky and hopeful first feature film which made its premiere at Cannes and won its Prix de la jeunesse. Presented as a "videotaped confession," it tells the story of Polly Vandersma, an unpretentious and introverted young woman who takes photographs as a hobby and works as a personal assistant to an elegant and sophisticated, but unsatisfied, art gallery director, Gabrielle St. Peres, whom she worships. This book presents a new close textual analysis of Mermaids that places this complex yet teachable film unquestionably within the global queer film canon while uncovering many of its complexities. The film has appeared on the Maclean's "Top 10 Films of the 20th Century" and Toronto International Film Festival's Best 10 Canadian Films of All Time. Julia Mendenhall, a longtime fan of the film, places it in the context of the director's life experiences and her filmic oeuvre, the production and reception history of the film within the mid to late 1980s and the 1990s era of "outing," and the development of queer theory.
The Mermaids Singing
| Author | : Val McDermid |
| Publisher | : Minotaur Books |
| Total Pages | : 398 |
| Release | : 2007-04-01 |
| Genre | : Fiction |
| ISBN | : 1429977663 |
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This was the summer he discovered what he wanted--at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling. The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim. A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage--or the power--to stop it... The Mermaids Singing is a chilling and taut psychological mystery from Val McDermid.
Mrs. Stevens Hears the Mermaids Singing
| Author | : May Sarton |
| Publisher | : Open Road Media |
| Total Pages | : 143 |
| Release | : 2014-07-22 |
| Genre | : Fiction |
| ISBN | : 1497646251 |
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Sarton’s most important novel tells the story of a poet in her seventies, whose life is retold episodically during an interview with two writers from a literary magazine Hilary Stevens’s prolific career includes a provocative novel that shot her into the public consciousness years ago, and an oeuvre of poetry that more recently has consigned her to near-obscurity. Now in the twilight of her life, Hilary, who is both a feminist and a lesbian, is receiving renewed attention for an upcoming collection of poems, one that has brought two young reporters to her Cape Cod home. As Hilary prepares for the conversation, she recalls formative moments both large and small. She then embarks on the interview itself—a witty and intelligent discussion of her life, work, and romantic relationships with men and women. After the journalists have left, Hilary helps a visiting male friend with his anxiety over being gay and imparts wisdom about channeling his own creative passions. This ebook features an extended biography of May Sarton.
Canada's Best Features
| Author | : Eugene P. Walz |
| Publisher | : Rodopi |
| Total Pages | : 424 |
| Release | : 2002 |
| Genre | : Motion pictures |
| ISBN | : 9789042015982 |
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Long recognized for outstanding National Film Board documentaries and innovative animated movies, Canada has recently emerged from the considerable shadow of the Hollywood elephant with a series of feature films that have captured the attention of audiences around the world. This is the first anthology to focus on Canada's feature films - those acknowledged as its very best. With essays by senior academics and leading scholars from across the country as well as some fresh new voices, Canada's Best Features offers penetrating analyses of fifteen award-winning films. Internationally acclaimed directors David Cronenberg, Atom Egoyan, Denys Arcand, and Claude Jutra are represented here. Noteworthy films include Mon oncle Antoine, often cited as Canada's number one film of all time, such Cannes Festival favourites as Le déclin de l'empire américain and Exotica, and cult films Careful by Guy Maddin and Masala by Srinivas Krishna. The essays offer the latest word on these films and filmmakers, done from a variety of perspectives. Some of the films have never been examined in-depth before. Complete filmographies and bibliographies accompany each essay. A contextualizing introduction by Professor Gene Walz provides the necessary overview. An annotated bibliography of books on the Canadian film industry completes this impressive package.
Things I Learned at Art School
| Author | : Megan Dunn |
| Publisher | : Penguin Random House New Zealand Limited |
| Total Pages | : 333 |
| Release | : 2021-08-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0143774867 |
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Part memoir, part essay collection, Megan Dunn’s ingenious, moving, hilariously personal Things I Learned at Art School tells the story of her early life and coming-of-age in New Zealand in the ‘70s, ‘80s and ‘90s. From her parents’ divorce to her Smurf collection, from the mean girls at school to the mermaid movie Splash!, from her work in strip clubs and massage parlours (and one steak restaurant) to the art school of the title, this is a dazzling, killer read from a contemporary voice of comic brilliance. Chapters include: The Ballad of Western Barbie; A Comprehensive List of All the Girls Who Teased Me at Western Heights High School, What They Looked Like and Why They Did It; On Being a Redhead; Life Begins at Forty: That Time My Uncle Killed Himself; Good Girls Write Memoirs, Bad Girls Don’t Have Time; Videos I Watched with My Father; Things I Learned at Art School; CV of a Fat Waitress; Nine Months in a Massage Parlour Called Belle de Jour; Various Uses for a Low Self-esteem; Art in the Waiting Room and Submerging Artist. Praise for Tinderbox: “Tinderbox is deadpan hilarious and Megan Dunn is a comic genius.” - Susanna Andrew, Metro “Megan Dunn's wry, whip-smart memoir about Fahrenheit 451, literary ambition & the last days of Borders Bookstores is funny & insightful as hell. Like Kathy Acker meets Sue Townsend. The read of the summer! ... already one of my favourite New Zealand books.” - Hera Lindsay Bird “Witty, highly entertaining.” - Philip Matthews, Stuff "Tinderbox is such a shape-shifter, such a sui generis work, that to call it a memoir does it a disservice ... [Dunn’s] voice is hard to resist – sardonic, brazen, sagacious – recalling, in places, Nora Ephron, John Jeremiah Sullivan, and Maggie Nelson.” - James Cook, Review 31
The Woman at the Keyhole
| Author | : Judith Mayne |
| Publisher | : Indiana University Press |
| Total Pages | : 274 |
| Release | : 1990-12-22 |
| Genre | : Performing Arts |
| ISBN | : 9780253115041 |
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"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance "... this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." -- The Independent When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.
The Singing Mermaid
| Author | : Julia Donaldson |
| Publisher | : Macmillan Children's Books |
| Total Pages | : 30 |
| Release | : 2019-04-04 |
| Genre | : |
| ISBN | : 9781509894178 |
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Join the Singing Mermaid in a circus adventure as she attempts to escape back to her seaside home in this lyrical story. Now in a classic board book format with a fresh cover design.Tempted by the promise of fame and fortune, the Singing Mermaid joins a circus. The crowds love her, but the poor mermaid is kept in a tank by the wicked circus owner Sam Sly, and she soon longs to return to the freedom of her ocean home. The Singing Mermaid is a delightful tale from the stellar picture book partnership of Julia Donaldson and Lydia Monks, creators of What the Ladybird Heard. With brilliant rhyming verse, bright and distinctive illustrations and a gorgeously glittery cover, this story is loved by children and parents alike.
Canadian National Cinema
| Author | : Chris Gittings |
| Publisher | : Routledge |
| Total Pages | : 354 |
| Release | : 2012-10-02 |
| Genre | : Social Science |
| ISBN | : 1134764855 |
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Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE Confessional Mon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.
Words Alone
| Author | : Denis Donoghue |
| Publisher | : Yale University Press |
| Total Pages | : 356 |
| Release | : 2002-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 9780300097191 |
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When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone is an intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S. Eliot--from initial undergraduate encounters with "The Love Song of J. Alfred Prufrock" to later submission to Eliot's entire writings. "The pleasure of Eliot's words persists," Donoghue says, "only because in good faith it can't be denied." Submission to Eliot, in Donoghue's case, involves the ear as much as it does the mind. He is a reader who listens attentively and a writer whose own music in these pages commands attention. Whether he is writing about Eliot's poetry or confronting the (often contentious) prose, Donoghue eloquently demonstrates what it means to read and to hear a master of language.
