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Italian Violin Music of the Seventeenth Century

Italian Violin Music of the Seventeenth Century
Author: Willi Apel
Publisher: Indiana University Press
Total Pages: 332
Release: 1990
Genre: Music
ISBN: 9780253306838

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"The emergence of pieces designated for specific instruments marked a significant change in musical practice. The celebrated musicologist Willi Apel discusses virtually all the surviving printed works from the seventeenth century that are intended for the violin. He describes the music of some sixty Italian composers of this period, detailing the individual innovative aspects of the pieces, their form, and issues of performance practice." --


Studies in Italian Sacred and Instrumental Music in the 17th Century

Studies in Italian Sacred and Instrumental Music in the 17th Century
Author: Stephen Bonta
Publisher: Routledge
Total Pages: 360
Release: 2003
Genre: History
ISBN:

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Stephen Bonta's research on seventeenth-century Italian music, particularly for strings, spans more than 30 years. Included in this selection of his published articles is his seminal study of the early history of the bass violin which proved to be the foundation for his subsequent articles on the early history of the violoncello. In addition to the discussions of secular instrumental music, the volume features essays that explore Italian sacred music of the period, including Monteverdi's Marian Vespers.


The Cambridge History of Seventeenth-Century Music

The Cambridge History of Seventeenth-Century Music
Author: Tim Carter
Publisher: Cambridge University Press
Total Pages: 636
Release: 2005-12-22
Genre: Music
ISBN: 9780521792738

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First published in 2005, this title provides extensive knowledge on seventeenth-century music.


A Performer's Guide to Seventeenth-Century Music

A Performer's Guide to Seventeenth-Century Music
Author: Stewart Carter
Publisher: Indiana University Press
Total Pages: 558
Release: 2012-03-21
Genre: Music
ISBN: 0253005280

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Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.


Music in Seventeenth-century Naples

Music in Seventeenth-century Naples
Author: Dinko Fabris
Publisher: Ashgate Publishing, Ltd.
Total Pages: 364
Release: 2007
Genre: Music
ISBN: 9780754637219

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Dinko Fabris draws on newly discovered archival documents to reconstruct the career of Francesco Provenzale (1624-1704) who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century.


Twelve sonatas, opus 16

Twelve sonatas, opus 16
Author: Isabella Leonarda
Publisher: A-R Editions, Inc.
Total Pages: 138
Release: 2001-01-01
Genre: Music
ISBN: 0895794934

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Bolognese Instrumental Music, 1660-1710

Bolognese Instrumental Music, 1660-1710
Author: Gregory Barnett
Publisher: Routledge
Total Pages: 358
Release: 2017-07-05
Genre: Music
ISBN: 1351573330

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This book, the first of its kind, is a study of Bolognese instrumental music during the height of the city's musical activity in the late seventeenth century. The period?marked by a rapid expansion of the cappella musicale of the principal city church, San Petronio, by the founding of the Accademia Filarmonica, and by increasingly lavish patronage of musical events?witnessed the proliferation of repertory for instrumental ensembles. This music not only reveals crucial stages in the development of the sonata and concerto but also recalls the elaborate church rituals and the opulent public and private celebrations in which they figured prominently. Moreover, the late seventeenth century saw the heyday of Bolognese music publishing, whose output of sonatas and related instrumental genres easily surpassed that of the once-dominating Venetian presses. The approach taken here departs from composer- and genre-centered monographs on Italian instrumental music in order to illuminate an array of topics that center on the Bolognese repertory: the social condition of instrumentalist-composers; the acumen of music publishers in the creation of the repertory; the diverse contexts of the instrumental dances; the influence of liturgical traditions on sonata topoi; the impact of psalmodic practice on tonal style; and the innovative climate that led to experiments with scoring and form in the earliest instrumental concertos. In sum, this book not only illustrates the historically significant and defining features of the music, but also links the surviving repertory to the flourishing musical culture in which it was created.