Investigations in Folksong
Author | : |
Publisher | : |
Total Pages | : 602 |
Release | : 1915 |
Genre | : Ballads |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 602 |
Release | : 1915 |
Genre | : Ballads |
ISBN | : |
Author | : Alfred Mason Williams |
Publisher | : |
Total Pages | : 352 |
Release | : 1894 |
Genre | : Folk songs |
ISBN | : |
Author | : Mark Slobin |
Publisher | : Oxford University Press |
Total Pages | : 162 |
Release | : 2011-01-11 |
Genre | : Music |
ISBN | : 0199753083 |
This VSI offers readers something no other introduction to folk music does: a cross-cultural, comparative approach, a survey of the basic issues as they have unfolded over time, and specific examples from widely differing sites of how folk musicians themselves, as well as corporations, non-governmental organizations, and governments have made full use of the available resources, older and newer strategies, and multiple agendas that keep the folk music process alive in an increasingly interconnected, yet still localized world.
Author | : Steve Roud |
Publisher | : Faber & Faber |
Total Pages | : 612 |
Release | : 2017-08-15 |
Genre | : Music |
ISBN | : 0571309739 |
In Victorian times, England was famously dubbed the land without music - but one of the great musical discoveries of the early twentieth century was that England had a vital heritage of folk song and music which was easily good enough to stand comparison with those of other parts of Britain and overseas. Cecil Sharp, Ralph Vaughan Williams, Percy Grainger, and a number of other enthusiasts gathered a huge harvest of songs and tunes which we can study and enjoy at our leisure. But after over a century of collection and discussion, publication and performance, there are still many things we don't know about traditional song - Where did the songs come from? Who sang them, where, when and why? What part did singing play in the lives of the communities in which the songs thrived? More importantly, have the pioneer collectors' restricted definitions and narrow focus hindered or helped our understanding? This is the first book for many years to investigate the wider social history of traditional song in England, and draws on a wide range of sources to answer these questions and many more.
Author | : Roald Maliangkay |
Publisher | : University of Hawaii Press |
Total Pages | : 265 |
Release | : 2017-10-31 |
Genre | : Music |
ISBN | : 0824866657 |
Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres. As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome, but imperative.
Author | : Alfred M. Williams |
Publisher | : Forgotten Books |
Total Pages | : 340 |
Release | : 2017-09-16 |
Genre | : Poetry |
ISBN | : 9781528569378 |
Excerpt from Studies in Folk-Song and Popular Poetry OF the essays in this volume, that on American Sea Songs has been published in the Atlantic Monthly, and that on folk-songs of the Civil War in the American folk-lore Journal. Those on English and Scottish Popular Ballads, Lady Nairne and her Songs, and William Thom, the Weaver Poet, were contributed as literary articles to the Providence Sunday Journal. It may be thought that the essays on Sir Samuel Ferguson and Celtic Poetry, Lady Nairne, and William Thom do not come Within the strict limits of folk song and popular poetry, but they have a cognate interest as illustrating the development of folk song in cultivated literature, and seem to me to be within a reasonable approximation to the title of the volume. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author | : Lauren Meeker |
Publisher | : |
Total Pages | : 208 |
Release | : 2013-09-30 |
Genre | : History |
ISBN | : |
This book interweaves an examination of Vietnamese folk culture, cultural nationalism, and cultural heritage since 1945 with an ethnographic account of the changing social practice of quan ho folk song. The author demonstrates how the discourses on cultu
Author | : Ioulia Papageorgi |
Publisher | : Routledge |
Total Pages | : 405 |
Release | : 2016-03-23 |
Genre | : Music |
ISBN | : 1317185269 |
To reach the highest standards of instrumental performance, several years of sustained and focused learning are required. This requires perseverance, commitment and opportunities to learn and practise, often in a collective musical environment. This book brings together a wide range of enlightening current psychological and educational research to offer deeper insights into the mosaic of factors and related experiences that combine to nurture (and sometimes hinder) advanced musical performance. Each of the book's four sections focus on one aspect of music performance and learning: musics in higher education and beyond; musical journeys and educational reflections; performance learning; and developing expertise and professionalism. Although each chapter within its home section offers a particular focus, there is an underlying conception across all the book’s contents of the achievability of advanced musical performance and of the important nurturing role that higher education can play, particularly if policy and practice are evidence-based and draw on the latest international research findings. The narrative offers an insight into the world of advanced musicians, detailing their learning journeys and the processes involved in their quest for the development of expertise and professionalism. It is the first book of its kind to consider performance learning in higher education across a variety of musical genres, including classical, jazz, popular and folk musics. The editors have invited an international community of leading scholars and performance practitioners to contribute to this publication, which draws on meticulous research and critical practice. This collection is an essential resource for all musicians, educators, researchers and policy makers who share our interest in promoting the development of advanced performance skills and professionalism.
Author | : Alfred M. (Alfred Mason) 1840 Williams |
Publisher | : Wentworth Press |
Total Pages | : 350 |
Release | : 2016-08-28 |
Genre | : History |
ISBN | : 9781373201683 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author | : Alfred Mason Williams |
Publisher | : Palala Press |
Total Pages | : 336 |
Release | : 2016-05-19 |
Genre | : |
ISBN | : 9781357536633 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.