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| Author | : |
| Publisher | : |
| Total Pages | : 298 |
| Release | : 2005 |
| Genre | : Music |
| ISBN | : |
This study of French early music revival gives us a vivid sense of how the cultural meanings of music were contested in the 19th century. It surveys the main patterns of revivalist activity while also providing in-depth studies of repertories stretching from Adam de la Halle to Rameau.
| Author | : Lawrence Kramer |
| Publisher | : Univ of California Press |
| Total Pages | : 332 |
| Release | : 2011 |
| Genre | : Music |
| ISBN | : 0520267052 |
This is a comprehensive essay on musical meaning and performing music meaningfully - 'interpreting music' in both senses of the term. The author argues that music, far from being closed to interpretation is the paradigm of interpretation in general.
| Author | : Katharine Ellis |
| Publisher | : Oxford University Press |
| Total Pages | : 321 |
| Release | : 2005-11-10 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0195176820 |
Presenting a study of the French early music revival, this book gives us a sense of how music's cultural meanings were contested in the nineteenth century. It surveys the main patterns of revivalist activity while also providing studies of repertories stretching from Adam de la Halle to Rameau.
| Author | : Robert S. Hatten |
| Publisher | : Indiana University Press |
| Total Pages | : 372 |
| Release | : 2017-09-04 |
| Genre | : Literary Criticism |
| ISBN | : 0253030277 |
"Robert Hatten's new book is a worthy successor to his Musical Meaning in Beethoven, which established him as a front-rank scholar . . . in questions of musical meaning. . . . [B]oth how he approaches musical works and what he says about them are timely and to the point. Musical scholars in both musicology and theory will find much of value here, and will find their notions of musical meaning challenged and expanded." —Patrick McCreless This book continues to develop the semiotic theory of musical meaning presented in Robert S. Hatten's first book, Musical Meaning in Beethoven (IUP, 1994). In addition to expanding theories of markedness, topics, and tropes, Hatten offers a fresh contribution to the understanding of musical gestures, as grounded in biological, psychological, cultural, and music-stylistic competencies. By focusing on gestures, topics, tropes, and their interaction in the music of Mozart, Beethoven, and Schubert, Hatten demonstrates the power and elegance of synthetic structures and emergent meanings within a changing Viennese Classical style. Musical Meaning and Interpretation—Robert S. Hatten, editor
| Author | : David Brackett |
| Publisher | : Univ of California Press |
| Total Pages | : 281 |
| Release | : 2023-09-01 |
| Genre | : Music |
| ISBN | : 052092570X |
There is a well-developed vocabulary for discussing classical music, but when it comes to popular music, how do we analyze its effects and its meaning? David Brackett draws from the disciplines of cultural studies and music theory to demonstrate how listeners form opinions about popular songs, and how they come to attribute a rich variety of meanings to them. Exploring several genres of popular music through recordings made by Billie Holiday, Bing Crosby, Hank Williams, James Brown, and Elvis Costello, Brackett develops a set of tools for looking at both the formal and cultural dimensions of popular music of all kinds.
| Author | : Brad Osborn |
| Publisher | : Taylor & Francis |
| Total Pages | : 270 |
| Release | : 2021-03-17 |
| Genre | : Music |
| ISBN | : 1000360571 |
Interpreting Music Video introduces students to the musical, visual, and sociological aspects of music videos, enabling them to critically analyze a multimedia form with a central place in popular culture. With highly relevant examples drawn from recent music videos across many different genres, this concise and accessible book brings together tools from musical analysis, film and media studies, gender and sexuality studies, and critical race studies, requiring no previous knowledge. Exploring the multiple dimensions of music videos, this book is the perfect introduction to critical analysis for music, media studies, communications, and popular culture.
| Author | : Thurston Dart |
| Publisher | : Random House (UK) |
| Total Pages | : 200 |
| Release | : 1984 |
| Genre | : Music |
| ISBN | : |
| Author | : Heather Platt |
| Publisher | : Indiana University Press |
| Total Pages | : 317 |
| Release | : 2012-07-18 |
| Genre | : Music |
| ISBN | : 0253005256 |
“This exceptionally fine collection brings together many of the best analysts of Brahms, and nineteenth-century music generally, in the English-speaking world today.” —Nineteenth-Century Music Review Contributors to this exciting volume examine the intersection of structure and meaning in Brahms’s music, utilizing a wide range of approaches, from the theories of Schenker to the most recent analytical techniques. They combine various viewpoints with the semiotic-based approaches of Robert Hatten, and address many of the most important genres in which Brahms composed. The essays reveal the expressive power of a work through the comparison of specific passages in one piece to similar works and through other artistic realms such as literature and painting. The result of this intertextual re-framing is a new awareness of the meaningfulness of even Brahms’s most “absolute” works. “Through its unique combination of historical narrative, expressive content, and technical analytical approaches, the essays in Expressive Intersections in Brahms will have a profound impact on the current scholarly discourse surrounding Brahms analysis.” —Notes
| Author | : David P. Neumeyer |
| Publisher | : Indiana University Press |
| Total Pages | : 336 |
| Release | : 2015-08-17 |
| Genre | : Music |
| ISBN | : 0253016517 |
By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.
| Author | : Victor L. Wooten |
| Publisher | : Penguin |
| Total Pages | : 292 |
| Release | : 2008-04-01 |
| Genre | : Music |
| ISBN | : 9780425220931 |
From Grammy-winning musical icon and legendary bassist Victor L. Wooten comes an inspiring parable of music, life, and the difference between playing all the right notes…and feeling them. The Music Lesson is the story of a struggling young musician who wanted music to be his life, and who wanted his life to be great. Then, from nowhere it seemed, a teacher arrived. Part musical genius, part philosopher, part eccentric wise man, the teacher would guide the young musician on a spiritual journey, and teach him that the gifts we get from music mirror those from life, and every movement, phrase, and chord has its own meaning...All you have to do is find the song inside. “The best book on music (and its connection to the mystic laws of life) that I've ever read. I learned so much on every level.”—Multiple Grammy Award–winning saxophonist Michael Brecker
