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International Who's Who in Music

International Who's Who in Music
Author: David Cummings
Publisher: Routledge
Total Pages: 747
Release: 1998
Genre: Music
ISBN: 9780948875922

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Widely acclaimed since its first publication, this completely revised and updated fourteenth edition has been compiled under the consultant editorship of two of the world's most eminent musical lexicographers. The International Biographical Centre has once again been fortunate in acquiring the services of David Cummings of London, England and Dennis McIntire of Indianapolis, Indiana, who have spent almost two years in producing the most detailed and accurate reference work of its kind.With an addition of 1,000 names since the last edition, and with all existing entries updated, this valuable reference contains biographical details of over 8,000 entrants. Entrants include contemporary composers, singers, arrangers, writers, soloists, orchestral players and managers, plus all others connected with the fields of classical and light classical music. In addition, exclusive information is provided on up-and-coming musicians currently emerging onto the music scene. An Appendices Section lists opera companies and also includes music awards, orchestras and conservatories worldwide.


International Who's who in Music and Musicians' Directory

International Who's who in Music and Musicians' Directory
Author: David M. Cummings
Publisher: Routledge
Total Pages: 1296
Release: 1994
Genre: Biography & Autobiography
ISBN: 9780948875717

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First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.


The International Who's Who in Music and Musician's Directory, 1996-97

The International Who's Who in Music and Musician's Directory, 1996-97
Author: David M. Cummings
Publisher: Routledge
Total Pages: 1206
Release: 1996
Genre: Biography & Autobiography
ISBN: 9780948875229

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Twenty-nine collected essays represent a critical history of Shakespeare's play as text and as theater, beginning with Samuel Johnson in 1765, and ending with a review of the Royal Shakespeare Company production in 1991. The criticism centers on three aspects of the play: the love/friendship debate.