Intellectual Property at the Edge
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Total Pages | : |
Release | : 2006 |
Genre | : Intellectual property |
ISBN | : |
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Total Pages | : |
Release | : 2006 |
Genre | : Intellectual property |
ISBN | : |
Author | : Eric Lewis |
Publisher | : University of Michigan Press |
Total Pages | : 281 |
Release | : 2019-03-29 |
Genre | : Music |
ISBN | : 0472125087 |
How do we define improvised music? What is the relationship of highly improvised performances to the work they are performances of? How do we decide what are the important parts of an improvised musical work? In Intents and Purposes, Eric Lewis uses a series of case studies to challenge assumptions about what defines a musical work and musical performance, seeking to go beyond philosophical and aesthetic templates from Western classical music to foreground the distinctive practices and aesthetics of jazz. Pushing aside the assumption that composition and improvisation are different (or even opposed) musical practices, Lewis’s philosophically informed approach revisits key topics in musical ontology, such as how to define the triangle of composer-performer-listener, and the status of live performances in relation to scores and recordings. Drawing on critical race theory, feminist theory, new musicology, sociology, cognitive science, and genre theory, Lewis opens up new questions about agency in performance, as well as new ways of considering the historical relationships between improvisational practices with roots in different cultural frameworks. By showing how jazz can be both art, idea, and action all at the same time, Lewis offers a new way of seeing any improvised musical performance in a new culturally and aesthetically rich context.
Author | : Rochelle Cooper Dreyfuss |
Publisher | : |
Total Pages | : 492 |
Release | : 2014 |
Genre | : Intellectual property |
ISBN | : 9781139914444 |
Intellectual Property at the Edge exposes and analyses newly emerging intellectual property rights and limitations from historical and comparative law perspectives.
Author | : John Richardson |
Publisher | : Oxford University Press |
Total Pages | : 749 |
Release | : 2013-08-20 |
Genre | : Music |
ISBN | : 0199985103 |
This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.
Author | : Spyridon V Bazinas |
Publisher | : Bloomsbury Publishing |
Total Pages | : 392 |
Release | : 2017-10-19 |
Genre | : Business & Economics |
ISBN | : 1509901159 |
The law of secured transactions has seen dramatic changes in the last decade. International organisations, particularly the United Nations Commission on International Trade Law (UNCITRAL), have been working towards the creation of international legal standards aimed at the modernisation and harmonisation of secured financing laws (eg, the United Nations Convention on the Assignment of Receivables in International Trade, the UNCITRAL Legislative Guide on Secured Transactions and its Intellectual Property Supplement, the UNCITRAL Guide on the Implementation of a Security Rights Registry and the UNCITRAL Model Law on Secured Transactions). The overall theme of this book is international (or cross-border) secured transactions law. It assembles contributions from some of the most authoritative academic voices on secured financing law. This publication will be of interest to those involved in secured transactions around the world, including policy-makers, practitioners, judges, arbitrators and academics.
Author | : Lionel Bently |
Publisher | : Hart Publishing |
Total Pages | : 546 |
Release | : 2010-08-31 |
Genre | : Law |
ISBN | : |
This book explore the assumption that the patent, copyright and trade mark laws within members of the 'common law family' share a common tradition.
Author | : Rosemary J. Coombe |
Publisher | : University of Toronto Press |
Total Pages | : 451 |
Release | : 2014-01-01 |
Genre | : Language Arts & Disciplines |
ISBN | : 1442614412 |
Dynamic Fair Dealing presents a range of insightful and provocative essays that rethink our relationship to Canadian fair dealing policy.
Author | : Nicholas Cook |
Publisher | : Oxford University Press |
Total Pages | : 482 |
Release | : 2013 |
Genre | : Music |
ISBN | : 0199357404 |
In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is generated in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket. Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars-including musicologists, music theorists, and music cognition scholars-everywhere.
Author | : Rochelle Cooper Dreyfuss |
Publisher | : |
Total Pages | : 492 |
Release | : 2014 |
Genre | : Intellectual property |
ISBN | : 9781139902762 |
Intellectual Property at the Edge exposes and analyses newly emerging intellectual property rights and limitations from historical and comparative law perspectives.
Author | : Nicholas Cook |
Publisher | : Oxford University Press |
Total Pages | : 265 |
Release | : 2018-02-01 |
Genre | : Music |
ISBN | : 0199347824 |
Until recently, ideas of creativity in music revolved around composers in garrets and the lone genius. But the last decade has witnessed a sea change: musical creativity is now overwhelmingly thought of in terms of collaboration and real-time performance. Music as Creative Practice is a first attempt to synthesize both perspectives. It begins by developing the idea that creativity arises out of social interaction-of which making music together is perhaps the clearest possible illustration-and then shows how the same thinking can be applied to the ostensively solitary practices of composition. The book also emphasizes the contextual dimensions of musical creativity, ranging from the prodigy phenomenon, long-term collaborative relationships within and beyond the family, and creative learning to the copyright system that is supposed to incentivize creativity but is widely seen as inhibiting it. Music as Creative Practice encompasses the classical tradition, jazz and popular music, and music emerges as an arena in which changing concepts of creativity-from the old myths about genius to present-day sociocultural theory-can be traced with particular clarity. The perspective of creativity tells us much about music, but the reverse is also true, and this fifth and last instalment of the Studies in Musical Performance as Creative Practice series offers an approach to musical creativity that is attuned to the practices of both music and everyday life.