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Inside the Room

Inside the Room
Author: Linda Venis
Publisher: Avery
Total Pages: 274
Release: 2013-08-06
Genre: Language Arts & Disciplines
ISBN: 1592408117

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What does it take to go from being a TV fan to a professional TV writer? Television writers--whose many produced credits include The Simpsons; Mad Men; Frasier; X-Files; Battlestar Gallactica; CSI: Miami; Law and Order; and House, M.D.--take aspiring writers through the process of writing their first spec script for an on-air series, creating one-hour drama and sitcom pilots that break out from the pack, and revising their scripts to meet pro standards. They also learn how to launch and sustain a writing career and get a rare look inside the process of creating, selling, and getting a TV show made. Edited by Linda Venis, Director of the UCLA Extension Writers' Program, Inside the Room is an unmatched resource for everything readers need to know to write their way into the Writers Guild of America.


Inside Gilligan's Island

Inside Gilligan's Island
Author: Sherwood Schwartz
Publisher: Macmillan
Total Pages: 362
Release: 1994-04-15
Genre: Performing Arts
ISBN: 9780312104825

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Join the creator of Gilligan's Island for a three-hour tour! Just sit right back and you'll hear a tale, A tale of a fateful show, That started as just one man's dream, A long, long time ago. That man was a mightily wily guy, With smarts enough for eight. If the brass upstairs let him be, The program would be great. The program would be great. The meddlesome executives Blew up a mighty storm, If not for the courage of the fearless man, The program would be lost. The program would be lost. The show's preserved in the leaves of this Terrific kooky book. With anecdotes, synopses too, Rare photographs and drawings. The whole story And lots, lots more Are here Inside Gilligan's Island! Find out: Where the Howells got all those clothes! Learn: Did Gilligan and the Skipper ever get hurt when the coconuts hit them on the head? Discover: What was "Lovey's" real name? Imagine: What kind of a pet the studio almost gave Gilligan! Sing: The original lyrics to the theme song!


Inside Fame on Television

Inside Fame on Television
Author: Michael A. Hoey
Publisher: McFarland
Total Pages: 236
Release: 2010-03-08
Genre: Performing Arts
ISBN: 078645573X

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Fame, the hugely popular 1980 musical film inspired by New York's High School of the Performing Arts, was adapted as a weekly NBC television series in 1982. Though cancelled by the network after two seasons, the TV version of Fame rose from the ashes to enjoy a long and successful run in syndication. Among the series' cast members were such gifted performers as Debbie Allen and Janet Jackson. For five of the six years that Fame flourished on television, Michael A. Hoey was closely involved in the series' production. He has written a compelling behind-the-scenes history of the filming of the hit series, incorporating interviews with a number of the creative principals as well as recounting his own experiences.


When Television Was Young

When Television Was Young
Author: Ed McMahon
Publisher: Thomas Nelson
Total Pages: 326
Release: 2007-09-09
Genre: Performing Arts
ISBN: 141857841X

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When television was young . . . Legendary movie producer Darryl Zanuck declared, "People will soon get tired of staring at a plywood box every night. Before 5:30, there were only test patterns. Howdy Doody was the first show of the day. CBS agreed to put I Love Lucy on film only if Desi and Lucy paid part of the production fee. In return, CBS gave them ownership of the shows, including the right to rerun it forever. Kukla, Fran, and Ollie was the first network show broadcast in color. 50,000 fans showed up in a New Orleans department store to meet Hopalong Cassidy. Movie studios would not let motion icture stars appear on television for fear that if people saw the stars on TV, they wouldn't go to the movies. Filled with fascinating stories, When Television Was Young is a hilarious, entertaining, behind-the-scenes look at the world of the small screen.


Make Room for TV

Make Room for TV
Author: Lynn Spigel
Publisher: University of Chicago Press
Total Pages: 250
Release: 1992-06
Genre: Family & Relationships
ISBN: 9780226769677

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Between 1948 and 1955, nearly two-thirds of all American families bought a television set—and a revolution in social life and popular culture was launched. In this fascinating book, Lynn Spigel chronicles the enormous impact of television in the formative years of the new medium: how, over the course of a single decade, television became an intimate part of everyday life. What did Americans expect from it? What effects did the new daily ritual of watching television have on children? Was television welcomed as an unprecedented "window on the world," or as a "one-eyed monster" that would disrupt households and corrupt children? Drawing on an ambitious array of unconventional sources, from sitcom scripts to articles and advertisements in women's magazines, Spigel offers the fullest available account of the popular response to television in the postwar years. She chronicles the role of television as a focus for evolving debates on issues ranging from the ideal of the perfect family and changes in women's role within the household to new uses of domestic space. The arrival of television did more than turn the living room into a private theater: it offered a national stage on which to play out and resolve conflicts about the way Americans should live. Spigel chronicles this lively and contentious debate as it took place in the popular media. Of particular interest is her treatment of the way in which the phenomenon of television itself was constantly deliberated—from how programs should be watched to where the set was placed to whether Mom, Dad, or kids should control the dial. Make Room for TV combines a powerful analysis of the growth of electronic culture with a nuanced social history of family life in postwar America, offering a provocative glimpse of the way television became the mirror of so many of America's hopes and fears and dreams.


Down The Tube

Down The Tube
Author: William Baker
Publisher:
Total Pages: 360
Release: 1998
Genre: Business & Economics
ISBN:

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The president of public television's flagship station and a longtime senior CBS executive reveals the surprising reasons today's television programs are so bad. Written by insiders who have played on both sides of the programming game, DOWN THE TUBE is a sweeping examination of the history of television and an important indictment of the mercenary mentality that taints the most powerful medium in the world.


Inside The Prisoner

Inside The Prisoner
Author: Ian Rakoff
Publisher: B.T. Batsford
Total Pages: 204
Release: 1998
Genre: Performing Arts
ISBN:

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This account of the making and significance of the cult TV show, The Prisoner by a writer who worked on the series, contains a filmography with detailed credits and plot summaries. It includes encounters with stars and directors, and unveils the ideas developed for the unfilmed second series.


Genre and Television

Genre and Television
Author: Jason Mittell
Publisher: Routledge
Total Pages: 262
Release: 2013-05-13
Genre: Performing Arts
ISBN: 1135458839

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Genre and Television proposes a new understanding of television genres as cultural categories, offering a set of in-depth historical and critical examinations to explore five key aspects of television genre: history, industry, audience, text, and genre mixing. Drawing on well-known television programs from Dragnet to The Simpsons, this book provides a new model of genre historiography and illustrates how genres are at work within nearly every facet of television-from policy decisions to production techniques to audience practices. Ultimately, the book argues that through analyzing how television genre operates as a cultural practice, we can better comprehend how television actively shapes our social world.


Race in American Television [2 volumes]

Race in American Television [2 volumes]
Author: David J. Leonard
Publisher: Bloomsbury Publishing USA
Total Pages: 901
Release: 2021-01-26
Genre: Social Science
ISBN:

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This two-volume encyclopedia explores representations of people of color in American television. It includes overview essays on early, classic, and contemporary television and the challenges for, developments related to, and participation of minorities on and behind the screen. Covering five decades, this encyclopedia highlights how race has shaped television and how television has shaped society. Offering critical analysis of moments and themes throughout television history, Race in American Television shines a spotlight on key artists of color, prominent shows, and the debates that have defined television since the civil rights movement. This book also examines the ways in which television has been a site for both reproduction of stereotypes and resistance to them, providing a basis for discussion about racial issues in the United States. This set provides a significant resource for students and fans of television alike, not only educating but also empowering readers with the necessary tools to consume and watch the small screen and explore its impact on the evolution of racial and ethnic stereotypes in U.S. culture and beyond. Understanding the history of American television contributes to deeper knowledge and potentially helps us to better apprehend the plethora of diverse shows and programs on Netflix, Hulu, YouTube, and other platforms today.


Olympic Media

Olympic Media
Author: Andrew Billings
Publisher: Routledge
Total Pages: 230
Release: 2008-01-24
Genre: Social Science
ISBN: 1135980640

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Located in the United States, NBC (National Broadcasting Company) is the biggest and most powerful Olympic network in the world, having won the rights to televise both the Summer and the Winter Olympic Games. By way of attracting more viewers of both sexes and all ages and ethnicities than any other sporting event, and through the production of breathtaking spectacles and absorbing stories, NBC’s Olympic telecasts have huge power and potential to shape viewer perceptions. Billings’s unique text examines the production, content, and potential effects of NBC’s Olympic telecasts. Interviews with key NBC Olympic producers and sportscasters (including NBC Universal Sports and Olympics President Dick Ebersol and primetime anchor Bob Costas) outline the inner workings of the NBC Olympic machine; content analyses from ten years of Olympic telecasts (1996-2006) examine the portrayal of nationality, gender, and ethnicity within NBC’s telecast; and survey analyses interrogate the extent to which NBC’s storytelling process affects viewer beliefs about identity issues. This mixed-method approach offers valuable insights into what Billings portrays as "the biggest show on television".