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| Author | : Jeremy H. Lipschultz |
| Publisher | : Routledge |
| Total Pages | : 192 |
| Release | : 2014-04-04 |
| Genre | : History |
| ISBN | : 1135657114 |
This book brings together the theory and practice of local TV news, considering the coverage of crime, for students in journalism, mass comm, media and society, and other areas.
| Author | : Charles L. Ponce de Leon |
| Publisher | : University of Chicago Press |
| Total Pages | : 331 |
| Release | : 2016-09-09 |
| Genre | : History |
| ISBN | : 022642152X |
Ever since Newton Minow taught us sophisticates to bemoan the descent of television into a vast wasteland, the dyspeptic chorus of jeremiahs who insist that television news in particular has gone from gold to dross gets noisier and noisier. Charles Ponce de Leon says here, in effect, that this is misleading, if not simply fatuous. He argues in this well-paced, lively, readable book that TV news has changed in response to broader changes in the TV industry and American culture. It is pointless to bewail its decline. "That s the Way It Is "gives us the very first history of American television news, spanning more than six decades, from Camel News Caravan to Countdown with Keith Oberman and The Daily Show. Starting in the latter 1940s, television news featured a succession of broadcasters who became household names, even presences: Eric Sevareid, Walter Cronkite, David Brinkley, Peter Jennings, Brian Williams, Katie Couric, and, with cable expansion, people like Glenn Beck, Jon Stewart, and Bill O Reilly. But behind the scenes, the parallel story is just as interesting, involving executives, producers, and journalists who were responsible for the field s most important innovations. Included with mainstream network news programs is an engaging treatment of news magazines like "60 Minutes" and "20/20, " as well as morning news shows like "Today" and "Good Morning America." Ponce de Leon gives ample attention to the establishment of cable networks (CNN, and the later competitors, Fox News and MSNBC), mixing in colorful anecdotes about the likes of Roger Ailes and Roone Arledge. Frothy features and other kinds of entertainment have been part and parcel of TV news from the start; viewer preferences have always played a role in the evolution of programming, although the disintegration of a national culture since the 1970s means that most of us no longer follow the news as a civic obligation. Throughout, Ponce de Leon places his history in a broader cultural context, emphasizing tensions between the public service mission of TV news and the quest for profitability and broad appeal."
| Author | : Mike Conway |
| Publisher | : Peter Lang |
| Total Pages | : 414 |
| Release | : 2009 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781433106026 |
This is the first in-depth look at the development of the television newscast, the most popular source of news for over forty-five years.During the 1940s, most journalists ignored or dismissed television, leaving the challenge to a small group of people working above New York City's Grand Central Terminal. Without the pressures of ratings, sponsors, company oversight, or many viewers, the group refused to recreate newspapers, radio, or newsreels on the new medium. They experimented, argued, tested, and eventually settled on a format to exploit television's strengths. This book documents that process, challenging common myths - including the importance of a popular anchor, and television's inability to communicate non-visual stories - and crediting those whose work was critical in the formation of television as a news format, and illustrating the pressures and professional roadblocks facing those who dare question journalistic traditions of any era. -- Publisher.
| Author | : Jackie Harrison |
| Publisher | : Manchester University Press |
| Total Pages | : 274 |
| Release | : 2000-09-02 |
| Genre | : Performing Arts |
| ISBN | : 9780719055904 |
Harrison's work is timely given the assaults on public broadcasting and the challenges confronting terrestrial television news production and output in the late 20th century.
| Author | : Libby Lewis |
| Publisher | : Routledge |
| Total Pages | : 218 |
| Release | : 2015-08-27 |
| Genre | : Social Science |
| ISBN | : 1317607260 |
This book explores the written and unwritten requirements Black journalists face in their efforts to get and keep jobs in television news. Informed by interviews with journalists themselves, Lewis examines how raced Black journalists and their journalism organizations process their circumstances and choose to respond to the corporate and institutional constraints they face. She uncovers the social construction and attempted control of "Blackness" in news production and its subversion by Black journalists negotiating issues of objectivity, authority, voice, and appearance along sites of multiple differences of race, gender, and sexuality.
| Author | : Beth E. Adubato |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 233 |
| Release | : 2022-05-20 |
| Genre | : Social Science |
| ISBN | : 1793628696 |
Crime in TV, the News, and Film provides a fresh look at the interplay between criminal events and the media outlets that cover them. The authors’ diverse backgrounds— a criminologist researcher, a documentarian and media professor, a police officer, and a criminologist who is a former TV reporter— allow for frank discussion. Combining field experience with criminological research, the book gives insight to the everyday media operations that can produce most people’s views on crime and profoundly influence public opinion— public opinion that often frames public policy. Viewers of crime dramas and consumers of news will gain a new understanding of the way their programs are produced. Readers will become more aware of the issues and biases that sometimes cloud perceptions of crime and criminals. Finally, both experts and scholars interested in the subject will improve their discernment of media stories and media depictions, shining a light on crime in a hazy field. This book can be used in the classroom for an array of courses in the fields of media and communications, criminology, sociology, and more.
| Author | : Richard J. Goedkoop |
| Publisher | : |
| Total Pages | : 188 |
| Release | : 1988 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Curt Hersey |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 297 |
| Release | : 2022-07-26 |
| Genre | : Performing Arts |
| ISBN | : 1793637792 |
In this book, Curt Hersey explores the history of U.S. media, demonstrating how news parody has entertained television audiences by satirizing political and social issues and offering a lighthearted take on broadcast news. Despite shifts away from broadcast and cable delivery, comedians like Samantha Bee, Michael Che, and John Oliver continue this tradition of delivering topical humor within a newscast format. In this history of the television news parody genre, Hersey critically engages with the norms and presentational styles of television journalism at the time of their production. News parody has increasingly become part of the larger journalistic field, with viewers often turning to this parodic programming as a supplement and corrective to mainstream news sources. Beginning in the 1960s with the NBC program That Was the Week That Was, the history of news parody is analyzed decade by decade by focusing on presidential and political coverage, as well as the genre’s critiques of television network and cable journalism. Case studies include Saturday Night Live’s “Weekend Update;” HBO’s Not Necessarily the News; Comedy Central’s original Daily Show, The Daily Show with Jon Stewart, and The Colbert Report; and HBO’s Last Week Tonight with John Oliver. Scholars of media history, political communication, and popular culture will find this book particularly useful.
| Author | : Steve M. Barkin |
| Publisher | : Routledge |
| Total Pages | : 232 |
| Release | : 2016-09-16 |
| Genre | : History |
| ISBN | : 131529091X |
This concise history of the news broadcasting industry will appeal to both students and general readers. Stretching from the "radio days" of the 1920s and 1930s and the early era of television after World War II through to the present, the book shows how commercial interests, regulatory matters, and financial considerations have long shaped the broadcasting business. The network dominance of the 1950s ushered in the new prominence of the "anchorman," a distinctly American development, and gave birth to the "golden age" of TV broadcasting, which featured hard-hitting news and documentaries epitomized by the reports by CBS's Edward R. Murrow. Financial pressures and advertising concerns in the 1960s led the networks to veer away from their commitment to serve the public interest, and "tabloid" television - celebrity, gossip-driven "soft news" - and news "magazines" became increasingly widespread. In the 1980s cable news further transformed broadcasting, igniting intense competition for viewers in the media marketplace. Focusing on both national and local news, this stimulating volume examines the evolution of broadcast journalism. It also considers how new electronic technologies will affect news delivery in the 21st century, and whether television news can still both serve the public interest and maintain an audience.
| Author | : Rich Underwood |
| Publisher | : Taylor & Francis |
| Total Pages | : 410 |
| Release | : 2007-06-19 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1136033297 |
Roll! Shells fly overhead as night-scopes capture deadly fire fights with an eerie green hue, a category 5 hurricane devastates the Big Easy, hidden cameras enter a Cambodian village of brothels and a veteran journalist interviews himself throughout his own brain surgery. Part non-fiction drama, part trade publication, part text book, all woven together giving the reader a look through the viewfinders of the very best television photojournalists. As 19 experts weigh in with their candid, personal stories and photographic tips, it's as if you're over their shoulders, following their intuitions and hearing their thoughts as they shoot. The trade term for what they do is called ENG (Electronic News Gathering) and whether they're called Cameramen, Backpack Journalists, Television Photographers or any other moniker de jour, they're all paid to bring the world's events into living rooms around the world. These are the men and women who capture the bleeding edge of history - as it happens. Written in a smooth, unique interview style, this book is a necessary read for photojournalists, videographers and tv photojournalists.
