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| Author | : Mayke De Jong |
| Publisher | : Brill's Studies in Intellectua |
| Total Pages | : 360 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9789004104839 |
Why did parents give away their children? Were they driven by economic necessity?
| Author | : Mayke De Jong |
| Publisher | : BRILL |
| Total Pages | : 392 |
| Release | : 1996 |
| Genre | : History |
| ISBN | : 9789004104839 |
This study is about the multitude of early medieval children donated 'to God in the monastery'. It puts child oblation in the context of contemporary gift-giving practices, providing in-depth treatment of the oblation ritual and its social setting.
| Author | : Tracy Nelson Maurer |
| Publisher | : Henry Holt and Company (BYR) |
| Total Pages | : 40 |
| Release | : 2019-06-25 |
| Genre | : Juvenile Nonfiction |
| ISBN | : 1250618398 |
Writer Tracy Nelson Maurer and illustrator El Primo Ramón present a lively picture book biography of Samuel Morse that highlights how he revolutionized modern technology. Back in the 1800s, information traveled slowly. Who would dream of instant messages? Samuel Morse, that’s who! Who traveled to France, where the famous telegraph towers relayed 10,000 possible codes for messages depending on the signal arm positions—only if the weather was clear? Who imagined a system that would use electric pulses to instantly carry coded messages between two machines, rain or shine? Long before the first telephone, who changed communication forever? Samuel Morse, that’s who! This dynamic and substantive biography celebrates an early technology pioneer.
| Author | : Samuel Chamberlain |
| Publisher | : Architectural Book Publishing |
| Total Pages | : 193 |
| Release | : 2013-05-16 |
| Genre | : Architecture |
| ISBN | : 1589797973 |
For those who love New England, here is a matchless portrait by one of its most distinguished artists and observant admirers. Samuel Chamberlain photographed New England for more than forty years, examining it from every angle and capturing its unique spirit and enduring character with the lens of his camera. The image Mr. Chamberlain presents here is a distillation of his finest photographs of New England. From tall church spires rising above village greens to white farmhouses, secluded beaches, and historic harbors, Chamberlain reveals the secret of New England’s enduring beauty, strength, and pride.
| Author | : P. McTighe |
| Publisher | : Springer |
| Total Pages | : 335 |
| Release | : 2015-12-04 |
| Genre | : Literary Criticism |
| ISBN | : 1137275332 |
Samuel Beckett's work is deeply concerned with physical contact - remembered, half-remembered, or imagined. Applying the philosophical writings of Jean-Luc Nancy and Maurice Merleau-Ponty that feature sensation, this study examines how Beckett's later work dramatizes moments of contact between self and self, self and world, and self and other.
| Author | : Anna McMullan |
| Publisher | : Routledge |
| Total Pages | : 194 |
| Release | : 2020-07-24 |
| Genre | : History |
| ISBN | : 1000155374 |
The representation and experience of embodiment is a central preoccupation of Samuel Beckett’s drama, one that he explored through diverse media. McMullan investigates the full range of Beckett’s dramatic canon for stage, radio, television and film, including early drama, mimes and unpublished fragments. She examines how Beckett’s drama composes and recomposes the body in each medium, and provokes ways of perceiving, conceiving and experiencing embodiment that address wider preoccupations with corporeality, technology and systems of power. McMullan argues that the body in Beckett’s drama reveals a radical vulnerability of the flesh, questioning corporeal norms based on perfectible, autonomous or invulnerable bodies, but is also the site of a continual reworking of the self, and of the boundaries between self and other. Beckett’s re-imagining of the body presents embodiment as a collaborative performance between past and present, flesh and imagination, self and other, including the spectator / listener.
| Author | : S.E. Gontarski |
| Publisher | : Edinburgh University Press |
| Total Pages | : 512 |
| Release | : 2014-02-07 |
| Genre | : Literary Criticism |
| ISBN | : 0748675698 |
A landmark collection showcasing the diversity of Samuel Beckett's creative output The 35 original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabate, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; The Body; Fiction; Film, Radio & Television; Global Beckett; Language / Writing; Philosophy; Reading; and Theatre & Performance. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation.
| Author | : Charles A. Carpenter |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 525 |
| Release | : 2011-10-13 |
| Genre | : Reference |
| ISBN | : 1441159746 |
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.
| Author | : Christopher Langlois |
| Publisher | : Edinburgh University Press |
| Total Pages | : 272 |
| Release | : 2017-06-09 |
| Genre | : Philosophy |
| ISBN | : 147441902X |
Samuel Beckett and the Terror of Literature addresses the relevance of terror to understanding the violence, the suffering, and the pain experienced by the narrative voices of Beckett's major post-1945 works in prose: The Unnamable, Texts for Nothing, How It Is, Company, Ill Seen Ill Said, and Worstward Ho. Through a sustained dialogue with the theoretical work of Maurice Blanchot, it accomplishes a systematic interrogation of what happens in the space of literature when writing, and first of all Beckett's, encounters the language of terror, thereby giving new significance - ethical, ontological, and political - to what speaks in Beckett's texts.a a
| Author | : Samuel Hopkins |
| Publisher | : |
| Total Pages | : 834 |
| Release | : 1852 |
| Genre | : |
| ISBN | : |
