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Improvisation in Rehearsal

Improvisation in Rehearsal
Author: John Abbott
Publisher:
Total Pages: 230
Release: 2009
Genre: Performing Arts
ISBN:

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John Abbott, author of The Improvisation Book, explains how theatre directors at every level can use improvisation in the rehearsal room. Foreword by Mark Rylance. 'Improvisation can be used as part of the creative process of rehearsing a play. It can be a fabulous tool for exploration and discovery. It can strengthen the actor's commitment to their character. And it can create an environment of confidence and spontaneity.' Packed with useful exercises and improvisation scenarios, and examples from a wide variety of plays, Improvisation in Rehearsal reveals how improvisation enriches and enlivens the creation of characters, back-stories, relationships, shared histories and emotional lives. The book also demonstrates how improvisation can be used as a powerful tool in the foundation of a strong company, and when searching for the hidden depths and dynamics in a scene. Building on his own experience as an actor, director and teacher, Abbott writes with clarity and an infectious enthusiasm which will motivate directors to try the techniques for themselves. As Mark Rylance says in his Foreword, this book 'will inspire and delight its readers'.


Rehearsals for Growth

Rehearsals for Growth
Author: Daniel J. Wiener
Publisher: W W Norton & Company Incorporated
Total Pages: 269
Release: 1994
Genre: Medical
ISBN: 9780393701876

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Reference for psychotherapists on the applications of improvisational theater to psychotherapy for groups, couples, family, and individuals.


Theater Games for Rehearsal

Theater Games for Rehearsal
Author: Viola Spolin
Publisher: Northwestern University Press
Total Pages: 138
Release: 2010
Genre: Drama
ISBN: 0810127490

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Theater Games for Rehearsal: A Director’s Handbook, first published in 1985, is a practical application of Viola Spolin’s famous method that guides directors and their companies step-by-step through all phases of the rehearsal period. Spolin shows in easy-to-follow detail how her techniques can be used for a variety of theater situations, ranging from selecting plays or material to be performed, casting, and building a harmonious company to warming up actors, creating stage space, and overcoming opening night jitters. The edition reflects Spolin’s wished-for updates: five important exercises have been added, and instructions presenting her improvisational approach have been clarified throughout. Her wealth of useful notes remain undiminished. Sidecoaching instructions and game evaluations are boxed and highlighted for on-the-spot reading by the director, in rehearsal. Viola Spolin has been called "the high priestess of improvisational theater," and the method that she created andpresented in her books not only remains the pedagogical standard but has found an even wider audience beyond theater. Featuring a new foreword by renowned film director Rob Reiner, the updated edition is a necessary addition to any theater bookshelf.


I Want to Be Ready

I Want to Be Ready
Author: Danielle Goldman
Publisher: University of Michigan Press
Total Pages: 187
Release: 2010-05-04
Genre: Performing Arts
ISBN: 0472050842

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A conceptual framework for understanding the development of improvised dance in late 20th-century America


Creating Improvised Theatre

Creating Improvised Theatre
Author: Mark Jane
Publisher: Routledge
Total Pages: 572
Release: 2021-08-18
Genre: Performing Arts
ISBN: 1000415155

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Creating Improvised Theatre: Tools, Techniques, and Theories for Short Form and Narrative Improvisation is a complete guide to improvised theatre for performers and instructors. This book provides a modern view of improvised theatre based on the rapid evolution of this art form, shedding new light on classic theories as well as developing lesser known and emerging techniques, such as the Trance Mask. Instead of simply referencing classic theories, the book revisits them and places them in the context of contemporary improvisation techniques. Designed as a practical support, this guide contains over 130 exercises that allow its theories to come alive in workshops, rehearsals, and performance. The book is divided into four sections: Nuts and bolts: The fundamental tools of improvisation to explore how to be spontaneously creative, build with your partner, and learn from masks to discover your scene instant by instant. Short form: Techniques for scene work and short form performance, including how to get the most out of a scene, remain connected to the relational stakes, provoke change (physical, status, and emotional), and maintain a playful attitude. Narrative improvisation: Theories to help navigate long form narrative-based shows with "narrative waypoints," generate variety, develop protagonists, work on genres, and manipulate creative transitions. The bits box: Advice for warming-up before a rehearsal or a show with a collection of useful games. Written to inspire creativity and provide the tools to develop innovative improvised shows and experiences, Creating Improvised Theatre is an invaluable source book for anyone interested in the art of improvised theatre, whether a beginning student or experienced performer.


Contemporary Rehearsal Practice

Contemporary Rehearsal Practice
Author: Gary Cassidy
Publisher: Routledge
Total Pages: 148
Release: 2021-02-22
Genre: Performing Arts
ISBN: 1000216063

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This book provides the first comprehensive study of Anthony Neilson’s unconventional rehearsal methodology. Neilson’s notably collaborative rehearsal process affords an unusual amount of creative input to the actors he works with and has garnered much interest from scholars and practitioners alike. This study analyses material edited from 100 hours of footage of the rehearsals of Neilson’s 2013 play Narrative at the Royal Court Theatre, as well as interviews with Neilson himself, the Narrative cast and actors from other Neilson productions. Replete with case studies, Gary Cassidy also considers the work of other relevant practitioners where appropriate, such as Katie Mitchell, Forced Entertainment, Joan Littlewood, Peter Brook, Complicite’s Simon McBurney, Stanislavski and Sarah Kane. Contemporary Rehearsal Practice will be of great interest to scholars, students and practitioners of theatre and performance and those who have an interest in rehearsal studies.


Improvisation in Drama, Theatre and Performance

Improvisation in Drama, Theatre and Performance
Author: Anthony Frost
Publisher: Bloomsbury Publishing
Total Pages: 485
Release: 2015-10-26
Genre: Performing Arts
ISBN: 1350316245

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Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.


Improvising Improvisation

Improvising Improvisation
Author: Gary Peters
Publisher: University of Chicago Press
Total Pages: 284
Release: 2017-05-29
Genre: Literary Criticism
ISBN: 022645262X

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There is an ever-increasing number of books on improvisation, ones that richly recount experiences in the heat of the creative moment, theorize on the essence of improvisation, and offer convincing arguments for improvisation’s impact across a wide range of human activity. This book is nothing like that. In a provocative and at times moving experiment, Gary Peters takes a different approach, turning the philosophy of improvisation upside-down and inside-out. Guided by Kant, Hegel, Heidegger, and especially Deleuze—and exploring a range of artists from Hendrix to Borges—Peters illuminates new fundamentals about what, as an experience, improvisation truly is. As he shows, improvisation isn’t so much a genre, idiom, style, or technique—it’s a predicament we are thrown into, one we find ourselves in. The predicament, he shows, is a complex entwinement of choice and decision. The performativity of choice during improvisation may happen “in the moment,” but it is already determined by an a priori mode of decision. In this way, improvisation happens both within and around the actual moment, negotiating a simultaneous past, present, and future. Examining these and other often ignored dimensions of spontaneous creativity, Peters proposes a consistently challenging and rigorously argued new perspective on improvisation across an extraordinary range of disciplines.