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Imagining Human Rights in Twenty-First Century Theater

Imagining Human Rights in Twenty-First Century Theater
Author: F. Becker
Publisher: Springer
Total Pages: 415
Release: 2012-12-27
Genre: History
ISBN: 113702710X

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There is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors open the way toward understanding the character and significance of this encounter.


Imagining Human Rights in Twenty-First Century Theater

Imagining Human Rights in Twenty-First Century Theater
Author: F. Becker
Publisher: Springer
Total Pages: 284
Release: 2012-12-27
Genre: History
ISBN: 113702710X

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There is extraordinary diversity, depth, and complexity in the encounter between theatre, performance, and human rights. Through an examination of a rich repertoire of plays and performance practices from and about countries across six continents, the contributors open the way toward understanding the character and significance of this encounter.


Theatre and Human Rights after 1945

Theatre and Human Rights after 1945
Author: Mary Luckhurst
Publisher: Springer
Total Pages: 254
Release: 2016-04-29
Genre: Performing Arts
ISBN: 1137362308

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This volume investigates the rise of human rights discourses manifested in the global spectrum of theatre and performance since 1945. Essays address topics such as disability, discrimination indigenous rights, torture, gender violence, genocide and elder abuse.


Performing Human Rights

Performing Human Rights
Author: Anika Marschall
Publisher: Taylor & Francis
Total Pages: 198
Release: 2023-08-04
Genre: Performing Arts
ISBN: 1000923355

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This book enhances critical perspectives on human rights through the lens of performance studies and argues that contemporary artistic interventions can contribute to our understanding of human rights as a critical and embodied doing. This study is situated in the contemporary discourse of asylum and political art practices. It argues for the need to reimagine human rights as performative and embodied forms of recognition and practical honouring of our shared vulnerability and co-dependency. It contributes to the debate of theatre and migration, by understanding that contemporary asylum issues are complex and context specific, and that they do not only pertain to the refugee, migrant, asylum seeker or stateless person but also to privileged constituencies, institutional structures, forms of organisation and assembly. The book presents a unique mixed-methods approach that focuses equally on performance analyses and on political philosophy, critical legal studies and art history – and thus speaks to a range of politically interested scholars in all four fields.


The SAGE Handbook of Human Rights

The SAGE Handbook of Human Rights
Author: Anja Mihr
Publisher: SAGE
Total Pages: 1127
Release: 2014-07-21
Genre: Political Science
ISBN: 1473907195

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The SAGE Handbook of Human Rights will comprise a two volume set consisting of more than 50 original chapters that clarify and analyze human rights issues of both contemporary and future importance. The Handbook will take an inter-disciplinary approach, combining work in such traditional fields as law, political science and philosophy with such non-traditional subjects as climate change, demography, economics, geography, urban studies, mass communication, and business and marketing. In addition, one of the aspects of mainstreaming is the manner in which human rights has come to play a prominent role in popular culture, and there will be a section on human rights in art, film, music and literature. Not only will the Handbook provide a state of the art analysis of the discipline that addresses the history and development of human rights standards and its movements, mechanisms and institutions, but it will seek to go beyond this and produce a book that will help lead to prospective thinking.


Human Rights in Colombian Literature and Cultural Production

Human Rights in Colombian Literature and Cultural Production
Author: Carlos Gardeazábal Bravo
Publisher: Routledge
Total Pages: 284
Release: 2022-04-28
Genre: Literary Criticism
ISBN: 100056407X

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This volume explores how Colombian novelists, artists, performers, activists, musicians, and others seek to enact—to perform, to stage, to represent—human rights situations that are otherwise enacted discursively, that is, made public or official, in juridical and political realms in which justice often remains an illusory or promised future. In order to probe how cultural production embodies the tensions between the abstract universality of human rights and the materiality of violations on individual human bodies and on determined groups, the volume asks the following questions: How does the transmission of historical traumas of Colombia’s past, through human rights narratives in various forms, inform the debates around the subjects of rights, truth and memory, remembrance and forgetting, and the construction of citizenship through solidarity and collective struggles for justice? What are the different roles taken by cultural products in the interstices among rights, laws, and social justice within different contexts of state violence and states of exception? What are alternative perspectives, sources, and (micro)histories from Colombia of the creation, evolution, and practice of human rights? How does the human rights discourse interface with notions of environmental justice, especially in the face of global climate change, regional (neo)extractivism, the implementation of megaprojects, and ongoing post-accord thefts and (re)appropriations of land? Through a wide range of disciplinary lenses, the different chapters explore counter-hegemonic concepts of human rights, decolonial options struggling against oppression and market logic, and alternative discourses of human dignity and emancipation within the pluriverse.


Theatre History Studies 2016, Vol. 35

Theatre History Studies 2016, Vol. 35
Author: Sara Freeman
Publisher: University of Alabama Press
Total Pages: 392
Release: 2016-12-06
Genre: Performing Arts
ISBN: 0817371109

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Rosemarie K. Bank and Michal Kobialka, eds., Theatre/Performance Historiography: Time, Space, Matter / Reviewed by Danny Devlin


The Cambridge Companion to Human Rights and Literature

The Cambridge Companion to Human Rights and Literature
Author: Crystal Parikh
Publisher: Cambridge University Press
Total Pages: 277
Release: 2019-07-11
Genre: Literary Criticism
ISBN: 1108665195

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Literature has been essential to shaping the notions of human personhood, good life, moral responsibility, and forms of freedom that have been central to human rights law, discourse, and politics. The literary study of human rights has also recently generated innovative and timely perspectives on the history, meaning, and scope of human rights. The Cambridge Companion to Human Rights and Literature introduces this new and exciting field of study in the humanities. It explores the historical and institutional contexts, theoretical concepts, genres, and methods that literature and human rights share. Equally accessible to beginners in the field and more advanced researches, this Companion emphasizes both the literary and interdisciplinary dimensions of human rights and the humanities.


Ecologies of Precarity in Twenty-First Century Theatre

Ecologies of Precarity in Twenty-First Century Theatre
Author: Marissia Fragkou
Publisher: Bloomsbury Publishing
Total Pages: 247
Release: 2018-09-06
Genre: Performing Arts
ISBN: 1474267165

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Presenting a rigorous critical investigation of the reinvigoration of the political in contemporary British theatre, Ecologies of Precarity in Twenty-First Century Theatre provides a fresh understanding of how theatre has engaged with precarity, affect, risk, intimacy, care and relationality in recent times. The study makes a compelling case for reading precarity as a 'sticky' theatrical trope which carries the potential to re-animate our understanding of identity politics and responsibility for the lives of Others in an age of uncertainty. Approaching precarity as an ecology cutting across various practices, themes and aesthetics, the book features a comprehensive selection of theatre examples staged in the UK since the 1990s. Works by debbie tucker green, Alistair McDowall, Complicite, Simon Stephens, Stan's Cafe, Mike Bartlett, Caryl Churchill, The Paper Birds, and Belarus Free Theatre are put in dialogue with interdisciplinary feminist vocabularies developed by Judith Butler, Sara Ahmed, Lauren Berlant and Isabell Lorey. In focusing on areas such as children and youth at risk, human rights, environmental ethics and the politics of debt, the study makes a vital contribution to the burgeoning field of politics and theatre in the 21st century.


Human Rights Education

Human Rights Education
Author: Sarita Cargas
Publisher: University of Pennsylvania Press
Total Pages: 216
Release: 2019-12-20
Genre: Political Science
ISBN: 0812251792

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In tracing the origins of the modern human-rights movement, historians typically point to two periods: the 1940s, in which decade the Universal Declaration of Human Rights (UDHR) was ratified by the United Nations General Assembly; and the 1970s, during which numerous human rights nongovernmental organizations (NGOs), most notably Amnesty International and Médecins Sans Frontières, came into existence. It was also in the 1970s, Sarita Cargas observes, when the first classes in international human rights began to be taught in law schools and university political science departments in the United States. Cargas argues that the time has come for human rights to be acknowledged as an academic discipline. She notes that human rights has proven to be a relevant field to scholars and students in political science and international relations and law for over half a century. It has become of interest to anthropology, history, sociology, and religious studies, as well as a requirement even in social work and education programs. However, despite its interdisciplinary nature, Cargas demonstrates that human rights meets the criteria that define an academic discipline in that it possesses a canon of literature, a shared set of concerns, a community of scholars, and a methodology. In an analysis of human rights curricula in Australia, Canada, the United Kingdom, and the United States, Cargas identifies an informal consensus on the epistemological foundations of human rights, including familiarity with human rights law; knowledge of major actors including the United Nations, governments, NGOS, and multinational corporations; and, most crucially, awareness and advocacy of the rights and freedoms detailed in the articles of the UDHR. The second half of the book offers practical recommendations for creating a human rights major or designing courses at the university level in the United States.