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| Author | : John Williams |
| Publisher | : Penn State Press |
| Total Pages | : 238 |
| Release | : 1999 |
| Genre | : Art |
| ISBN | : 0271017686 |
A unique exploration of the beginnings of biblical illustration and decoration.
| Author | : Claus Michael Kauffmann |
| Publisher | : Harvey Miller |
| Total Pages | : 414 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : |
Using examples of manuscripts, medieval art, sculpture, wall-painting, metal work and stained glass, the author explores the use of Biblical imagery in art during the medieval period in England.
| Author | : Richard Gameson |
| Publisher | : |
| Total Pages | : |
| Release | : 1994 |
| Genre | : |
| ISBN | : |
| Author | : Richard Gameson |
| Publisher | : Cambridge University Press |
| Total Pages | : 0 |
| Release | : 2009-01-18 |
| Genre | : Literary Criticism |
| ISBN | : 9780521100014 |
The significance of the Bible in the life, thought and culture of the early Middle Ages can hardly be overstated. Here eleven linked studies, embracing palaeography, history, art history, theology and textual scholarship, examine and interpret the evidence of Bible manuscripts (including gospel books and Psalters) in their cultural context from late antiquity to the thirteenth century. Subjects include the earliest Bible manuscripts, the Gospels in a missionary context, the scriptorium of Tours, the development of the early glossed Psalter, the Old Testament in tenth- and eleventh-century England, the Italian Giant Bibles, the origins of the Paris Bible, the illustration of the early Gothic Psalter and the planning and production of the Hamburg Bible. Together these essays provide a broad-ranging, authoritative treatment of themes which are of central importance for the history and culture of the times.
| Author | : Jennifer O'Reilly |
| Publisher | : Routledge |
| Total Pages | : 427 |
| Release | : 2019-06-17 |
| Genre | : History |
| ISBN | : 1000008711 |
When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together nine studies of the Insular Gospel Books. One of them, on the iconography of the St Gall Gospels (Essay 9), was left completed, but unpublished, on the author’s death. It appears here for the first time. The remaining studies, published between 1987 and 2013, examine certain themes and motifs that inform the Gospel Books: their implicit Christology, their harmonisation of the four Gospel accounts, the depiction of Christ crucified, and the portrayal of St John the Evangelist. Two of the Books, the Durham Gospels and the Gospels of Mael Brigte, receive particular attention. (CS1079).
| Author | : Frans van Liere |
| Publisher | : Cambridge University Press |
| Total Pages | : 337 |
| Release | : 2014-03-31 |
| Genre | : Religion |
| ISBN | : 1107728983 |
The Middle Ages spanned the period between two watersheds in the history of the biblical text: Jerome's Latin translation c.405 and Gutenberg's first printed version in 1455. The Bible was arguably the most influential book during this time, affecting spiritual and intellectual life, popular devotion, theology, political structures, art, and architecture. In an account that is sensitive to the religiously diverse world of the Middle Ages, Frans van Liere offers here an accessible introduction to the study of the Bible in this period. Discussion of the material evidence - the Bible as book - complements an in-depth examination of concepts such as lay literacy and book culture. This introduction includes a thorough treatment of the principles of medieval hermeneutics, and a discussion of the formation of the Latin bible text and its canon. It will be a useful starting point for all those engaged in medieval and biblical studies.
| Author | : Paul Magdalino |
| Publisher | : Harvard University Press |
| Total Pages | : 354 |
| Release | : 2010 |
| Genre | : History |
| ISBN | : 9780884023487 |
The Old Testament in Byzantium contains papers from a Dumbarton Oaks symposium based on an exhibition of early Bible manuscripts titled "In the Beginning: Bibles before the Year 1000." Topics include manifestations of the holy books in Byzantine manuscript illustration, architecture, and government, as well as in Jewish Bible translations.
| Author | : Katrin Kogman-Appel |
| Publisher | : Penn State University Press |
| Total Pages | : 295 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780271027401 |
Emerging in Spain after 1250, Jewish narrative figurative painting became a central feature in a group of illuminated Passover Haggadot in the early decades of the fourteenth century. Illuminated Haggadot from Medieval Spain describes how the Sephardic Haggadot reflect different visualizations of scripture under various conditions and aimed at a variety of audiences. Though the specifics of the creation of these works remain a mystery, this book delves into the cultural struggles that existed during this period in history and shows how those conflicts influenced the work. The culture surrounding the creators of the Sephardic Haggadot was saturated in conflict revolving around acculturation, polemics with Christianity, and struggles within Sephardic Jewry itself. Kogman-Appel presents the Sephardic Haggadot as visual manifestations of a minority struggling for cultural identity both in relation to the dominant culture and within its own realm.
| Author | : Jennifer O'Reilly |
| Publisher | : Routledge |
| Total Pages | : 446 |
| Release | : 2019-06-19 |
| Genre | : History |
| ISBN | : 100000872X |
When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume brings together seventeen essays, published between 1984 and 2013, on the interplay of texts and images in medieval art. Most focus on the manuscript art of early medieval Ireland and England. The first section includes four studies of the Codex Amiatinus, produced in Northumbria in the monastic community of Bede. The second section contains seven essays on the iconography and text of the Book of Kells. In the third section there are five studies of Anglo-Saxon Art, examined in the context of the Benedictine Reform. A concluding essay, on the medieval iconography of the two trees in Eden, traces the development of a motif from Late Antiquity to the end of the Middle Ages.(CS1080)
| Author | : William Diebold |
| Publisher | : Routledge |
| Total Pages | : 177 |
| Release | : 2018-05-04 |
| Genre | : Art |
| ISBN | : 0429971532 |
This book provides an introduction to early medieval art, both the images themselves and the methods used to study them, focusing on the relationship of word and image, a relationship that was central in northern Europe and the Mediterranean from about 600 to about 1050.
