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| Author | : Urtext Piano Reprint |
| Publisher | : |
| Total Pages | : 52 |
| Release | : 2020-09-09 |
| Genre | : |
| ISBN | : |
Claude Debussy's Complete Images (Books 1 and 2), Urtext Edition. Reproduce the original intention of the composer as exactly as possible, without any added or changed material.
| Author | : Ellie Sanazaro |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-04 |
| Genre | : |
| ISBN | : 9781736679906 |
Inspired by Genesis 1:27, "Image Bearer" is a Christian children's book that teaches how God wonderfully created every child in his image. "Image Bearer" is meant to be a resource to help churches and families celebrate differences. It features illustrations inspired by real kids who have an array of diagnoses including Down syndrome, autism, Williams syndrome, spina bifida, cerebral palsy, osteogenesis imperfecta, lymphatic malformation, port-wine stain, Kniest syndrome, epilepsy, and more.
| Author | : Elina Gertsman |
| Publisher | : Penn State Press |
| Total Pages | : 599 |
| Release | : 2021-06-24 |
| Genre | : Art |
| ISBN | : 0271089016 |
Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
| Author | : Anthony A. Hoekema |
| Publisher | : Wm. B. Eerdmans Publishing |
| Total Pages | : 282 |
| Release | : 1994-09-06 |
| Genre | : Religion |
| ISBN | : 9780802808509 |
ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.
| Author | : James Elkins |
| Publisher | : Penn State Press |
| Total Pages | : 298 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 0271050640 |
"Brings together historians, philosophers, critics, postcolonial theorists, and curators to ask how images, pictures, and paintings are conceptualized. Issues discussed include concepts such as "image" and "picture" in and outside the West; semiotics; whether images are products of discourse; religious meanings; and the ethics of viewing"--Provided by publisher.
| Author | : Noreen L. Herzfeld |
| Publisher | : Fortress Press |
| Total Pages | : 166 |
| Release | : 2002 |
| Genre | : Religion |
| ISBN | : 9781451415186 |
In Our Image brilliantly illuminates who we are as humans by demonstrating the surprisingly deep parallels between our motivations to replicate ourselves through computer technology and our emerging understanding of ourselves as relational beings created in God's image. This book is required reading for anyone--Christian or non-Christian--intrigued by the possibility of artificial intelligence.
| Author | : Allison Bown |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2018-07 |
| Genre | : |
| ISBN | : 9780989626279 |
Our lives are God's masterpiece - and He deeply enjoys the process of relational development us that reveals it. He is passionate for us to perceive clearly the beautiful and powerful image of our true identity in Christ that already His reality. But far too often, we've settled for a less valuable, inauthentic copy of the life we think God is asking of us. Difficult experiences, poor histories and a host of other negatives have defined us in ways that are not an accurate image of what God sees when He looks at you.For many years, Allison Bown and Graham Cooke have partnered together in exploring this lifestyle, teaching and training people in their true identity in Christ - seeing astonishing, lasting transformation. In The Image, Allison translates these discoveries, along with her own experience and wisdom, into writing that will allow you to have a greater encounter of life from God's perspective.
| Author | : J. Richard Middleton |
| Publisher | : Brazos Press |
| Total Pages | : 304 |
| Release | : 2005-03-01 |
| Genre | : Religion |
| ISBN | : 1441242783 |
For two thousand years, Christians have been intrigued by the somewhat enigmatic Imago Dei references in the book of Genesis. Much theological ink has been spilled mulling over the significance and meaning of these words: "Let us make humanity in our image, according to our likeness . . . " In The Liberating Image, J. Richard Middleton takes on anew the challenge of interpreting the Imago Dei. Reflecting on the potential of the Imago Dei texts for developing an ethics of power rooted in compassion, he relates its significance to the Christian community's distinct calling in an increasingly violent world. The Liberating Image introduces a relevant, scholarly take on an important Christian doctrine. It will appeal to all Christians seeking to better understand what it means to be made in God's image.
| Author | : Lois Farfel Stark |
| Publisher | : Greenleaf Book Group |
| Total Pages | : 202 |
| Release | : 2018-02-06 |
| Genre | : Art |
| ISBN | : 1626344728 |
Next Generation Indie Book Awards, Best Non Fiction 2019 National Indie Excellence Award Winner Nautilus Book Awards, Gold #1 Amazon Best Seller in Architecture History & Periods Amazon Best Seller in Art Subjects & Themes Seeing the World Through Shape How do humans make sense of the world? In answer to this timeless question, award winning documentary filmmaker, Lois Farfel Stark, takes the reader on a remarkable journey from tribal ceremonies in Liberia and the pyramids in Egypt, to the gravity-defying architecture of modern China. Drawing on her experience as a global explorer, Stark unveils a crucial, hidden key to understanding the universe: Shape itself. The Telling Image is a stunning synthesis of civilization’s changing mindsets, a brilliantly original perspective urging you to re-envision history not as a story of kings and wars but through the lens of shape. In this sweeping tour through time, Stark takes us from migratory humans, who imitated a web in round-thatched huts and stone circles, to the urban ladder of pyramids and skyscrapers, organized by hierarchy and measurements, to today’s world of interconnected networks. In The Telling Image Stark reveals how buildings, behaviors, and beliefs reflect humans’ search for pattern and meaning. We can read the past and glimpse the future by watching when shapes shift. Stark’s beautifully illustrated book asks of all its readers: See what you think.
| Author | : Ingrid Hoelzl |
| Publisher | : Intellect Books |
| Total Pages | : 160 |
| Release | : 2015-09-01 |
| Genre | : Photography |
| ISBN | : 1783205040 |
With today’s digital technology, the image is no longer a stable representation of the world, but a programmable view of a database that is updated in real time. It no longer functions as a political and iconic representation, but plays a vital role in synchronic data-to-data relationships. It is not only part of a program, but it contains its own operating code: the image is a program in itself. Softimage aims to account for that new reality, taking readers on a journey that gradually undoes our unthinking reliance on the apparent solidity of the photographic image and building in its place an original and timely theorization of the digital image in all its complexity, one that promises to spark debate within the evolving fields of image studies and software studies.
