Il re pastore del Pietro Metastasio
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 109 |
Release | : 1764 |
Genre | : |
ISBN | : |
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Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 109 |
Release | : 1764 |
Genre | : |
ISBN | : |
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 48 |
Release | : 1751 |
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ISBN | : |
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 65 |
Release | : 1794 |
Genre | : |
ISBN | : |
Author | : Viktoria Franić Tomić |
Publisher | : Hollitzer Wissenschaftsverlag |
Total Pages | : 137 |
Release | : 2020-04-20 |
Genre | : Music |
ISBN | : 3990127993 |
Nowhere in Europe the Italian opera libretto has had such a direct and decisive influence on original national drama production as it did in Dubrovnik during the 17th and 18th century. In the "Golden Age of Croatian Literature", a hybrid drama genre was created. For more than a century, authors of this genre looked attentively at the most important trends of Italian opera production and followed them faithfully. In Croatian literature of that period, a specific model of libretti without music was created, one that appropriated the Italian libretto. These plays were not performed along with functional music, although sometimes authors and actors would provide instrumental accompaniment to the texts. Nothing more needs to be said about the dissemination and specific reception of Italian opera libretti in Dubrovnik during the 17th and 18th century to be understood as occupying a noteworthy place in the cultural life of Europe.
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 458 |
Release | : 1831 |
Genre | : |
ISBN | : |
Author | : Rebecca Harris-Warrick |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 404 |
Release | : 2005 |
Genre | : Biography & Autobiography |
ISBN | : 9780299203542 |
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 264 |
Release | : 1784 |
Genre | : |
ISBN | : |
Author | : Claudio Sartori |
Publisher | : |
Total Pages | : 658 |
Release | : 1990 |
Genre | : Librettos |
ISBN | : |
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 43 |
Release | : 1765 |
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ISBN | : |
Author | : Pietro Metastasio |
Publisher | : |
Total Pages | : 56 |
Release | : 1778 |
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ISBN | : |