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| Author | : Sacvan Bercovitch |
| Publisher | : Cambridge University Press |
| Total Pages | : 472 |
| Release | : 1986 |
| Genre | : Literary Criticism |
| ISBN | : 9780521273091 |
For more than a decade, Americanists have been concerned with the problem of ideology, and have undertaken a broad reassessment of American literature and culture. This volume brings together some of the best work in this area.
| Author | : Sacvan Bercovitch |
| Publisher | : Cambridge University Press |
| Total Pages | : 846 |
| Release | : 1997-01-28 |
| Genre | : Literary Criticism |
| ISBN | : 9780521585712 |
Volume I of The Cambridge History of American Literature was originally published in 1997, and covers the colonial and early national periods and discusses the work of a diverse assemblage of authors, from Renaissance explorers and Puritan theocrats to Revolutionary pamphleteers and poets and novelists of the new republic. Addressing those characteristics that render the texts distinctively American while placing the literature in an international perspective, the contributors offer a compelling new evaluation of both the literary importance of early American history and the historical value of early American literature.
| Author | : Laurie Rodrigues |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 232 |
| Release | : 2020-12-10 |
| Genre | : Literary Criticism |
| ISBN | : 1501361880 |
Claims of ideology's end are, on the one hand, performative denials of ideology's inability to end; while, on the other hand, paradoxically, they also reiterate an idea that 'ending' is simply what all ideologies eventually do. Situating her work around the intersecting publications of Daniel Bell's The End of Ideology (1960) and J.D. Salinger's Franny and Zooey (1961), Laurie Rodrigues argues that American novels express this paradox through nuanced applications of non-realist strategies, distorting realism in manners similar to ideology's distortions of reality, history, and belief. Reflecting the astonishing cultural variety of this period, The American Novel After Ideology, 1961 - 2000 examines Franny and Zooey, Carlene Hatcher Polite's The Flagellants (1967), Leslie Marmon Silko's Almanac of the Dead (1991), and Philip Roth's The Human Stain (2001) alongside the various discussions around ideology with which they intersect. Each novel's plotless narratives, dissolving subjectivities, and cultural codes organize the texts' peculiar relations to the post-ideological age, suggesting an aesthetic return of the repressed.
| Author | : Thomas E. Jenkins |
| Publisher | : Cambridge University Press |
| Total Pages | : 263 |
| Release | : 2015-05-14 |
| Genre | : History |
| ISBN | : 1316297837 |
Written in a lively and accessible style, Antiquity Now opens our gaze to the myriad uses and abuses of classical antiquity in contemporary fiction, film, comics, drama, television - and even internet forums. With every chapter focusing on a different aspect of classical reception - including sexuality, politics, gender and ethnicity - this book explores the ideological motivations behind contemporary American allusions to the classical world. Ultimately, this kaleidoscope of receptions - from calls for marriage equality to examinations of gang violence to passionate pleas for peace (or war) - reveals a 'classical antiquity' that reconfigures itself daily, as modernity explains itself to itself through ever-expanding technologies and media. Antiquity Now thus examines the often-surprising redeployment of the art and literature of the ancient world, a geography charged with especial value in the contemporary imagination.
| Author | : Henry Nash Smith |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : 380 |
| Release | : 1990 |
| Genre | : Literary Criticism |
| ISBN | : |
This collection of essays in memory of Henry Nash Smith considers American literature as both a product and an agent of culture and ideology. Included are a biographical essay on Henry Nash Smith by historian Henry F. May and «Mark Twain, Ritual Clown, » an important late essay by Smith, published here for the first time. Other distinguished contributors are Thomas F. Gossett, Eric J. Sundquist, Leo Marx, David Leverenz, Beverly R. Voloshin, Daniel Aaron, R.W.B. Lewis, Annette Kolodny, Sybil Weir, Larzer Ziff, Lorne Fienberg, Susan Gillman, Kermit Vanderbilt, and John S. Wright.
| Author | : Emory Elliott |
| Publisher | : Cambridge University Press |
| Total Pages | : 210 |
| Release | : 2002-08-29 |
| Genre | : History |
| ISBN | : 9780521520416 |
The Cambridge Introduction to Early American Literature offers students a literary history of American writing in English between 1492 and 1820, as well as providing a concise social and cultural history of these three centuries. Emory Elliott traces the impact of race, gender, and ethnic conflict on early American culture, and explores the centrality of American Puritanism in the formation of a distinctively American literature. This highly engaging and comprehensive study will be essential reading for students of the literature, history and culture of early America.
| Author | : José David Saldívar |
| Publisher | : Duke University Press |
| Total Pages | : 234 |
| Release | : 1991-10-31 |
| Genre | : Literary Criticism |
| ISBN | : 0822381702 |
Joining the current debates in American literary history, José David Saldívar offers a challenging new perspective on what constitutes not only the canon in American literature, but also the notion of America itself. His aim is the articulation of a fresh, transgeographical conception of American culture, one more responsive to the geographical ties and political crosscurrents of the hemisphere than to narrow national ideologies. Saldívar pursues this goal through an array of oppositional critical and creative practices. He analyzes a range of North American writers of color (Rolando Hinojosa, Gloria Anzaldúa, Arturo Islas, Ntozake Shange, and others) and Latin American authors (José Martí, Roberto Fernández Retamar, Gabriel García Márquez, and others), whose work forms a radical critique of the dominant culture, its politics, and its restrictive modes of expression. By doing so, Saldívar opens the traditional American canon to a dialog with other voices, not just the voices of national minorities, but those of regional cultures different from the prevalent anglocentric model. The Dialectics of Our America, in its project to expand the “canon” and define a pan-American literary tradition, will make a critical difference in ongoing attempts to reconceptualize American literary history.
| Author | : Susan L. Mizruchi |
| Publisher | : Princeton University Press |
| Total Pages | : 335 |
| Release | : 2014-07-14 |
| Genre | : Literary Criticism |
| ISBN | : 1400859190 |
In this provocative study, Susan Mizruchi argues that the act of writing history is the key to the political concerns of American novelists. Using nineteenth-century theories of history as well as recent narratological models, she examines reconstructions of the past in The House of the Seven Gables (1851), The Bostonians (1886), The Wings of the Dove (1902), and An American Tragedy (1925). Her special focus allows us to see that the efforts (on the part of characters and narrators alike) to reshape the past reveal both anxieties about the self and larger struggles for political power. Professor Mizruchi demonstrates the deepening connections between narrative and political coercion from Hawthorne to Dreiser, whose novels (as she further shows) both incorporate, and portray their characters incorporating, the conditions of their contemporary worlds. Her argument addresses a major contemporary dialogue on the subversive qualities of American texts and the place of history in literary interpretation. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : Susanne Klingenstein |
| Publisher | : Syracuse University Press |
| Total Pages | : 536 |
| Release | : 1998-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 9780815605409 |
In this groundbreaking study, the author examines the gradual opening of literary academe to Jewish faculty and analyzes the critical work Jewish scholars undertook to achieve their integration into an exclusive WASP domain. Beginning her story at Harvard University, Klingenstein describes the unique intellectual paths taken by scholars such as Harry Levin, Daniel Aaron, M. H. Abrams, Leo Marx, and Sacvan Bercovitch. At Columbia University, Klingenstein argues that the singular Jewish presence of Lionel Trilling shaped the minds and inspired the careers of Jewish intellectuals as different as Cynthia Ozick, Norman Podhoretz, Steven Marcus, and Carolyn Heilbrun. Once Jewish scholars had attained a strong foothold in literary academe, pioneering spirits such as Robert Alter and Ruth R. Wisse turned their attention from English and American to Jewish literature in Hebrew and Yiddish. Written as an interconnected series of twelve lucid and compelling portraits of major figures in the history of American literary criticism, this book illuminates the element of serendipity in culture-formation and exposes the social and intellectual forces at work in cultural change.
| Author | : David Harlan |
| Publisher | : University of Chicago Press |
| Total Pages | : 329 |
| Release | : 2009-02-15 |
| Genre | : History |
| ISBN | : 0226316157 |
American historical writing has traditionally been one of our primary forms of moral reflection. However, David Harlan argues that in the disillusionment following the 1960s, history abandoned its redemptive potential and took up the methodology of the social sciences. In this provocative new book, Harlan describes the reasons for this turn to objectivity and professionalism, explains why it failed, and examines the emergence of a New Traditionalism in American historical writing. Part One, "The Legacy of the Sixties," describes the impact of literary theory in the 1970s and beyond, the rise of women's history, the various forms of ideological analysis developed by historians on the left, and the crippling obsession with professionalism in the 1980s. Part Two, "The Renewal of American Historical Writing," focuses on the contributions of John Patrick Diggins, Hayden White, Richard Rorty, Elaine Showalter, Henry Louis Gates Jr., and others. Harlan argues that at the end of the twentieth century American historical writing is perfectly poised to become what it once was: not one of the social sciences in historical costume, but a form of moral reflection that speaks to all Americans. "[A] wholly admirable work. This book will be talked about for years."—Library Journal
