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Icons of African American Protest [2 volumes]

Icons of African American Protest [2 volumes]
Author: Gladys L. Knight
Publisher: Bloomsbury Publishing USA
Total Pages: 750
Release: 2008-12-30
Genre: Social Science
ISBN: 1573567361

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Protest has always been a catalyst for change. It is the cornerstone of America's own birth. Did not the first immigrants help America take its first steps upon the road to greatness when they long ago protested against the oppression of their native government and established new edicts promoting the ideals of freedom and opportunity? Since the first African slave was forced to board a ship bound for this continent, protest has been a major motif in the African American experience. It was a critical weapon during the raging violence against blacks following the end of Reconstruction, the Jim Crow years, and against the grisly conditions in the ghettoes in the North. Throughout history protest has been used to combat economic and political oppression, racism, discrimination, and exclusion from mainstream America. Icons of African American Protest reveals the extraordinary strength, courage, and sacrifice displayed by individuals for the cause of freedom and civil rights. The 24 leaders showcased here cover a broad spectrum of descriptors-vibrant, tame, intense, aggressive, and diffident-and their politics ran the gamut from conservative to ultra-radical. Nevertheless, whatever techniques, modes, or tactics employed-such as Thurgood Marshall's legal fights in the court room, Dr. King's reliance on nonviolent civil disobedience and direct action, and Huey P. Newton's advocacy for armed self-defense-they were all, in their time, radicals who strove to eradicate racism and the climate of exclusion. This two-volume reference provides both students and general readers in-depth coverage of contemporary voices of protest, supplemented by sidebars on major turning points, freedom songs, and important symbols, such as the clenched fist of the Black Power Movement. Also included are a timeline of key events, historical documents, a glossary, and a thorough bibliography of print and electronic resources to encourage further research.


Icons of African American Protest

Icons of African American Protest
Author: Gladys L. Knight
Publisher: Greenwood
Total Pages: 424
Release: 2009
Genre: African American civil rights workers
ISBN:

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Wright and Ellison

Wright and Ellison
Author: Alicia N. Whavers
Publisher:
Total Pages: 75
Release: 2014
Genre: African Americans
ISBN:

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Wright and Ellison: Icons of African American Protest Literature analyzes the novels Native Son by Richard Wright (1940) and Invisible Man by Ralph Ellison (1952), and tries to determine the traits that make a successful African American protest novel. Both these novels are part of the African American literary canon and are noteworthy for challenging the previous conventions of African American literature, both in form and in content. Wright wrote Native Son with the explicit intent of creating a work of protest literature. However, the novels deterministic tone and construction of a violent, aggressive, and static central character worked only to reinforce racist stereotypes rather than challenge them. On the other hand, the more philosophical and satirical tone of Invisible Man, and its educated, rational, and dynamic protagonist are more effective in confronting racist attitudes. Based on the analysis of these two novels, it becomes clear that a successful African American protest novel opposes and undermines the ideologies that perpetuate American racism. To this end, it is well served if it constructs a dynamic agent of protest who not only challenges negative stereotypes, but also changes over the course of the novel, or takes action, thereby inviting the reader to shift his or her thinking and actively participate in protesting racial injustice.


Mary Ann Shadd Cary

Mary Ann Shadd Cary
Author: Jane Rhodes
Publisher: Indiana University Press
Total Pages: 374
Release: 2023-09-05
Genre: Language Arts & Disciplines
ISBN: 0253067979

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Mary Ann Shadd Cary was a courageous and outspoken nineteenth-century African American who used the press and public speaking to fight slavery and oppression in the United States and Canada. Part of the small free black elite who used their education and limited freedoms to fight for the end of slavery and racial oppression, Shadd Cary is best known as the first African American woman to publish and edit a newspaper in North America. But her importance does not stop there. She was an active participant in many of the social and political movements that influenced nineteenth century abolition, black emigration and nationalism, women's rights, and temperance. Mary Ann Shadd Cary: The Black Press and Protest in the Nineteenth Century explores her remarkable life and offers a window on the free black experience, emergent black nationalisms, African American gender ideologies, and the formation of a black public sphere. This new edition contains a new epilogue and new photographs.


More Than Icons and Images

More Than Icons and Images
Author: Clyde Posley
Publisher: Createspace Independent Publishing Platform
Total Pages: 192
Release: 2018-10-10
Genre:
ISBN: 9781718659797

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Beginning with the Mandinka warriors who were forced to engage in slave fights by racist plantation owners for over 150 years, sports have consistently emerged as an inter-woven part of American society. Equally notable within sports' social emergence throughout the aforementioned time-span is the evolving intersectionality between politics, race, and sports. Racial disparity within front office leadership, backlash for voicing political abstention from patriotic traditions, and gender inequitably relating to salary are just a few of the political issues embedded in America's extensive historic fascination with sports. It is therefore reasonable and for many understandable that the axioms of athletic struggle and social power struggle would intersect and create political theater in the US. Throughout the history of the American political landscape's evolution, there has existed a type of interconnectivity tethering race, subjugation and notions of political progress or cultural domination to class and culture. According to theorist Patrick Miller, "Sports has held a prominent political place within American society for over 150 years" (Race and sports: The struggle for equality on and off the field, 2004 p.149). On October 16th 1968, in Mexico City, Mexico, that political place of prominence would be communicated to a global audience by two Black male American Olympians in unprecedented fashion. In an article entitled "Mandela Knew Sports had the Power to End Apartheid," columnist Patrick Collins explains that Nelson Mandela, the legendary South African activist and politician, stood as "one of the 20th century's most notable figures for his efforts to end apartheid" (Mail on Sunday, p.24). While he used a combination of methods to dismantle South Africa's system of institutionalized racism, sports were an invaluable resource that Mandela used to usher in social change. While addressing 65,000 soccer fans at the 1995 World Cup in Johannesburg, South Africa, he used the transformative and unifying power of sports to promote change. In the speech, Mandela exhorted, "Sport has the power to change the world. It has the power to inspire. It has the power to unite people in a way that little else does. Sports can awaken hope where there is previously only despair it is more powerful than government in breaking down racial barriers..." (Collins, 1995, 2013 p.24). Unlike conventional protests and even diplomacy, Mandela asserts that sports competitions are spaces in which healing can transcend cultures, social conditions, and even inequality. Mandela posits that "sport" is a social device that has the potential to bring impactful change. Mandela's claim raises the questions of how do some who are involved with athletic competition in some capacity gain the sociopolitical aptitude to use sports for political gains? Is there a political price levied against those who dare to engage in turning athletic competitions into social spaces of political discourse? These and other questions serve as the cornerstones for an analysis that will investigate the idealistic and philosophical influences that propelled Tommie Smith and John Carlos to participate in the iconic 1968 Summer Olympic medal-stand protest. For African Americans, in particular, the country's relationship with sports has produce a plethora of experiences and perspectives This book steps into this major social discourse through the lens of one of America's most iconic uses of sports as a platform to use embodied voice as a means of political resistance: The 1968 Medal Stand Protest in Mexico City, Mexico by Tommie Smith and John Carlos. In doing so, it is my hope that grappling with the nuances of the fascinating synergy between sports and political representation and studying the role of athletics and political achievement will forge new avenues of voice among Black athletic performances.


Icons of African American Literature

Icons of African American Literature
Author: Yolanda Williams Page
Publisher: Bloomsbury Publishing USA
Total Pages: 534
Release: 2011-10-17
Genre: Literary Criticism
ISBN: 0313352046

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The 24 entries in this book provide extensive coverage of some of the most notable figures in African American literature, such as Alice Walker, Richard Wright, and Zora Neale Hurston. Icons of African American Literature: The Black Literary World examines 24 of the most popular and culturally significant topics within African American literature's long and immensely fascinating history. Each piece provide substantial, in-depth information—much more than a typical encyclopedia entry—while remaining accessible and appealing to general and younger readers. Arranged alphabetically, the entries cover such writers as Maya Angelou, James Baldwin, and August Wilson; major works, such as Invisible Man, Native Son, and Their Eyes Were Watching God; and a range of cultural topics, including the black arts movement, the Harlem Renaissance, and the jazz aesthetic. Written by expert contributors, the essays discuss the enduring significance of these topics in American history and popular culture. Each entry also provides sidebars that highlight interesting information and suggestions for further reading.


Icons of African American Comedy

Icons of African American Comedy
Author: Eddie M. Tafoya
Publisher: Bloomsbury Publishing USA
Total Pages: 308
Release: 2011-06-02
Genre: Social Science
ISBN: 0313380856

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This in-depth compilation of the lives, works, and contributions of 12 icons of African-American comedy explores their impact on American entertainment and the way America thinks about race. Despite the popularity of comedic superstars like Bill Cosby and Whoopi Goldberg, few books have looked at the work of African-American comedians, especially those who, like Godfrey Cambridge and Moms Mabley, dramatically impacted American humor. Icons of African American Comedy remedies that oversight. Beginning with an introduction that explores the history and impact of black comedians, the book offers in-depth discussions of 12 of the most important African-American comedians of the past 100-plus years: Bert Williams, Moms Mabley, Redd Foxx, Dick Gregory, Flip Wilson, Godfrey Cambridge, Bill Cosby, Richard Pryor, Whoopi Goldberg, Damon Wayans, Chris Rock, and Dave Chappelle. Each essay discusses the comedian's early life and offers an analysis of his or her contributions to American entertainment. Providing a variety of viewpoints on African-American comedy, the book shows how these comedians changed American comedy and American society.


Booker T. Washington and W. E. B. Du Bois

Booker T. Washington and W. E. B. Du Bois
Author: Charles River Charles River Editors
Publisher: Createspace Independent Publishing Platform
Total Pages: 146
Release: 2018-09-13
Genre:
ISBN: 9781727313284

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*Includes pictures *Includes online resources and a bibliography for further reading Despite a Union victory and Lincoln's Emancipation Proclamation, unthinkable in the previous century, a new form of suppression and violence descended on the African-American population. "Reconstruction" is employed as a generic term for the period that followed the American Civil War. Suggesting a successful rejuvenation of a war-ravaged South, it lamentably gave way to a resurrection of the same white ruling class and slave-owner mentality, protecting the status quo in the legislatures and courts. With the distortion of Reconstruction's intent came a body of racial policy and a tacitly understood social code that barred the pre-war slave class from personal freedom and opportunity, at the risk of great personal violence for anyone who objected. The arduous task of overthrowing Jim Crow codes and legislation marked one of the first strides toward the modern struggle for ethnic equality in American society and required nearly a century of struggle. That effort spawned a multitude of heroic African-American activists, but it is remembered in large part for the work of two iconic African-American men of stature. Much like their later counterparts, Reverend Martin Luther King, Jr. and Malcolm X, the debate between gradual integration through temporary accommodation and overtly insistent activism was led by Booker T. Washington and W. E. B. Du Bois. From 1890-1915, the most influential black man in America was Booker T. Washington, who less than 35 years earlier had been born into slavery. The young boy worked laboriously until emancipation before going on to seek an education, and by the time he was 40, he was consolidating a network of supporters that came to be known as the "Tuskegee Machine," helping coordinate action with the support of black businesses, religious communities, and others. Using his position of power, Washington spoke out against Jim Crow laws and Southern disfranchisement of blacks. Despite being so recognized, and perhaps in part because of it, by the early 20th century, Washington's tactics were questioned by other black leaders, notably W. E. B. Du Bois, who wanted to protest more vehemently in an effort to secure civil rights. Washington, 12 years Du Bois' senior, entered the field of education and founded the famous Tuskegee Institute based on his vision of what a population emerging from generations of slavery required in order to successfully integrate into modern life. His position was simply one of incremental entry by the provision of industrial education and political accommodation. He urged blacks to accept discrimination in the short term and concentrate on elevating themselves, thereby proving themselves through hard work and material prosperity. Du Bois would have none of that, believing it amounted to an approval of the Jim Crow regime of the South and a passive acceptance of racism. In opposition, he and other black leaders organized the Niagara Movement, citing opposition to Washington's moral leadership of the movement and marking their determination to fight for full civil equality for black Americans. The movement did not gain much traction, but it was in direct line of ascension to the much more influential National Association for the Advancement of Colored People (NAACP). Although Du Bois' name is still (and somewhat inexplicably) less well-known than that of Washington, his prolific writings serve as a bedrock to the modern social engines at work in the pursuit of racial equality in America. In his life and experience of nearly a century, he spanned the administrations of Andrew Johnson and Lyndon Baines Johnson, dying only one day before King's "I Have a Dream" speech.