Ars Fennica 2000
Author | : Hreinn Friðfinnsson |
Publisher | : |
Total Pages | : 128 |
Release | : 2000 |
Genre | : Installations (Art) |
ISBN | : |
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Author | : Hreinn Friðfinnsson |
Publisher | : |
Total Pages | : 128 |
Release | : 2000 |
Genre | : Installations (Art) |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 20 |
Release | : 1977 |
Genre | : Photography, Artistic |
ISBN | : |
Author | : Hreinn Friðfinnsson |
Publisher | : |
Total Pages | : 126 |
Release | : 2002 |
Genre | : Art |
ISBN | : |
"Portseinn Surtr dreamed he was awake but everyone else was asleep; then he dreamed he fell asleep and everyone else woke up." An excerpt from the "Book of the Icelanders" (c. 1125), the above phrase is set near the center of this monograph on Hreinn Fridfinnsson, whose poetic, surrealistic work it surveys.
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Total Pages | : 0 |
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Author | : Serpentine Gallery |
Publisher | : |
Total Pages | : 79 |
Release | : 2007 |
Genre | : |
ISBN | : 9781905190164 |
Author | : Andrea Bellini |
Publisher | : |
Total Pages | : 320 |
Release | : 2019 |
Genre | : |
ISBN | : 9783960986003 |
Hreinn Frid?nnsson?s work is celebrated for both its lyricism and its stark poetry, which transcends the often-commonplace subjects and materials he uses to create his pieces. He has sometimes been compared to artists working in Conceptual and Romantic Conceptual modes. Indeed, his practice shows a certain kinship with these movements; for example, it is grounded in the dematerialization of art and has strong links to landscape and natural phenomena.00Exhibition: Centre d?Art Contemporain Genève, Switzerland (24.05. - 25.08.2019) / KW Institute for Contemporary Art, Berlin, Germany (28.09.2019 - 05.01.2020).
Author | : Laufey Helgadóttir |
Publisher | : |
Total Pages | : 0 |
Release | : 1988 |
Genre | : |
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Author | : Alice Morgaine |
Publisher | : |
Total Pages | : 24 |
Release | : 2005 |
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Publisher | : BRILL |
Total Pages | : 879 |
Release | : 2016-03-17 |
Genre | : Literary Criticism |
ISBN | : 9004310509 |
A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture.
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Total Pages | : |
Release | : 1974 |
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