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How to Write Photoplays

How to Write Photoplays
Author: John Emerson
Publisher:
Total Pages: 180
Release: 1920
Genre: Motion picture authorship
ISBN:

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How to Write Photoplays

How to Write Photoplays
Author: John Emerson
Publisher:
Total Pages: 178
Release: 1920
Genre: Motion picture authorship
ISBN:

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How to Write Photoplays

How to Write Photoplays
Author: John Emerson
Publisher:
Total Pages: 176
Release: 1923
Genre: Motion picture plays
ISBN:

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How to Write Photoplays

How to Write Photoplays
Author: Clarence J. Caine
Publisher:
Total Pages: 278
Release: 1915
Genre: Images, Photographic
ISBN:

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How to Write Photoplays

How to Write Photoplays
Author: Carl Charlton
Publisher:
Total Pages: 68
Release: 1916
Genre: Motion picture authorship
ISBN:

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How to Write Photoplays

How to Write Photoplays
Author: John Emerson
Publisher:
Total Pages: 154
Release: 1921
Genre:
ISBN:

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How to Write Photoplays

How to Write Photoplays
Author: Carl Charlton
Publisher:
Total Pages: 0
Release: 1916
Genre: Motion picture authorship
ISBN:

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How to Write Photoplays

How to Write Photoplays
Author: John Emerson
Publisher: Theclassics.Us
Total Pages: 40
Release: 2013-09
Genre:
ISBN: 9781230264660

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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1920 edition. Excerpt: ... THE LOVE EXPERT T: THIS IS THE AGE OF SPECIALISTS. T: AND NO ONE NEED HOPE FOR A CAREER WHO DOES NOT SPECIALIZE ON SOMETHING. T: EVEN IN A MODERN YOUNG LADIES' BOARDING SCHOOL ONE WILL FIND THE SPIRIT OF EFFICIENCY. T: FOR INSTANCE, THERE IS THE ATHLETIC GIRL. 1. GYMNASIUM. (Fade in) girl exercising with pulley weights, dumb-bells, etc. Finally runs, jumps on trapeze and begins to do her stunts there. (Fade out.) T: THEN THERE IS THE INTELLECTUAL TYPE, WHO VIGOROUSLY EXERCISES HER MIND. 2. CLASS ROOM. Girl in spectacles at a blackboard with a book in her hand, working out a problem in geometry. (Fade out.) T: AND SO OUR HEROINE, BEING THOROUGHLY UP TO DATE AND HAVING CHOSEN LOVE AS HER CAREER, SPENDS HER TIME IN BECOMING AN EXPERT IN HER LINE. 3. THE GIRLS' BEDROOM. The room is the typical college dormitory room and contains three beds. In one of the beds is Babs, dressed in negligee and studying a little diary. She reaches underneath the mattress and takes out a couple of books, one "Poems of Passion," by Ella Wheeler Wilcox, and the other "What a Woman of Fifty Ought to Know." INSERT BOTH BOOKS. She finally chooses "Poems of Passion" and begins to read, and we insert particularly violent passage and show Babs thrilled to ecstasy over it. 4. HALLWAY OF SCHOOL One of the teachers (enters and rings a signal bell, or simply show the bell with a hand pulling a chain to ring it twice. 5. GYMNASIUM. Athletic girl stops exercise and runs out of the room. 6. CLASS ROOM. The intellectual girl quickly finishes her work and leaves. 7. GIRLS' BEDROOM. Babs still in bed, reading and making a note in her little diary. The athletic girl runs in, sees Babs in bed, goes to her and says: SP: "YOU SHOULD BE UP DOING YOUR EXERCISES." Babs looks at her, ...


When Women Wrote Hollywood

When Women Wrote Hollywood
Author: Rosanne Welch
Publisher: McFarland
Total Pages: 230
Release: 2018-06-19
Genre: Performing Arts
ISBN: 1476668876

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This collection of 23 new essays focuses on the lives of female screenwriters of Golden Age Hollywood, whose work helped create those unforgettable stories and characters beloved by audiences--but whose names have been left out of most film histories. The contributors trace the careers of such writers as Anita Loos, Adela Rogers St. Johns, Lillian Hellman, Gene Gauntier, Eve Unsell and Ida May Park, and explore themes of their writing in classics like Gentlemen Prefer Blondes, Ben Hur, and It's a Wonderful Life.


How to Write Photoplays

How to Write Photoplays
Author: Clarence J. Caine
Publisher: Forgotten Books
Total Pages: 270
Release: 2017-07-13
Genre: Self-Help
ISBN: 9780259792567

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Excerpt from How to Write Photoplays: A Reproduction of a Series of Articles on the Subject as They Appeared in the "Hints for Scenario Writers" Department of Picture-Play Weekly and Picture Play Magazine Much responsibility rests with the writer of the silent drama if he attempts to supply a script which does not nave to be revamped in the studio - and no finished work ing script does - for he has outlined the thing which, when interpreted by players and transferred to the cellu loids, will either make the audience enthuse or send it away weary. In other words, the finished scenario comes closer to being the thing which will sway the public's favor than either the acting or photography, though, as all of us know, both these elements are highly essential. Considering this fact, it is easy to see why some of the biggest men in the industry have said that the day of the scenario writer was not far off. It is very true that the present trend of production is toward adapta tions, but what will happen when the majority of the books fitted to the screen have been used? It is also true that new books and short stories will be created as regularly in the future as in the past, but only a small percentage of them will make acceptable photo plays. The man or woman who is ready to supply a manuscript for the production of a photo drama, not an idea for a movie play, when the famine comes, will find a welcome awaiting him or her, and will be rewarded both by financial returns and exploitation on the screen. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.