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| Author | : Ravi Shanker Kapoor |
| Publisher | : Vision Books |
| Total Pages | : 152 |
| Release | : 2014-08-20 |
| Genre | : Political Science |
| ISBN | : 817094922X |
| Author | : Ravi Shanker Kapoor |
| Publisher | : |
| Total Pages | : 176 |
| Release | : 2007-07-01 |
| Genre | : Celebrities |
| ISBN | : 9788170946922 |
This book takes a rare, hard look at India's leading public intellectuals whose greatness is taken for granted but whose sophistry is overlooked. Ravi Shanker Kapoor exposes them as cowardly thinkers incapable of challenging coventional wisdom. Importantly, it's not the personal follies and foibles of these worthies that the author finds troubling but their unquestioning acceptance of failed Leftist theories, and slavish adherence to politically 'correct' ideas. Smug in their acceptance by an adoring Left-liberal media they are blind to empirical evidence which flies in the face of their positions, oblivious both to opportunities thrown up by changed times and to the clear and present dangers of the status quo, whether it be the scourge of socialism or the malevolence of Islamic terror. Thus the spreading of lies, a betrayal of both their own vacation and of the Indian people The author uses his pen as a butcher wields his knife. In Kapoor's abattoir, no cow is holy enough to be spared - and no reputation hallowed enough to be revered. Combining journalistic experience with solid scholarship, Kapoor relishes in taking on some of the biggest icons in India's public discourse. His is an original voice.
| Author | : Ravi Shanker Kapoor |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 192 |
| Release | : 2017-07-25 |
| Genre | : Political Science |
| ISBN | : 9386432714 |
A bold and audacious take on the subject of freedom of expression. Championing the cause of limitless liberty, Ravi Shanker Kapoor builds his case on the platform of philosophy. He trashes the 'hurting-the-sentiments' and 'offending-the-sensibilities' notions as tricks to enslave humankind. He also slams fashionable liberals and others who peddle the myth of 'Islamophobia'. His position is: 'extremism in the defense of liberty.' He argues for 'extremism in the defense of liberty with cogent reasoning and relevant instances. For him the enemies of liberty in our time are sophisticated people; multiculturalism is their armour, political correctness is their weapon, and postmodern jargon their camouflage.
| Author | : Francesca Orsini |
| Publisher | : Routledge |
| Total Pages | : 391 |
| Release | : 2016-12-05 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1351888315 |
The History of the Book in South Asia covers not only the various modern states that make up South Asia today but also a multitude of languages and scripts. For centuries it was manuscripts that dominated book production and circulation, and printing technology only began to make an impact in the late eighteenth century. Print flourished in the colonial period and in particular lithographic printing proved particularly popular in South Asia both because it was economical and because it enabled multi-script printing. There are now vibrant publishing cultures in the nation states of South Asia, and the essays in this volume cover the whole range from palm-leaf manuscripts to contemporary print culture.
| Author | : Vivek |
| Publisher | : iUniverse |
| Total Pages | : 157 |
| Release | : 2014-10-15 |
| Genre | : Political Science |
| ISBN | : 1491738340 |
It is no coincidence that Indias recent rise as a major global power has been closely linked to the increasing influence of the Bharatiya Janata Party (BJP) in Indian politics. Driven by the philosophy of Hindu/Indian Nationalism, this entity, more of a movement than a political party, has served to instill in Indians a sense of confidence and restore lost self-esteem in a people who suffered foreign domination for over a thousand years. Detractors of this ideology have attempted to paint this philosophy as hate rant and supremacist indoctrination. Far from being that, it is the agonizing cry for justice and dignity of a people long suppressed and long tortured; a cry that embodies the agony of the past and a new-found confidence of the present and which together hopes to ensure a secure future: a future that envisions an inclusive all round economic and social development of a people. The BJPs spectacular victory crafted by Narendra Modi in the 2014 Indian elections serves to emphasize the central role of Hindu/Indian Nationalism in Indian politics, its broad appeal and its comprehensive agenda. Therefore it is imperative for the world at large to attempt a better understanding of this phenomenon; an objective assessment based on hard facts and sound logic instead of the skewed image propagated in the West by its ideological opponents. This book is a must for international statesmen, politicians, businessmen, academics, and others alike who wish to interact with India and Indians
| Author | : |
| Publisher | : |
| Total Pages | : 104 |
| Release | : 2000 |
| Genre | : Civilization |
| ISBN | : |
| Author | : Hermionede Almeida |
| Publisher | : Routledge |
| Total Pages | : 353 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351562967 |
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
| Author | : Rochona Majumdar |
| Publisher | : Columbia University Press |
| Total Pages | : 222 |
| Release | : 2021-10-12 |
| Genre | : Performing Arts |
| ISBN | : 0231553900 |
Co-Winner, 2023 Chidananda Dasgupta Award for the Best Writing on Cinema, Chidananda Dasgupta Memorial Trust Shortlisted, 2022 MSA Book Prize, Modernist Studies Association Longlisted, 2022 Moving Image Book Award, Kraszna-Krausz Foundation The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
| Author | : Louis James |
| Publisher | : Routledge |
| Total Pages | : 270 |
| Release | : 2014-07-30 |
| Genre | : Literary Criticism |
| ISBN | : 1317871219 |
Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama.
| Author | : M. G. Devasahayam |
| Publisher | : |
| Total Pages | : 380 |
| Release | : 2004 |
| Genre | : India |
| ISBN | : |
Contribution of Jai Prakash Narain's movement against the internal emergency in India, June 1975-January 1977.
