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| Author | : Richard Cullen Rath |
| Publisher | : Cornell University Press |
| Total Pages | : 244 |
| Release | : 2003 |
| Genre | : Hearing |
| ISBN | : 9780801472725 |
In early America, every sound had a living, wilful force at its source - sometimes these forces were not human or even visible. The author recreates in detail a world remote from our own, one in which sounds were charged with meaning and power.
| Author | : Christopher H. Sterling |
| Publisher | : Univ of North Carolina Press |
| Total Pages | : 336 |
| Release | : 2009-09-15 |
| Genre | : Social Science |
| ISBN | : 0807877557 |
When it first appeared in the 1930s, FM radio was a technological marvel, providing better sound and nearly eliminating the static that plagued AM stations. It took another forty years, however, for FM's popularity to surpass that of AM. In Sounds of Change, Christopher Sterling and Michael Keith detail the history of FM, from its inception to its dominance (for now, at least) of the airwaves. Initially, FM's identity as a separate service was stifled, since most FM outlets were AM-owned and simply simulcast AM programming and advertising. A wartime hiatus followed by the rise of television precipitated the failure of hundreds of FM stations. As Sterling and Keith explain, the 1960s brought FCC regulations allowing stereo transmission and requiring FM programs to differ from those broadcast on co-owned AM stations. Forced nonduplication led some FM stations to branch out into experimental programming, which attracted the counterculture movement, minority groups, and noncommercial public and college radio. By 1979, mainstream commercial FM was finally reaching larger audiences than AM. The story of FM since 1980, the authors say, is the story of radio, especially in its many musical formats. But trouble looms. Sterling and Keith conclude by looking ahead to the age of digital radio--which includes satellite and internet stations as well as terrestrial stations--suggesting that FM's decline will be partly a result of self-inflicted wounds--bland programming, excessive advertising, and little variety.
| Author | : Timothy D. Taylor |
| Publisher | : Duke University Press |
| Total Pages | : 428 |
| Release | : 2012-06-19 |
| Genre | : Business & Economics |
| ISBN | : 0822349469 |
This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.
| Author | : Richard Radune |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Connecticut |
| ISBN | : 9780976434115 |
Sound Rising challenges our perception of Long Island Sound in many surprising ways. The Sound was at the forefront of American trade with the West Indies and its location placed it in a position to influence the course of history during the critical years between 1750 and 1820. Its multitude of small ports, coves, and navigable rivers provided a distinct advantage by thwarting British efforts to enforce trade restrictions and collect taxes. Merchants' desire for free trade and the avoidance of customs duties set the stage for war. Long Island Sound played a crucial role in America's Revolutionary War victory when its naval vessels, privateers, and whaleboat raiders swarmed out of these same ports to interdict British supplies and force major changes in the enemy's strategic war plans. This groundbreaking, true story relates the Sound's involvement in the capture of Fort Louisbourg, rampant smuggling, the Revolutionary War, the Undeclared War with France and the War of 1812.
| Author | : Richard Havers |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2014-09-09 |
| Genre | : Music |
| ISBN | : 0500517479 |
"From the label that signed America’s jazz legends in the ‘50s and ‘60s, a look at the music, its stars and its continuing influence." —People Hot on the heels of one of the most talked-about jazz books in years comes the musically-enhanced, strictly limited Collector’s Edition. Slipcased with vinyl reissues of ten legendary recordings on Verve, this is an exceptional opportunity to own a unique slice of jazz history. All recordings remastered at Abbey Road Studios Pressed onto 180g heavyweight vinyl for optimum sound quality All album sleeves printed with stunning original artwork Packaged in a dual-compartment cloth-bound display case Strictly limited to 500 copies worldwide Signed by the author Includes the following vinyl pressings: Charlie Parker, Charlie Parker With Strings (1950) Count Basie and His Orchestra, April in Paris (1955) Billie Holiday, Lady Sings the Blues (1956) Ella Fitzgerald and Louis Armstrong, Ella And Louis (1956) Stan Getz, Big Band Bossa Nova (1962) Quincy Jones and His Orchestra, Big Band Bossa Nova (1962) Bill Evans, Conversations With Myself (1963) The Oscar Peterson Trio, Night Train (1963) Jimmy Smith, The Cat (1964) George Benson, Giblet Gravy (1968)
| Author | : Andre Millard |
| Publisher | : Cambridge University Press |
| Total Pages | : 480 |
| Release | : 2005-12-05 |
| Genre | : History |
| ISBN | : 9780521835152 |
This study provides a history of sound recording from the acoustic phonograph to digital sound technology. Copyright © Libri GmbH. All rights reserved.
| Author | : Sarah Justina Eyerly |
| Publisher | : Indiana University Press |
| Total Pages | : 290 |
| Release | : 2020-05-05 |
| Genre | : Music |
| ISBN | : 0253047757 |
In Moravian Soundscapes, Sarah Eyerly contends that the study of sound is integral to understanding the interactions between German Moravian missionaries and Native communities in early Pennsylvania. In the mid-18th century, when the frontier between settler and Native communities was a shifting spatial and cultural borderland, sound mattered. People listened carefully to each other and the world around them. In Moravian communities, cultures of hearing and listening encompassed and also superseded musical traditions such as song and hymnody. Complex biophonic, geophonic, and anthrophonic acoustic environments—or soundscapes—characterized daily life in Moravian settlements such as Bethlehem, Nain, Gnadenhütten, and Friedenshütten. Through detailed analyses and historically informed recreations of Moravian communal, environmental, and religious soundscapes and their attendant hymn traditions, Moravian Soundscapes explores how sounds—musical and nonmusical, human and nonhuman—shaped the Moravians' religious culture. Combined with access to an interactive website that immerses the reader in mid-18th century Pennsylvania, and framed with an autobiographical narrative, Moravian Soundscapes recovers the roles of sound and music in Moravian communities and provides a road map for similar studies of other places and religious traditions in the future.
| Author | : Emily Thompson |
| Publisher | : MIT Press |
| Total Pages | : 518 |
| Release | : 2004-09-17 |
| Genre | : Architecture |
| ISBN | : 9780262701068 |
A vibrant history of acoustical technology and aural culture in early-twentieth-century America. In this history of aural culture in early-twentieth-century America, Emily Thompson charts dramatic transformations in what people heard and how they listened. What they heard was a new kind of sound that was the product of modern technology. They listened as newly critical consumers of aural commodities. By examining the technologies that produced this sound, as well as the culture that enthusiastically consumed it, Thompson recovers a lost dimension of the Machine Age and deepens our understanding of the experience of change that characterized the era. Reverberation equations, sound meters, microphones, and acoustical tiles were deployed in places as varied as Boston's Symphony Hall, New York's office skyscrapers, and the soundstages of Hollywood. The control provided by these technologies, however, was applied in ways that denied the particularity of place, and the diverse spaces of modern America began to sound alike as a universal new sound predominated. Although this sound—clear, direct, efficient, and nonreverberant—had little to say about the physical spaces in which it was produced, it speaks volumes about the culture that created it. By listening to it, Thompson constructs a compelling new account of the experience of modernity in America.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : |
| ISBN | : 9781450816083 |
| Author | : Leo G. Mazow |
| Publisher | : Penn State Press |
| Total Pages | : 218 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 0271050837 |
"Argues that musical imagery in the art of American painter Thomas Hart Benton was part of a larger belief in the capacity of sound to register and convey meaning"--Provided by publisher.
