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How can they tell if I am male or female? Gender stereotypes in Disney movies

How can they tell if I am male or female? Gender stereotypes in Disney movies
Author: Sarah Vogel
Publisher: GRIN Verlag
Total Pages: 20
Release: 2016-08-17
Genre: Performing Arts
ISBN: 3668275807

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Seminar paper from the year 2015 in the subject Communications - Movies and Television, grade: 2,3, LMU Munich, language: English, abstract: If we look behind the “sparkling stars” and “memorizing magic” that is Disney, we might see that these Disney princesses are not the best role models for children. Therefore, this research paper aims at showing these role models in Disney movies and give an awareness of problems they bring with them. “How can they tell if I am male or female?” This last line of The Ballad of Mulan shows that the gender question was already raised in the 6th century. This research aims at analyzing the representation of females in Walt Disney movies: the appearance and intelligence, helplessness and the need of protection and domestication. Before doing so, there has to be a definition what gender role is, in general, but also in Disney movies.


The Representation of Gender in Walt Disney's "Mulan"

The Representation of Gender in Walt Disney's
Author: Sonja Blum
Publisher: GRIN Verlag
Total Pages: 29
Release: 2008
Genre: Biography & Autobiography
ISBN: 363894638X

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Seminar paper from the year 2007 in the subject American Studies - Culture and Applied Geography, grade: 1,7, University of Osnabrück (Institut für Anglistik/Amerikanistik), course: Introduction to Gender Theory, 28 entries in the bibliography, language: English, abstract: 'How can they tell if I am male or female?' With this last line of 'The Ballad of Mulan' the (anonymous) author raises the gender question already in the 6th century. In this essay, I would like to analyse The Representation of Gender in Walt Disney's 'Mulan', using the structure of the movie to focus on The Protagonist Fa Mulan, the Treatment of Women and the Depiction of Men. Additionally, the inquiry concerning the Meaning of Song Texts in Disney's 'Mulan' appears useful as these always play an important role in conveying movie themes. In order to establish a connection to the seminar on which this paper is based, I will illustrate how the movie is a good example for Judith Butler's theory of Gender as Performance. Last but not least, I would like to show the Influence of Disney's 'Mulan' on Society because fairy tales and movies '[...] do influence the manner in which children conceive the world and their places in it [...]'. Drawing the 'Conclusion', I will try a careful approach to find out if Disney's 'Mulan' might even be considered as a feminist movie. (...)


The representation of gender roles in Disney movies

The representation of gender roles in Disney movies
Author:
Publisher: GRIN Verlag
Total Pages: 27
Release: 2018-01-06
Genre: Performing Arts
ISBN: 3668604037

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Seminar paper from the year 2017 in the subject Communications - Movies and Television, grade: 1,3, University of Duisburg-Essen (Department of Anglophone Studies), course: Applied Linguistics, language: English, abstract: Media is a big part of people’s everyday lives. It influences both how we see ourselves and how the world sees us. Media can be divided in many different types, for example: television, shows, movies, the radio, newspapers, advertisements and the internet. One of the most famous producers of children’s media is the Walt Disney Company. Since 1937 many movies, shows and other products were designed and published in order to entertain children. Thus, results a huge influence on children’s perception of the world and how they see themselves in the world. In all of them are images of women and men, which are represented in different ways and with different traits. One popular production of Disney is the Disney princess line which was created 2001 and includes more than 25,000 different products. Currently, the line includes ten movies; four of them will be analysed in this term paper: "Snow White and the Seven Dwarfs" (1937), "Pocahontas" (1995), "Tangled" (2010) and "Frozen" (2013). These movies have an influence on children and their images of gender roles. But, how are gender roles represented in these movies and is there a remarkable change over time? This term paper will give an overview about the most influential movies of the Disney Princess line and how the image of female characters is presented. It is difficult to analyse all aspects of gender roles but the most obvious ones are regarded and how many differences exist in these four movies.


The Cinderella Complex

The Cinderella Complex
Author: Colette Dowling
Publisher:
Total Pages: 0
Release: 1982
Genre: Dependencia (Psicología)
ISBN: 9780671733346

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"The Cinderella Complex" offers women a real opportunity to achieve the emotional independence that means so much more than a new job or a new love. It can help you no matter what your age or your goals. You cannot read it without changing the way you think - and maybe the way you live.


Behind the Magic. An Examination of Gender Representations in Disney Princess Feature-length Animations

Behind the Magic. An Examination of Gender Representations in Disney Princess Feature-length Animations
Author: Megan Hilditch
Publisher: GRIN Verlag
Total Pages: 49
Release: 2017-08-22
Genre: Social Science
ISBN: 3668508771

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Bachelor Thesis from the year 2017 in the subject Sociology - Relationships and Family, grade: 75.0, Keele University, language: English, abstract: This study offers an examination of gender representations present in the Disney feature-length animations incorporated into the Princess Collection. The import of such films has become increasingly relevant in recent years due to the increased anxiety around media representations and the development of the Princess franchise into a dominant aspect of Disney. In an attempt to test the claims of the existing debate and update the discussion through the inclusion of male protagonists, as well as female, the method of content analysis was adopted to conduct an in-depth analysis of: Snow White and the Seven Dwarfs (1937), Beauty and the Beast (1991), and Frozen (2013). This choice of films enables us to trace how these representations have changed over time to reflect the changing attitudes of gender in mainstream society, to answer the question of; to what extent do Disney princes and princesses represent traditional gender stereotypes? After data was collected the results of the content analysis were interpreted by drawing on literature and situating them within their historical context. The findings have shown that these princesses have evolved from passive damsels in distress to much more active, dynamic heroines. Whilst the male characters were found to have experienced less change but have become more feminised. However, both were found to still be influenced by traditional stereotypical ideas.


Persuasion

Persuasion
Author: Charles U. Larson
Publisher:
Total Pages: 452
Release: 1989
Genre: Political Science
ISBN: 9780534101343

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The same old story? The portrayal of gender and ethnicity/race in Disney movies and the possible (re-) production of stereotypes over the course of the past 75 years

The same old story? The portrayal of gender and ethnicity/race in Disney movies and the possible (re-) production of stereotypes over the course of the past 75 years
Author: Eva-Maria Krapfenbauer
Publisher: GRIN Verlag
Total Pages: 104
Release: 2014-12-15
Genre: Social Science
ISBN: 3656859078

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Bachelor Thesis from the year 2013 in the subject Gender Studies, grade: 1,0, Vienna University of Economics and Business (Gender- und Diversitätmanagement), language: English, abstract: The following Bachelor’s thesis deals with the (re-)production of gender-related and ethnic stereotypes in animated movies part of the Disney Princess franchise. The introduction to the topic is followed by an overview of the theory, which includes the concepts of diversity, gender, and ethnicity as well as an introduction into stereotypes. The literature review will on the one hand present the Disney corporation and on the other hand give insight into the topics of television in general and children’s television in particular. It also outlines the hitherto findings pertaining to the scientific field of “Disney, gender and ethnicity”. The next chapters contain an introduction to the Critical Discourse Analysis and the methodology, which is followed by the empirical part consisting of the analysis and discussion of the movies. The thesis is completed by the conclusion, which brings together the findings as well as putting them in relation to the rest of the thesis.


Cinderella Ate My Daughter

Cinderella Ate My Daughter
Author: Peggy Orenstein
Publisher: Harper Collins
Total Pages: 260
Release: 2011-01-25
Genre: Family & Relationships
ISBN: 0062041630

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Peggy Orenstein, acclaimed author of the groundbreaking New York Times bestsellers Girls & Sex and Schoolgirls, offers a radical, timely wake-up call for parents, revealing the dark side of a pretty and pink culture confronting girls at every turn as they grow into adults. Sweet and sassy or predatory and hardened, sexualized girlhood influences our daughters from infancy onward, telling them that how a girl looks matters more than who she is. Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as the source of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages. But how dangerous is pink and pretty, anyway? Being a princess is just make-believe; eventually they grow out of it . . . or do they? In search of answers, Peggy Orenstein visited Disneyland, trolled American Girl Place, and met parents of beauty-pageant preschoolers tricked out like Vegas showgirls. The stakes turn out to be higher than she ever imagined. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable—yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.


Gender Stereotypes in "Rapunzel"

Gender Stereotypes in
Author: Gabriella Aguilar
Publisher: GRIN Verlag
Total Pages: 7
Release: 2013-04-03
Genre: Literary Criticism
ISBN: 3656399778

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Essay from the year 2013 in the subject Literature - Comparative Literature, Boston University, course: Fairy Tales and Literature, language: English, abstract: In classic fairy tales, the main character is, more often than not, a female figure. She is usually innocent, sweet, and beautiful, and the tale revolves around her. Beneath this surface, however, one can see many different depictions of female figures in fairy tales. Fairy tales evolve over time through different versions told by different authors, and "Rapunzel" is no exception. One of the very first renditions of the tale appeared as a short story by the Italian writer Giambattista Basile, published in 1637. However, the story did not gain popularity until after 1857, the year it was published by The Brothers Grimm. This later version differed from its predecessor because of its depiction of females as weak and helpless, reflecting society's concrete view of gender roles at the time in which it written. The story essentially evolved from Basile's neutral standpoint to a misogynistic tale that is the most common version of "Rapunzel" today. The Grimms' version of "Rapunzel" was also the first to be targeted to children. Therefore, their rendition continued to gain popularity as it was passed from one generation's children to the next, which contributed to how it became the most well-known version of the story. Attempts at eliminating the gender bias present in the Grimms' version and restoring the original tale through modern retellings of the story have been made, and one of these attempts is the Disney film Tangled. However, these efforts ultimately fail since society is most comfortable with the version they know so well, which includes the use of heroic male characters and weak females. In the version of "Rapunzel" by The Brothers Grimm, the reader is ultimately taught that women are nothing without men. This is not an accurate or appropriate representation of females, but this version's success suggests that it is a concept that society continues to support today.


Female Masculinity

Female Masculinity
Author: Judith Halberstam
Publisher: Duke University Press
Total Pages: 348
Release: 1998
Genre: Literary Criticism
ISBN: 9780822322436

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Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances. Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"--lesbians who pass as men--and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators. Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.