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Homeric Variations on a Lament by Briseis

Homeric Variations on a Lament by Briseis
Author: Casey Dué
Publisher: Rowman & Littlefield
Total Pages: 166
Release: 2002
Genre: Drama
ISBN: 9780742522190

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Due (classics, U. of Houston) examines the figure of Briseis, the concubine of Achilles in the Iliad, arguing that her role in the Iliad is greatly compressed, both in relation to the Iliad and the entire tradition of the epic cycle. Her close reading of the text shows how the Iliad refers to expanded and alternative traditions about Briseis even while asserting its own version of her story. Annotation copyrighted by Book News, Inc., Portland, OR


The Cambridge Guide to Homer

The Cambridge Guide to Homer
Author: Corinne Ondine Pache
Publisher: Cambridge University Press
Total Pages: 974
Release: 2020-03-05
Genre: Literary Collections
ISBN: 1108663621

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From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.


Homer and the Artists

Homer and the Artists
Author: Anthony Snodgrass
Publisher: Cambridge University Press
Total Pages: 204
Release: 1998-10-22
Genre: Art
ISBN: 9780521629812

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This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.


The Captive Woman's Lament in Greek Tragedy

The Captive Woman's Lament in Greek Tragedy
Author: Casey Dué
Publisher: University of Texas Press
Total Pages: 201
Release: 2010-01-01
Genre: Literary Criticism
ISBN: 0292782225

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The laments of captive women found in extant Athenian tragedy constitute a fundamentally subversive aspect of Greek drama. In performances supported by and intended for the male citizens of Athens, the songs of the captive women at the Dionysia gave a voice to classes who otherwise would have been marginalized and silenced in Athenian society: women, foreigners, and the enslaved. The Captive Woman's Lament in Greek Tragedy addresses the possible meanings ancient audiences might have attached to these songs. Casey Dué challenges long-held assumptions about the opposition between Greeks and barbarians in Greek thought by suggesting that, in viewing the plight of the captive women, Athenian audiences extended pity to those least like themselves. Dué asserts that tragic playwrights often used the lament to create an empathetic link that blurred the line between Greek and barbarian. After a brief overview of the role of lamentation in both modern and classical traditions, Dué focuses on the dramatic portrayal of women captured in the Trojan War, tracing their portrayal through time from the Homeric epics to Euripides' Athenian stage. The author shows how these laments evolved in their significance with the growth of the Athenian Empire. She concludes that while the Athenian polis may have created a merciless empire outside the theater, inside the theater they found themselves confronted by the essential similarities between themselves and those they sought to conquer.


The Ritual Lament in Greek Tradition

The Ritual Lament in Greek Tradition
Author: Margaret Alexiou
Publisher: Rowman & Littlefield
Total Pages: 324
Release: 2002
Genre: Funeral rites and ceremonies
ISBN: 9780742507579

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The only generic and diachronic study of learned and popular lament and its socio-cultural contexts throughout Greek tradition in which a great diversity of sources are integrated to offer a comprehensive and penetrating synthesis.


Homeric Stitchings

Homeric Stitchings
Author: Mark David Usher
Publisher: Rowman & Littlefield
Total Pages: 194
Release: 1998
Genre: Drama
ISBN: 9780847690503

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Homeric Stitchings is the first extended study of the Homeric Centos, a long pastiche poem on a biblical theme composed by the Theodosian Empress Eudocia using only verses from the Iliad and the Odyssey. Building upon recent work on Homeric poetics, and utilizing linguistic and semiotic methods of analysis, this study introduces readers to the Centos as a sophisticated comparative reading of Homer and the Bible, based upon intertextual associations of ideas, words, and sounds. Homeric Stitchings is a study in the performative aspects of ancient reading, the processes of human memory, and the reception of Homeric poetry as oral poetry in later antiquity. It will be of great interest to students and scholars of Homer, the Bible and comparative literature, and cultural historians.


Epic Grief

Epic Grief
Author: Christos Tsagalis
Publisher: Walter de Gruyter
Total Pages: 244
Release: 2012-08-06
Genre: History
ISBN: 3110896257

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This study of the gooi or personal laments in Homer ́s Iliad once and for all articulates the poetic techniques regulating this type of speech. Going beyond the tendency to view lament as a repetitive and group-based activity, this work shows instead the primacy of the goos, a sub-genre which the Iliad has "produced" by absorbing the funerary genre of lament. Oral theory, narratology, semiotics, rhetorical analysis are deftly applied to explore the ways personal laments develop principal epic themes and unravel narrative threads weaving the thematical texture of the entire Iliad (and beyond): the wrath of Achilles, the deaths of Patroclus and Hector, the grief of Achilles and his future death, the foreshadowing of Troy ́s destruction. Winner of the Annual Award in Classics (2007) of the Academy of Athens.


Out of Line

Out of Line
Author: Matthew Clark
Publisher: Rowman & Littlefield
Total Pages: 298
Release: 1997
Genre: Drama
ISBN: 9780847686988

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He then proposes two levels of analysis: a "deep-structure" level, which describes the associations of words and ideas before they take metrical form, and a "surface-structure" level, which describes the words as they are employed on any particular occasion. Out of Line combines formulaic and metrical analysis, expanding the study of Homeric meter both in practice, by taking into account larger compositional structures such as entire scenes, and in theory, by using the result to test models of formulaic composition.


Lament

Lament
Author: Ann Suter
Publisher: Oxford University Press
Total Pages: 304
Release: 2008-02-05
Genre: History
ISBN: 0190450681

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Lament seems to have been universal in the ancient world. As such, it is an excellent touchstone for the comparative study of attitudes towards death and the afterlife, human relations to the divine, views of the cosmos, and the constitution of the fabric of society in different times and places. This collection of essays offers the first ever comparative approach to ancient Mediterranean and Near Eastern traditions of lament. Beginning with the Sumerian and Hittite traditions, the volume moves on to examine Bronze Age iconographic representations of lamentation, Homeric lament, depictions of lament in Greek tragedy and parodic comedy, and finally lament in ancient Rome. The list of contributors includes such noted scholars as Richard Martin, Ian Rutherford, and Alison Keith. Lament comes at a time when the conclusions of the first wave of the study of lament-especially Greek lament-have received widespread acceptance, including the notions that lament is a female genre; that men risked feminization if they lamented; that there were efforts to control female lamentation; and that a lamenting woman was a powerful figure and a threat to the orderly functioning of the male public sphere. Lament revisits these issues by reexamining what kinds of functions the term lament can include, and by expanding the study of lament to other genres of literature, cultures, and periods in the ancient world. The studies included here reflect the variety of critical issues raised over the past 25 years, and as such, provide an overview of the history of critical thinking on the subject.