Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Hollywood And The Rise Of Physical Culture PDF full book. Access full book title Hollywood And The Rise Of Physical Culture.
| Author | : Heather Addison |
| Publisher | : Psychology Press |
| Total Pages | : 204 |
| Release | : 2003 |
| Genre | : Motion picture actors and actresses |
| ISBN | : 9780415946766 |
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
| Author | : Anthony Slide |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 292 |
| Release | : 2010-02-26 |
| Genre | : Social Science |
| ISBN | : 1604734140 |
The fan magazine has often been viewed simply as a publicity tool, a fluffy exercise in self-promotion by the film industry. But as an arbiter of good and bad taste, as a source of knowledge, and as a gateway to the fabled land of Hollywood and its stars, the American fan magazine represents a fascinating and indispensable chapter in journalism and popular culture. Anthony Slide's Inside the Hollywood Fan Magazine provides the definitive history of this artifact. It charts the development of the fan magazine from the golden years when Motion Picture Story Magazine and Photoplay first appeared in 1911 to its decline into provocative headlines and titillation in the 1960s and afterward. Slide discusses how the fan magazines dealt with gossip and innuendo, and how they handled nationwide issues such as Hollywood scandals of the 1920s, World War II, the blacklist, and the death of President Kennedy. Fan magazines thrived in the twentieth century, and they presented the history of an industry in a unique, sometimes accurate, and always entertaining style. This major cultural history includes a new interview with 1970s media personality Rona Barrett, as well as original commentary from a dozen editors and writers. Also included is a chapter on contributions to the fan magazines from well-known writers such as Theodore Dreiser and e. e. cummings. The book is enhanced by an appendix documenting some 268 American fan magazines and includes detailed publication histories.
| Author | : Amanda Regan |
| Publisher | : |
| Total Pages | : 147 |
| Release | : 2013 |
| Genre | : |
| ISBN | : |
Sylvia Ullback, or "Sylvia of Hollywood," was a beauty practitioner and writer in the 1920s and 1930s. An immigrant to America in the 1920s, Ullback's career and discussion of women's bodies and beauty paralleled historical developments in physical culture and beauty. She was trained in European ideas and techniques and she applied this training in her career in the United States. She emerged as the expert on beauty and the body in the late 1920s and represented a shift from the 1920s "reducing craze", a period of extreme dieting techniques. Her methods and philosophies represented a new form of reducing based on healthy dieting and exercise. After departing from Hollywood where she worked with the Hollywood stars, she transformed herself into an author of popular magazine articles and books. Her articles reflected the culture of the Great Depression and contained an empowering message for women during this time. During the depression she became increasingly popular and she published several books in addition to her articles and her radio show. However by the mid-1930s, the attitude toward physical culture began to shift. The rise of Nazi Germany and fascist theories about the "superior" Aryan body and their nationalistic ideal of physical culture led to a decline in the popularity of physical culture in America. Consequently, Ullback began to struggle to maintain her platform and tried to shift her discussion of the body and beauty. Ultimately, she was unsuccessful and in 1939, after publishing her last book, she withdrew from the public sphere. This thesis examines the shifts that took place from 1920-1940 in ideas about the body and physical culture through Ullback's life and career.
| Author | : Benjamin Litherland |
| Publisher | : Routledge |
| Total Pages | : 332 |
| Release | : 2017-01-12 |
| Genre | : Social Science |
| ISBN | : 1315404680 |
This innovative and timely volume of essays critically interrogates the shared histories between sport and a variety of leisure, entertainment and cultural pursuits. Sport’s Relationship with Other Leisure Industries: Historical Perspectives spans the bowling greens of early modern England to the postmodern exhibition halls of contemporary Las Vegas, and considers examples from Europe, North America and India. Utilizing a range of historical methods and sources, they describe how sport has interacted with a broad range of leisure forms, including tourism, shopping, theatre, circus, carnival and film. The collection takes into account the economic, cultural, geographic and political interactions sport has forged and poses a series of questions: about how sport has been forged in contemporary consumer capitalism; about the manner in which it has been shaped by space and place; and the ways in which entrepreneurs, sportspeople and artists have represented sporting competition. The collection will help both students and scholars conceptualise sporting networks, and will be of interest to those working in multiple fields. This book was previously published as a special issue of Sport in History.
| Author | : Cheryl Krasnick Warsh |
| Publisher | : UBC Press |
| Total Pages | : 306 |
| Release | : 2013-08-23 |
| Genre | : Social Science |
| ISBN | : 0774824700 |
Positioning consumer culture in Canada within a wider international context, Consuming Modernity explores the roots of modern Western mass culture between 1919 and 1945, when the female worker, student, and homemaker relied on new products to raise their standards of living and separate themselves from oppressive traditional attitudes. Mass-produced consumer products promised to free up women to pursue other interests shaped by marketing campaigns, advertisements, films, and radio shows. Concerns over fashion, personal hygiene, body image, and health reflected these new expectations. This volume is a fascinating look at how the forces of consumerism defined and redefined a generation.
| Author | : Ryan Jay Friedman |
| Publisher | : Rutgers University Press |
| Total Pages | : 265 |
| Release | : 2019-02-04 |
| Genre | : Performing Arts |
| ISBN | : 0813593611 |
Throughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language promoting mutual understanding and harmonious coexistence amongst disparate groups of people. In the early 1920s, film-industry leaders began to espouse this utopian view, in order to claim for motion pictures an essentially uplifting social function. The Movies as a World Force examines the body of writing in which this understanding of cinema emerged and explores how it shaped particular silent films and their marketing campaigns. The utopian and universalist view of cinema, the book shows, represents a synthesis of New Age spirituality and the new liberalism. It provided a framework for the first official, written histories of American cinema and persisted as an advertising trope, even after the transition to sound made movies reliant on specific national languages.
| Author | : Tamar Jeffers McDonald |
| Publisher | : University of Iowa Press |
| Total Pages | : 270 |
| Release | : 2019-12-15 |
| Genre | : Performing Arts |
| ISBN | : 1609386744 |
During Hollywood’s “classic era,” from the 1920s to 1950s, roughly twenty major fan magazines were offered each month at American newsstands and abroad. These publications famously fed fan obsessions with celebrities such as Mae West and Elvis Presley. Film studies scholars often regard these magazines with suspicion; perhaps due to their reputation for purveying scandal and gossip, their frequent mingling of gushing tone, and blatant falsehood. Looking at these magazines with fresh regarding eyes and treating them as primary sources, the contributors of this collection provide unique insights into contemporary assumptions about the relationship between fan and star, performer and viewer. In doing so, they reveal the magazines to be a huge and largely untapped resource on a wealth of subjects, including gender roles, appearance and behavior, and national identity. Contributors: Emily Chow-Kambitsch, Alissa Clarke, Jonathan Driskell, Lucy Fischer, Ann-Marie Fleming, Oana-Maria Mazilu, Adrienne L. McLean, Sarah Polley, Geneviève Sellier, Michael Williams
| Author | : Sarah Schrank |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 256 |
| Release | : 2019-07-12 |
| Genre | : History |
| ISBN | : 0812251423 |
From Naked Juice® to nude yoga, contemporary society is steeped in language that draws a connection from nudity to nature, wellness, and liberation. This branding promotes a "free and natural" lifestyle to mostly white and middle-class Americans intent on protecting their own bodies—and those of society at large—from overwork, environmental toxins, illness, conformity to body standards, and the hyper-sexualization of the consumer economy. How did the naked body come to be associated with "naturalness," and how has this notion influenced American culture? Free and Natural explores the cultural history of nudity and its impact on ideas about the body and the environment from the early twentieth century to the present. Sarah Schrank traces the history of nudity, especially public nudity, across the unusual eras and locations where it thrived—including the California desert, Depression-era collectives, and 1950s suburban nudist communities—as well as the more predictable beaches and resorts. She also highlights the many tensions it produced. For example, the blurry line between wholesome nudity and sexuality became impossible to sustain when confronted by the cultural challenges of the sexual revolution. Many longtime free and natural lifestyle enthusiasts, fatigued by decades of legal battles, retreated to private homes and resorts while the politics of gay rights, sexual liberation, environmentalism, and racial equality of the 1970s inspired a new generation of radical advocates of public nudity. By the dawn of the twenty-first century, Schrank demonstrates, a free and natural lifestyle that started with antimaterialist, back-to-the-land rural retreats had evolved into a billion-dollar wellness marketplace where "Naked™" sells endless products promising natural health, sexual fulfilment, organic food, and hip authenticity. Free and Natural provides an in-depth account of how our bodies have become tethered so closely to modern ideas about nature and identity and yet have been consistently subjected to the excesses of capitalism.
| Author | : Seán Crosson |
| Publisher | : Routledge |
| Total Pages | : 244 |
| Release | : 2020-08-31 |
| Genre | : Social Science |
| ISBN | : 1000172503 |
Sport and film have historically been key components of national cultures and societies. This is the first collection dedicated to examining the intersection of these popular cultural forces within specific national contexts. Covering films of all types, from Hollywood blockbusters to regional documentaries and newsreels, the book considers how filmic depictions of sport have configured and informed distinctive national cultures, societies and identities. Featuring case studies from 11 national contexts across 6 continents – including North and South America, Europe, Africa, Asia and Oceania – it reveals the common and contrasting approaches that have emerged within sport cinema in differing national contexts. This is fascinating and important reading for all students and researchers working in film, media, cultural studies or sport, and for broader enthusiasts of both sport and film.
| Author | : Suzanne Lavin |
| Publisher | : Routledge |
| Total Pages | : 162 |
| Release | : 2004-08-02 |
| Genre | : Humor |
| ISBN | : 1135934444 |
This work examines the dramatic changes in America women's comedy performance in the years 1955-1995.The study focuses on the standup of Phyllis Diller and Roseanne andon the character comedy of Lily Tomlin. As the historical arc of women's comedy unfolds, it outlines a change from the traditional vaudevillian style of standup, as represented by Diller (50s-70s), to a more satiric comedy represented by Tomlin (60s-80s) and Roseanne (80s-90s).
