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Hitchcock's Films Revisited

Hitchcock's Films Revisited
Author: Robin Wood
Publisher: Columbia University Press
Total Pages: 516
Release: 2002
Genre: Performing Arts
ISBN: 9780231126953

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When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.


Footsteps in the Fog

Footsteps in the Fog
Author: Jeff Kraft
Publisher: Santa Monica Press
Total Pages: 848
Release: 2002-10-01
Genre: Performing Arts
ISBN: 1595809198

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Footsteps in the Fog is a celebration of the San Francisco films of Alfred Hitchcock. The master director's familiarity with Northern California greatly influenced his decision to use Bay Area locations in several of his landmark motion pictures, and more importantly was often the source of inspiration for many of these same cinema classics. Three of Hitchcock's masterpieces were set in the San Francisco area: Shadow of a Doubt, Vertigo, and The Birds. In addition, Rebecca, Suspicion, Marnie, Topaz, Psycho, and Family Plot utilized Bay Area locations and/or were inspired by Northern California events and settings. Footsteps in the Fog examines these famous films, taking the reader on a journey around the Bay Area, while weaving together cinemagraphic intrigue, Bay Area history and lore, and the timeless elegance of San Francisco and its picturesque surroundings. Over 400 historical and contemporary photos are featured in the book, including impromptu off-camera images and shots from the films themselves—many never before seen! Footsteps in the Fog can be used as a companion to viewing the Northern California Hitchcock films, as a guide for visiting the sites and settings used in these motion pictures, and as a source of biographical information about Alfred Hitchcock's personal connections to San Francisco and the Bay Area. Hitchcock loved Northern California; he often entertained Hollywood celebrities at his ranch and vineyard outside of Santa Cruz, and frequented such San Francisco institutions as Jack's Restaurant, the Fairmont Hotel, the Top of the Mark, and the historic Bercut Brothers' Grant Market. Hitchcock fans everywhere will rejoice as they revisit and rediscover the locations and settings used in the great director's most beloved films.


Alfred Hitchcock's Silent Films

Alfred Hitchcock's Silent Films
Author: Marc Raymond Strauss
Publisher: McFarland
Total Pages: 225
Release: 2015-01-24
Genre: Performing Arts
ISBN: 0786481927

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Alfred Hitchcock called the silent "the purest form of cinema," and the ten silent films he directed between 1925 and 1929 reveal the young director's mature artistry. Hitchcock's silents have often been characterized as the work of a talented amateur, a young director practicing his craft during a pre-sound era of antiquated instruments and poor film techniques--the director experimented with myriad points of view, unique camera angles and movements, and special effects such as dissolves, blurriness, and violent cuts. These films, however, contain the first appearances of some of his greatest and most familiar techniques: the vertigo-inducing crowd scene, the symbolic use of inanimate objects, the manipulation of the audience's emotions, and the self-conscious, often macabre wit. This work discovers Hitchcock's early talent and skill through close readings of the films from The Pleasure Garden to the silent version of Blackmail, using shot-by-shot descriptions and interpretations. Each film's chapter includes technical information, a summary of the critical response from the film's release to the present, and detailed analysis of the camera techniques and themes Hitchcock uses.


Hitchcock's Motifs

Hitchcock's Motifs
Author: Michael Walker
Publisher: Amsterdam University Press
Total Pages: 493
Release: 2005
Genre: Performing Arts
ISBN: 9053567739

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Among the abundant Alfred Hitchcock literature, Hitchcock's Motifs has found a fresh angle. Starting from recurring objects, settings, character-types and events, Michael Walker tracks some forty motifs, themes and clusters across the whole of Hitchcock's oeuvre, including not only all his 52 extant feature films but also representative episodes from his TV series. Connections and deeper inflections that Hitchcock fans may have long sensed or suspected can now be seen for what they are: an intricately spun web of cross-references which gives this unique artist's work the depth, consistency and resonance that justifies Hitchcock's place as probably the best know film director ever. The title, the first book-length study of the subject, can be used as a mini-encyclopaedia of Hitchcock's motifs, but the individual entries also give full attention to the wider social contexts, hidden sources and the sometimes unconscious meanings present in the work and solidly linking it to its time and place.


Hitchcock's People, Places, and Things

Hitchcock's People, Places, and Things
Author: John Bruns
Publisher: Northwestern University Press
Total Pages: 269
Release: 2019-05-15
Genre: Performing Arts
ISBN: 0810139979

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Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work. This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience.


The First True Hitchcock

The First True Hitchcock
Author: Henry K. Miller
Publisher: Univ of California Press
Total Pages: 250
Release: 2022-01-11
Genre: Performing Arts
ISBN: 0520343557

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"This untold origins story of the filmmaker excavates the first true Hitchcock film and explores its transatlantic history. Hitchcock called The Lodger "the first true Hitchcock movie," anticipating all the others. And yet, the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, including by Hitchcock himself. The truth-revealed in new archival discoveries-is stranger still. The First True Hitchcock follows the twelve-month period encompassing The Lodger's production in 1926 and general release in 1927, presenting a new picture of this pivotal year in Hitchcock's life. Henry K. Miller situates The Lodger against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, whose most visible export was film. This previously untold story of The Lodger's making in the London fog, and attempted remaking in the Los Angeles sun, is the story of how Hitchcock became Hitchcock. "--


Alfred Hitchcock's Moviemaking Master Class

Alfred Hitchcock's Moviemaking Master Class
Author: Tony Lee Moral
Publisher:
Total Pages: 0
Release: 2013
Genre: Cinematography
ISBN: 9781615931378

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Alfred Hitchcock is one of the most revered filmmakers of the 20th century. Not only was he the "Master of Suspense," he was also an innovator of storyboarding, directing, framing, editing, and marketing. Hitchcock regularly engaged with his audiences and gave lectures at film institutes, universities, and film schools across the country. Now in this Movie Making Master Class, Hitchcock author and aficionado Tony Lee Moral takes you through the process of making a ?motion picture, Hitchcock-style.


Hitchcock's Rereleased Films

Hitchcock's Rereleased Films
Author: Walter Raubicheck
Publisher: Wayne State University Press
Total Pages: 310
Release: 1991
Genre: Motion picture producers and directors
ISBN: 9780814323267

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Features essays from some fifteen authors written about Hitchcock and five of his most significant films: Rear window, Vertigo, The man who knew too much, Rope, and The trouble with Harry.


Hitchcock's Rear Window

Hitchcock's Rear Window
Author: John Fawell
Publisher: SIU Press
Total Pages: 204
Release: 2004-11-22
Genre: Performing Arts
ISBN: 080932606X

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In the process of providing the most extensive analysis of Alfred Hitchcock’s Rear Window to date, John Fawell also dismantles many myths and clichés about Hitchcock, particularly in regard to his attitude toward women. Although Rear Window masquerades quite successfully as a piece of light entertainment, Fawell demonstrates just how complex the film really is. It is a film in which Hitchcock, the consummate virtuoso, was in full command of his technique. One of Hitchcock’s favorite films, Rear Window offered the ideal venue for the great director to fully use the tricks and ideas he acquired over his previous three decades of filmmaking. Yet technique alone did not make this classic film great; one of Hitchcock’s most personal films, Rear Window is characterized by great depth of feeling. It offers glimpses of a sensibility at odds with the image Hitchcock created for himself—that of the grand ghoul of cinema who mocks his audience with a slick and sadistic style. Though Hitchcock is often labeled a misanthrope and misogynist, Fawell finds evidence in Rear Window of a sympathy for the loneliness that leads to voyeurism and crime, as well as an empathy for the film’s women. Fawell emphasizesa more feeling, humane spirit than either Hitchcock’s critics have granted him or Hitchcock himself admitted to, and does so in a manner of interest to film scholars and general readers alike.


Hitchcock's British Films

Hitchcock's British Films
Author: Maurice Yacowar
Publisher: Wayne State University Press
Total Pages: 284
Release: 2010-11-15
Genre: Biography & Autobiography
ISBN: 0814337031

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Anyone interested in Hitchcock, classic British cinema, or the history of film will appreciate Yacowar’s accessible and often witty exploration of the director’s early work.