History Of Inventions And Discoveries Vol 1 Of 4 Classic Reprint PDF Download

Excerpt from A History of Inventions and Discoveries, Vol. 3 of 4 But even supposmg that I may be mistaken, for I do not pretend to have examined this subject very mmutely, I think I may with great pro hability venture to assert, that the modern taste for flowers came from Persia to Constantinople, and was imported thence to Europe, for the first time, in the sixteenth century. At any rate, we find that the greater part of the productions of our flower-gardens were conveyed to us by that channel. Clusius and his friends, in particular, contributed very much to excite this taste; and the new plants brought from both the Indies by the travellers who then continued still more fre quently to visii'. These countries, tended to ih crease it. That period also produced some skilful gardeners, who carried on a considerable trade with the roots and seeds of flowers; and these likewise assisted to render it more general. Among these were John and Vespasian Robin, gardeners to Henry IV of France, and Emanuel Sweert, gardener to the emperor Rodolphus 1lt from whom the botanists Of that time procured many rarities, as appears from different passages of their works. As this taste for flowers prevails more at present than at any former period, a' short history Of some of the objects of it may not be disagreeable, perhaps, to many of my readers. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.