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| Author | : Robert B. Pippin |
| Publisher | : Cambridge University Press |
| Total Pages | : 212 |
| Release | : 2001-07-19 |
| Genre | : Literary Collections |
| ISBN | : 9780521655477 |
This book argues that Henry James reveals in his fiction a sophisticated theory of moral understanding.
| Author | : James Stoughton Hart |
| Publisher | : |
| Total Pages | : 326 |
| Release | : 1954 |
| Genre | : |
| ISBN | : |
| Author | : Slavoj Zizek |
| Publisher | : MIT Press |
| Total Pages | : 445 |
| Release | : 2009-02-13 |
| Genre | : Philosophy |
| ISBN | : 0262265184 |
In Žižek's long-awaited magnum opus, he theorizes the "parallax gap" in the ontological, the scientific, and the political—and rehabilitates dialectical materialism. The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism. Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism. The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
| Author | : James S. Hart |
| Publisher | : |
| Total Pages | : 290 |
| Release | : 1952 |
| Genre | : |
| ISBN | : |
| Author | : Jonathan Freedman |
| Publisher | : Cambridge University Press |
| Total Pages | : 284 |
| Release | : 1998-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 1139825364 |
The Cambridge Companion to Henry James provides a critical introduction to James's work. Throughout the major critical shifts of the last fifty years, and despite suspicions of the traditional high literary culture which was James's milieu, he has retained a powerful hold on readers and critics alike. All essays are written at a level free from technical jargon, designed to promote accessibility to the study of James and his work.
| Author | : Henry James |
| Publisher | : DigiCat |
| Total Pages | : 8125 |
| Release | : 2023-12-23 |
| Genre | : Fiction |
| ISBN | : |
The Portrait of a Lady is one of James's most popular long novels, and is regarded by critics as one of his finest. The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who in "affronting her destiny", finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. "The Wings of the Dove" tells the story of Milly Theale, an American heiress stricken with a serious disease, and her effect on the people around her. Some of these people befriend Milly with honorable motives, while others are more self-interested. "The American" is an uneasy combination of social comedy and melodrama concerning the adventures and misadventures of Christopher Newman, an essentially good-hearted but rather gauche American businessman on his first tour of Europe. Table of Contents: Confidence Roderick Hudson The Ambassadors The American The Awkward Age The Bostonians The Europeans The Golden Bowl The Other House The Outcry The Portrait of a Lady The Princess Casamassima The Reverberator The Sacred Fount The Spoils of Poynton The Tragic Muse The Whole Family The Wings of the Dove Washington Square Watch and Ward What Maisie Knew The Ivory Tower (Unfinished) The Sense of the Past (Unfinished) Henry James (1843–1916) was an American-British writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism.
| Author | : Annick Duperray |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 275 |
| Release | : 2014-08-26 |
| Genre | : Literary Collections |
| ISBN | : 1443866431 |
Henry James and the Poetics of Duplicity aims to advance the field of studies on the life and work of Henry James by fully exploring the author’s use of duplicity, one of the key literary and rhetorical strategies within the author’s vast and infamous arsenal of techniques of ‘ambiguity’. The collection brings together essays by both long established and more recent Jamesian scholars from eleven different countries, the collective work of whom, through this publication, further enhances our grasp of the ever-elusive literary style of Henry James. The prefatory section of this volume provides a general overview of the myriad uses of ‘duplicity’ in the writings of Henry James. The collected essays are then divided into five sections, each providing an in-depth study of a particular use of duplicity as a rhetorical strategy. The first three sections focus on duplicitous devices employed within James’s works of fiction – including the author’s often underhanded use of undisclosed literary sources (‘Duplicitous Subtexts’), his staging of characters who rely on subterfuge and outright lying (‘Duplicitous Characters’), and his creation of doubles and doppelgängers – another key connotation of the term ‘duplicity’ – both within a single work and throughout his literary career (‘Duplicitous Representation’). The two final sections then focus the poetics of duplicity employed in works of non-fiction by James, including his autobiographies and his reviews of other authors, as well as in his personal writings and correspondence. This includes James’s guileful use of duplicity in his representation of himself, particular attention being paid to James’s late works of self-assessment (‘Duplicitous Self-Representation’), as well as in his assessments of other writers in his reviews or of certain places in his travel writing (‘Duplicitous Judgements’). Henry James and the Poetics of Duplicity would thus be a great asset to scholars of James at all levels, from the student grappling with James’s literary sleight of hand for the first time, to specialists in the field of James who have long studied the masterful art of James’s literary trickery.
| Author | : Robert B. Pippin |
| Publisher | : University of Chicago Press |
| Total Pages | : 282 |
| Release | : 2021-05-11 |
| Genre | : Art |
| ISBN | : 022677094X |
Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts. With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning. His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of philosophical issues in aesthetics alongside close readings of novels by Henry James, Marcel Proust, and J. M. Coetzee. The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience. Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline’s traditional analytic and discursive forms. Pippin’s claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects. In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy. The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection. Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.
| Author | : Todd Breyfogle |
| Publisher | : University of Chicago Press |
| Total Pages | : 420 |
| Release | : 1999-11 |
| Genre | : Education |
| ISBN | : 9780226074252 |
Perhaps best known for his widely acclaimed translations of the Greek tragedies and Herodotus's History, as well as his edition of Hobbes's Thucydides, David Grene has also had a major impact as a teacher and interpreter of texts both ancient and modern. In this book, distinguished colleagues and former students explore the imaginative force of literature and history in articulating and illuminating the human condition. Ranging as widely as Grene's own interests in Greek and Roman antiquity, in drama, poetry, and the novel, in the art of translation, and in English history, these essays include discussions of the Odyssey and Ulysses, the Metamorphoses of Ovid and Apuleius, Mallarmé's English and T. S. Eliot's religion, and the mutually antipathetic minds of Edmund Burke and Thomas Jefferson. The introduction by Todd Breyfogle sketches for the first time the contours of Grene's own thought. Classicists, political theorists, intellectual historians, philosophers, and students of literature will all find much of value in the individual essays here and in the juxtaposition of their themes. Contributors: Saul Bellow, Seth Benardete, Todd Breyfogle, Amirthanayagam P. David, Wendy Doniger, Mary Douglas, Joseph N. Frank, Victor Gourevitch, Nicholas Grene, W. R. Johnson, Brendan Kennelly, Edwin McClellan, Françoise Meltzer, Stephanie Nelson, Conor Cruise O'Brien, Martin Ostwald, Robert B. Pippin, James Redfield, Sandra F. Siegel, Norma Thompson, and David Tracy
| Author | : David Garrett Izzo |
| Publisher | : McFarland |
| Total Pages | : 257 |
| Release | : 2006-07-19 |
| Genre | : Literary Criticism |
| ISBN | : 0786425784 |
Writer Henry James (1843-1916) was born in America but preferred to live in Europe; he finally become a British subject near the end of his life. His status as a permanent outsider is responsible for the recurring themes in his writing dealing with European sophistication (decadence) compared to American lack of sophistication (or innocence). He is respected in modern times for his psychological insight, for being able to reveal his characters' deepest motivations. These 11 essays, along with an introduction and an afterword, examine James's work through the prism of the author's latest style. Topics the contributing authors address include the Henry James revival of the 1930s, three of James's male aesthetics, women in his works, literary forgery, and parallels with the career and views of Margaret Oliphant. Three essays delve into issues of representation in art and fiction, then three more explore decadence, identity and homosexuality.
