Henry Cowell's New Music, 1925-1936
Author | : Rita H. Mead |
Publisher | : Ann Arbor, Mich. : UMI Research Press |
Total Pages | : 692 |
Release | : 1981 |
Genre | : Music |
ISBN | : |
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Author | : Rita H. Mead |
Publisher | : Ann Arbor, Mich. : UMI Research Press |
Total Pages | : 692 |
Release | : 1981 |
Genre | : Music |
ISBN | : |
Author | : Rita H. Mead |
Publisher | : |
Total Pages | : 767 |
Release | : 2002 |
Genre | : |
ISBN | : |
Author | : Joel Sachs |
Publisher | : Oxford University Press |
Total Pages | : 619 |
Release | : 2012-07-09 |
Genre | : Music |
ISBN | : 0199939187 |
Joel Sachs offers the first complete biography of one of the most influential figures in twentieth-century American music. Henry Cowell, a major musical innovator of the first half of the century, left a rich body of compositions spanning a wide range of styles. But as Sachs shows, Cowell's legacy extends far beyond his music. He worked tirelessly to create organizations such as the highly influential New Music Quarterly, New Music Recordings, and the Pan-American Association of Composers, through which great talents like Ruth Crawford Seeger and Charles Ives first became known in the US and abroad. As one of the first Western advocates for World Music, he used lectures, articles, and recordings to bring other musical cultures to myriad listeners and students including John Cage and Lou Harrison, who attributed their life work to Cowell's influence. Finally, Sachs describes the tragedy of Cowell's life, being sentenced to fifteen years in San Quentin -- of which he served four -- after pleading guilty to a morals charge that even the prosecutor felt was trivial. Providing a wealth of insight into Cowell's ideas and philosophy, Joel Sachs lays out a much-needed perspective on one of the giants of twentieth-century American music.
Author | : Henry Cowell |
Publisher | : Cambridge University Press |
Total Pages | : 200 |
Release | : 1996-03-28 |
Genre | : Music |
ISBN | : 9780521499743 |
For this 1996 edition David Nicholls provides an explanatory essay and annotations to Henry Cowell's classic text.
Author | : Jeremy S. Brown |
Publisher | : Routledge |
Total Pages | : 369 |
Release | : 2018-03-14 |
Genre | : Music |
ISBN | : 1351239244 |
The Wind Band Music of Henry Cowell studies the compositions for wind band by twentieth-century composer Henry Cowell, a significant and prolific figure in American fine art music from 1914-1965. The composer is noteworthy and controversial because of his radical early works, his interest in non-Western musics, and his retrogressive mature style—along with notoriety for his imprisonment in San Quentin on a morals charge. Eleven chapters are organized both topically and chronologically. An introduction, conclusion, series of eight appendices, bibliography, and discography complete this comprehensive study, along with an audio playlist of representative works, hosted on the CMS website.
Author | : Michael Hicks |
Publisher | : University of Illinois Press |
Total Pages | : 246 |
Release | : 2002 |
Genre | : Composers |
ISBN | : 9780252027512 |
In this first full-length study of Henry Cowell, Michael Hicks shows how the maverick composer, writer, teacher, and performer built his career on the intellectual and aesthetic foundations of his parents, community, and teachers--and exemplified the essence of bohemian California. Author of the highly influential New Musical Resources and a teacher of John Cage, Lou Harrison, and Burt Bacharach, Cowell is regarded as an innovator, a rebel, and a genius. One of the first American composers to be celebrated for the novelty of his techniques, Cowell popularized a series of experimental piano-playing techniques that included pounding his fists and forearms on the keys and plucking the piano strings directly to achieve the exotic, dissonant sounds he desired. Henry Cowell, Bohemian traces the venerated experimentalist's radical ideas back to his teachers, including Charles Seeger, Samuel Seward, and E. G. Stricklen, the tightknit artistic communities in the San Francisco Bay area where he grew up and first started composing, and the immeasurable influence of his parents. Mining the published and unpublished writings of his mother, a politically motivated novelist from the Midwest who carefully monitored the pulse of her son's creativity from birth, Hicks provides insight into the composer's heritage, artistic inclinations, and childhood.Focusing on Cowell's formative and most prolific years, from his birth in 1897 through his incarceration on a morals conviction in the 1930s, Hicks examines the philosophical fervor that fueled his whirlwind compositions, and the ways his irrepressible bohemian spirit helped foster an appreciation in the United States and Europe for a new brand of American music.
Author | : David Nicholls |
Publisher | : Routledge |
Total Pages | : 268 |
Release | : 2013-12-19 |
Genre | : Performing Arts |
ISBN | : 1134419538 |
It is impossible to contain Henry Cowell within the boundaries of the consistencies of forms, styles, ensembles, and genres of Western art music. John Cage once described Cowell as the open sesame for new music in America. Of the thousand or so works catalogued by William Lichtenwanger, the majority are formally innovative single movement vocal or instrumental pieces, although there are 20 symphonies, five string quartets, and 8 suites of various kinds. Cowell was also innovative in his use of instruments from different cultures (jalatarang, dragonmouths, Japanese wind glasses, the shakuhachi flute) and in this book, Lou Harrison writes of Cowell's adventurous promotion of automobile junkyards for the finding of new sounds. In addition, Cowell was a tireless advocate of new music in the West, and Musics from other cultures worldwide, as a teacher, lecturer, publisher, and performer. He founded New Music Quarterly in 1927, wrote the influential book Ne In this major book of articles
Author | : Joseph N. Straus |
Publisher | : Cambridge University Press |
Total Pages | : 278 |
Release | : 2003-12-18 |
Genre | : Biography & Autobiography |
ISBN | : 9780521548182 |
This book is the first to study the music of Ruth Crawford Seeger, widely considered to be the most important American woman composer of this century. Indeed, it is the first full-length analytical study of the music of any woman composer. The book contains extensive technical descriptions of Ruth Crawford Seeger's music, and also considers her in relation to her contemporaries and to the history of women and music.
Author | : Amy C. Beal |
Publisher | : Univ of California Press |
Total Pages | : 360 |
Release | : 2006-07-04 |
Genre | : Biography & Autobiography |
ISBN | : 0520247558 |
Publisher Description
Author | : Elliott Antokoletz |
Publisher | : Routledge |
Total Pages | : 843 |
Release | : 2014-03-14 |
Genre | : Music |
ISBN | : 1135037299 |
A History of Twentieth-Century Music in a Theoretic-Analytical Context is an integrated account of the genres and concepts of twentieth-century art music, organized topically according to aesthetic, stylistic, technical, and geographic categories, and set within the larger political, social, economic, and cultural framework. While the organization is topical, it is historical within that framework. Musical issues interwoven with political, cultural, and social conditions have had a significant impact on the course of twentieth-century musical tendencies and styles. The goal of this book is to provide a theoretic-analytical basis that will appeal to those instructors who want to incorporate into student learning an analysis of the musical works that have reflected cultural influences on the major musical phenomena of the twentieth century. Focusing on the wide variety of theoretical issues spawned by twentieth-century music, A History of Twentieth-Century Music in a Theoretic-Analytical Context reflects the theoretical/analytical essence of musical structure and design.