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| Author | : Mike Mignola |
| Publisher | : Dark Horse Comics (Single Issues) |
| Total Pages | : 30 |
| Release | : 2011-07-06 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
Hellboy battles various and sundry horrors of the deep! A giant fish-woman explains that in order for the world to survive, Hellboy must die; meanwhile, fairies, elves, and a chicken discuss the fate of the universe.
| Author | : Mike Mignola |
| Publisher | : Dark Horse Comics (Single Issues) |
| Total Pages | : 30 |
| Release | : 2011-07-06 |
| Genre | : Comics & Graphic Novels |
| ISBN | : |
Hellboy leaves behind the familiar strangeness of the B.P.R.D. for even stranger places. He meets a two-hundred-year-old witch doctor and talks to lions, but that's only the beginning of Hellboy's weirdest journey yet. Mike Mignola takes his most celebrated creation from Africa to the bottom of the sea, in the next stage of a very unusual life.
| Author | : Michael Mignola |
| Publisher | : |
| Total Pages | : |
| Release | : 2002 |
| Genre | : Comic books, strips, etc |
| ISBN | : |
| Author | : M. Mignola |
| Publisher | : Dark Horse Comics |
| Total Pages | : 60 |
| Release | : 2017 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1506701434 |
Hellboy sets sail from the wreckage of a deserted island only to cross paths with a ghost ship. Taken captive by the phantom crew that plans to sell him to the circus, Hellboy is dragged along by a captain who will stop at nothing in pursuit of a powerful sea creature. Following the events of Hellboy: The Island, Gary Gianni draws Hellboy in an original graphic novel. The master of modern horror comics.-IGN ... Mignola's simple but elegant panel design should be studied by everyone who is or who wants to be a cartoonist. The script is a delight, too, as Hellboy's down-to-earth anger and everyman astonishment remains funny and refreshing. -Publishers Weekly
| Author | : Mike Mignola |
| Publisher | : Dark Horse Comics |
| Total Pages | : 200 |
| Release | : 2019-07-16 |
| Genre | : Art |
| ISBN | : 1506714552 |
To commemorate the 25th anniversary of the first issue of Hellboy, this deluxe art collection includes more than 150 full-page cover pieces from Mike Mignola, Richard Corben, Duncan Fegredo, and more! This oversized 8x12" hardcover is sure to appeal to Mignola fans and comics enthusiasts alike, featuring an introduction by colorist Dave Stewart and a foreword by Mignola himself.
| Author | : Mike Mignola |
| Publisher | : Dark Horse Comics |
| Total Pages | : 418 |
| Release | : 2018-07-03 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1506706673 |
Hellboy's complete story is presented for the first time in chronological order for the ultimate reading experience. This 416-page volume covers Hellboy's adventures from 1998 to 2005, reprinting Conqueror Worm, Strange Places, Into the Silent Sea, and "The Right Hand of Doom, "Box Full of Evil," and "Being Human" from The Right Hand of Doom and B.P.R.D. Being Human. Hellboy loses faith in the Bureau for Paranormal Research and Defense when they strap a bomb to one of his fellow not-quite-human agents. He gets answers about his destiny, like it or not, in over 300 pages of comics mostly drawn by Mignola, featuring award-winning guests Gary Gianni and Richard Corben. The four volume Hellboy Omnibus series along with the two volumes of The Complete Short Stories collect all of Mignola's award-winning Hellboy stories in chronological order for a definitive reading experience.
| Author | : Mike Mignola |
| Publisher | : Dark Horse Comics |
| Total Pages | : 370 |
| Release | : 2018-08-28 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 150670686X |
This 368-page volume covers Hellboy's adventures from 1961 to 1993, leading up to Seed of Destruction. It includes stories from the Hellboy collections The Troll Witch, The Chained Coffin, The Bride of Hell, The Right Hand of Doom, and The Crooked Man, including "Heads," "Buster Oakley Gets His Wish," and "A Christmas Underground With over 100 pages drawn by Mignola himself, The Complete Short Stories Vol. 2 features an incredible roster of artists! The two Short Stories volumes, along with the four-volume Hellboy Omnibus series, collect all of Mignola's award-winning Hellboy stories in chronological order for a definitive reading experience. Unaware of his role as Beast of the Apocalypse, Hellboy travels the world to find his first brushes with the royalty of Hell and the otherworldly Ogdru Hem, while shooting out the Baba Yaga's eye and getting a glimpse of his possible fate in the epic African adventure "Makoma."
| Author | : Mike Mignola |
| Publisher | : Dark Horse Comics |
| Total Pages | : 137 |
| Release | : 2014-04-01 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 1621159264 |
Mignola has expanded Hellboy into the most exciting group of books since the early Marvel universe, and his style has influenced art and illustration far beyond the world of comics. Selected finished pieces are shown alongside sketches and raw scans from the last twenty years. * Never-before-seen art! * Mignola's best pieces from the last twenty years! "Nothing is better than having Mignola himself rendering Hellboy's world."—IGN "I envy the sheer variety and invention Mignola brings to Hellboy's world. [He] consistently manages to depict even the most grotesque monstrosity and make it somehow beautiful."—Peter de Sève, award-winning New Yorker cover artist and character designer for Ice Age film series, from his introduction
| Author | : André Gagné |
| Publisher | : Routledge |
| Total Pages | : 126 |
| Release | : 2021-09-16 |
| Genre | : Religion |
| ISBN | : 1000409082 |
This book examines the connection between religion and violence in the Western traditions of the three Abrahamic faiths, from ancient to modern times. It addresses a gap in the scholarly debate on the nature of religious violence by bringing scholars that specialize in pre-modern religions and scriptural traditions into the same sphere of discussion as those specializing in contemporary manifestations of religious violence. Moving beyond the question of the “authenticity” of religious violence, this book brings together scholars from a variety of disciplines. Contributors explore the central role that religious texts have played in encouraging, as well as confronting, violence. The interdisciplinary conversation that takes place challenges assumptions that religious violence is a modern problem that can be fully understood without reference to religious scriptures, beliefs, or history. Each chapter focuses its analysis on a particular case study from a distinct historical period. Taken as a whole, these chapters attest to the persistent relationship between religion and violence that links the ancient and contemporary worlds. This is a dynamic collection of explorations into how religion and violence intersect. As such, it will be a key resource for any scholar of Religious Studies, Theology and Religion and Violence, as well as Christian, Jewish, and Islamic Studies.
| Author | : Scott Bukatman |
| Publisher | : Univ of California Press |
| Total Pages | : 274 |
| Release | : 2016-04-07 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 0520963105 |
Hellboy, Mike Mignola’s famed comic book demon hunter, wanders through a haunting and horrific world steeped in the history of weird fictions and wide-ranging folklores. Hellboy's World shows how our engagement with Hellboy's world is a highly aestheticized encounter with comics and their materiality. Scott Bukatman’s dynamic study explores how comics produce a heightened “adventure of reading” in which syntheses of image and word, image sequences, and serial narratives create compelling worlds for the reader’s imagination to inhabit. Drawing upon other media—including children’s books, sculpture, pulp fiction, cinema, graphic design, painting, and illuminated manuscripts—Bukatman reveals the mechanics of creating a world on the page. He also demonstrates the pleasurable and multiple complexities of the reader’s experience, invoking the riotous colors of comics that elude rationality and control and delving into shared fictional universes and occult detection, the horror genre and the evocation of the sublime, and the place of abstraction in Mignola’s art. Monsters populate the world of Hellboy comics, but Bukatman argues that comics are themselves little monsters, unruly sites of sensory and cognitive pleasures that exist, happily, on the margins. The book is not only a treat for Hellboy fans, but it will entice anyone interested in the medium of comics and the art of reading.
