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Handel on the Stage

Handel on the Stage
Author: David Kimbell
Publisher: Cambridge University Press
Total Pages: 374
Release: 2016-02-11
Genre: Music
ISBN: 1316531163

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Of all the great composers of the eighteenth century, Handel was the supreme cosmopolitan, an early and extraordinarily successful example of a freelance composer. For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts. He explores the circumstances in which they were composed and performed, the librettos that were prepared for Handel, and what they tell us about his and his audience's values and the music he composed for them. Remarkably no Handel operas were staged for a period of 170 years between 1754 and the 1920s. The final chapter in this book reveals the differences and similarities between how Handel's operas were performed in his time and ours.


Handel on the Stage

Handel on the Stage
Author: David R. B. Kimbell
Publisher:
Total Pages: 226
Release: 2016
Genre: Opera
ISBN: 9781316531884

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David Kimbell sets Handel's operas in their biographical and cultural contexts, exploring drama, music and styles of performance.


Handel on the Stage

Handel on the Stage
Author: David Kimbell
Publisher:
Total Pages: 221
Release: 2016
Genre: Opera
ISBN: 9780511998454

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Of all the great composers of the eighteenth century, Handel was the supreme cosmopolitan, an early and extraordinarily successful example of a freelance composer. For thirty years the opera-house was the principal focus of his creative work and he composed more than forty operas over this period. In this book, David Kimbell sets Handel's operas in their biographical and cultural contexts. He explores the circumstances in which they were composed and performed, the librettos that were prepared for Handel, and what they tell us about his and his audience's values and the music he composed for them. Remarkably no Handel operas were staged for a period of 170 years between 1754 and the 1920s. The final chapter in this book reveals the differences and similarities between how Handel's operas were performed in his time and ours.


Music in the London Theatre from Purcell to Handel

Music in the London Theatre from Purcell to Handel
Author: Colin Timms
Publisher: Cambridge University Press
Total Pages: 285
Release: 2017-06-29
Genre: Art
ISBN: 1107154642

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This book discusses literary and dramatic aspects of musical works for voices and instruments performed in English theatres (c.1650 and 1750).


Music and Theatre in Handel's World

Music and Theatre in Handel's World
Author: Donald Burrows
Publisher: Oxford University Press, USA
Total Pages: 1268
Release: 2002
Genre: Music
ISBN: 9780198166542

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James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.


Handel

Handel
Author: David Vickers
Publisher: Routledge
Total Pages: 627
Release: 2017-07-05
Genre: History
ISBN: 1351564250

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This anthology represents scholarly literature devoted to Handel over the last few decades, and contains different kinds of studies of the composer's biography, operatic career, singers, librettists, and his relationship with the music of other composers. Case studies range from recent research that transforms our knowledge of large-scale English works to an interdisciplinary exploration of an individual opera aria. Designed to bring easy and convenient access to students, performers and music lovers, the wide-ranging articles are selected by David Vickers (co-editor of the recent Cambridge Handel Encyclopedia) from diverse sources - not only familiar important journals, but also specialist yearbooks, festschrifts, not easily accessible newsletters, conference proceedings and exhibition catalogues. Many of these represent an up-to-date understanding of modern Handel studies, deal with fascinating biographical issues (such as the composer's art collection, his chronic health problems, and the nature of popular anecdotal evidence), and fill gaps in the mainstream Handelian literature.


Handel's Operas

Handel's Operas
Author:
Publisher:
Total Pages: 0
Release: 2010
Genre:
ISBN:

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The Rival Sirens

The Rival Sirens
Author: Suzanne Aspden
Publisher: Cambridge University Press
Total Pages: 309
Release: 2013-04-18
Genre: Music
ISBN: 1107067766

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The tale of the onstage fight between prima donnas Francesca Cuzzoni and Faustina Bordoni is notorious, appearing in music histories to this day, but it is a fiction. Starting from this misunderstanding, The Rival Sirens suggests that the rivalry fostered between the singers in 1720s London was in large part a social construction, one conditioned by local theatrical context and audience expectations, and heightened by manipulations of plot and music. This book offers readings of operas by Handel and Bononcini as performance events, inflected by the audience's perceptions of singer persona and contemporary theatrical and cultural contexts. Through examining the case of these two women, Suzanne Aspden demonstrates that the personae of star performers, as well as their voices, were of crucial importance in determining the shape of an opera during the early part of the eighteenth century.


George Frideric Handel - The Triumph of Time and Truth

George Frideric Handel - The Triumph of Time and Truth
Author: Wolf Birkenbihl
Publisher: GRIN Verlag
Total Pages: 69
Release: 2010
Genre:
ISBN: 3640654447

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Document from the year 2010 in the subject Biographies, language: English, abstract: The script "The Triumph of Time and Truth" deals with life and career of George Frideric Handel starting with his early years in Halle, Handel's birth place, where he already got into music as a little boy by secretly playing a small clavichord on the attic. At Weissenfels, the court of the Duke of Saxony, the budding spirit of the ten year old firstly became obvious to an audience listening. His friendship with George Phillip Telemann led him to Hamburg at the very beginning of the 18th century. Here his genius became already visible and he began to develop his own particular style of composing operas which remained so significant for him for decades. In Rome, his next domicile, it was the oratorio beside the opera he focused on. The time he spent in Italy was most formative for his further personal development. The main focus of this script is on Handel's London years from 1711 to 1759 where his career reached its peak. Here it was that his entirely new creation, the English oratorio became such a great success. This almost half a century brought glory, crisis and wealth to George Frideric Handel.