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| Author | : Stephen Greenblatt |
| Publisher | : Princeton University Press |
| Total Pages | : 338 |
| Release | : 2013-10-20 |
| Genre | : Literary Criticism |
| ISBN | : 0691160244 |
Setting out to explain his longtime fascination with the ghost of Hamlet's father, Stephen Greenblatt provides an account of the rise and fall of purgatory as both a belief and a lucrative institution - as well as a new reading of the power of Hamlet.
| Author | : Stephen Greenblatt |
| Publisher | : Princeton University Press |
| Total Pages | : 352 |
| Release | : 2013-10-06 |
| Genre | : Literary Criticism |
| ISBN | : 1400848091 |
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.
| Author | : Stephen Greenblatt |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 441 |
| Release | : 2010-05-03 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393079848 |
Named One of Esquire's 50 Best Biographies of All Time The Pulitzer Prize and National Book Award finalist, reissued with a new afterword for the 400th anniversary of Shakespeare’s death. A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.
| Author | : Stephen Greenblatt |
| Publisher | : University of Chicago Press |
| Total Pages | : 163 |
| Release | : 2010-11-15 |
| Genre | : Literary Criticism |
| ISBN | : 0226306682 |
Shakespeare lived in a world of absolutes—of claims for the absolute authority of scripture, monarch, and God, and the authority of fathers over wives and children, the old over the young, and the gentle over the baseborn. With the elegance and verve for which he is well known, Stephen Greenblatt, author of the best-selling Will in the World, shows that Shakespeare was strikingly averse to such absolutes and constantly probed the possibility of freedom from them. Again and again, Shakespeare confounds the designs and pretensions of kings, generals, and churchmen. His aversion to absolutes even leads him to probe the exalted and seemingly limitless passions of his lovers. Greenblatt explores this rich theme by addressing four of Shakespeare’s preoccupations across all the genres in which he worked. He first considers the idea of beauty in Shakespeare’s works, specifically his challenge to the cult of featureless perfection and his interest in distinguishing marks. He then turns to Shakespeare’s interest in murderous hatred, most famously embodied in Shylock but seen also in the character Bernardine in Measure for Measure. Next Greenblatt considers the idea of Shakespearean authority—that is, Shakespeare’s deep sense of the ethical ambiguity of power, including his own. Ultimately, Greenblatt takes up Shakespearean autonomy, in particular the freedom of artists, guided by distinctive forms of perception, to live by their own laws and to claim that their creations are singularly unconstrained. A book that could only have been written by Stephen Greenblatt, Shakespeare’s Freedom is a wholly original and eloquent meditation by the most acclaimed and influential Shakespearean of our time.
| Author | : Rhodri Lewis |
| Publisher | : Princeton University Press |
| Total Pages | : 390 |
| Release | : 2020-04-14 |
| Genre | : Drama |
| ISBN | : 0691204519 |
'Hamlet and the Vision of Darkness' is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a 'Hamlet' unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended.
| Author | : Stephen Greenblatt |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 208 |
| Release | : 2018-05-08 |
| Genre | : Literary Criticism |
| ISBN | : 0393635767 |
"Brilliant, beautifully organized, exceedingly readable."—Philip Roth World-renowned Shakespeare scholar Stephen Greenblatt explores the playwright’s insight into bad (and often mad) rulers. Examining the psyche—and psychoses—of the likes of Richard III, Macbeth, Lear, and Coriolanus, Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the disasters visited upon the societies over which these characters rule. Tyrant shows that Shakespeare’s work remains vitally relevant today, not least in its probing of the unquenchable, narcissistic appetites of demagogues and the self-destructive willingness of collaborators who indulge them.
| Author | : John Dover Wilson |
| Publisher | : Cambridge University Press |
| Total Pages | : 384 |
| Release | : 1959 |
| Genre | : Drama |
| ISBN | : 9780521091091 |
In this classic 1935 book, John Dover Wilson critiques Shakespeare's Hamlet.
| Author | : William Kerrigan |
| Publisher | : Johns Hopkins University Press |
| Total Pages | : 200 |
| Release | : 1996-10-16 |
| Genre | : Literary Criticism |
| ISBN | : 9780801854682 |
Kerrigan's approach reflects his interests in literary formalism, historical scholarship, intellectual history, and psychoanalysis.
| Author | : Catherine Gallagher |
| Publisher | : University of Chicago Press |
| Total Pages | : 260 |
| Release | : 2020-05-21 |
| Genre | : Literary Criticism |
| ISBN | : 022677256X |
For almost twenty years, new historicism has been a highly controversial and influential force in literary and cultural studies. In Practicing the New Historicism, two of its most distinguished practitioners reflect on its surprisingly disparate sources and far-reaching effects. In lucid and jargon-free prose, Catherine Gallagher and Stephen Greenblatt focus on five central aspects of new historicism: recurrent use of anecdotes, preoccupation with the nature of representations, fascination with the history of the body, sharp focus on neglected details, and skeptical analysis of ideology. Arguing that new historicism has always been more a passionately engaged practice of questioning and analysis than an abstract theory, Gallagher and Greenblatt demonstrate this practice in a series of characteristically dazzling readings of works ranging from paintings by Joos van Gent and Paolo Uccello to Hamlet and Great Expectations. By juxtaposing analyses of Renaissance and nineteenth-century topics, the authors uncover a number of unexpected contrasts and connections between the two periods. Are aspects of the dispute over the Roman Catholic doctrine of the Eucharist detectable in British political economists' hostility to the potato? How does Pip's isolation in Great Expectations shed light on Hamlet's doubt? Offering not only an insider's view of new historicism, but also a lively dialogue between a Renaissance scholar and a Victorianist, Practicing the New Historicism is an illuminating and unpredictable performance by two of America's most respected literary scholars. "Gallagher and Greenblatt offer a brilliant introduction to new historicism. In their hands, difficult ideas become coherent and accessible."—Choice "A tour de force of new literary criticism. . . . Gallagher and Greenblatt's virtuoso readings of paintings, potatoes (yes, spuds), religious ritual, and novels—all 'texts'—as well as essays on criticism and the significance of anecdotes, are likely to take their place as model examples of the qualities of the new critical school that they lead. . . . A zesty work for those already initiated into the incestuous world of contemporary literary criticism-and for those who might like to see what all the fuss is about."—Kirkus Reviews, starred review
| Author | : William Shakespeare |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 266 |
| Release | : 2006-08-28 |
| Genre | : Fiction |
| ISBN | : 0544187512 |
"To be or not to be" confounded by Shakespeare-that is the question. Hamlet is an action-packed thriller with apparitions, murder, revenge, deception, poisons, and diabolical traps. With timeless themes, it explores friendship, relationships, honor, fate, madness, and more. Now you can savor Hamlet in a modern, easy-to-understand translation that makes reading it quick and painless. Other aids make following the action and grasping the meaning a snap: A brief synopsis of the plot and action A comprehensive character list that describes the characteristics, motivations, and actions of each major player A visual character map that shows the relationships of major characters A cycle-of-death graphic that pinpoints the sequence of deaths and includes who dies, how they die, and why Reflective questions that help you understand the themes of the play With Shakespeare on the Double! Hamlet, you'll be enlightened instead of confounded.
