Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Gretry And The Growth Of Opera Comique PDF full book. Access full book title Gretry And The Growth Of Opera Comique.
| Author | : David Charlton |
| Publisher | : Cambridge University Press |
| Total Pages | : 386 |
| Release | : 1986-03-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 052125129X |
First published in 1986, this major study in English explores Grétry and opéra-comique between 1768 and 1791.
| Author | : Joseph Goddard |
| Publisher | : |
| Total Pages | : 254 |
| Release | : 1912 |
| Genre | : Opera |
| ISBN | : |
| Author | : Joseph Goddard |
| Publisher | : Forgotten Books |
| Total Pages | : 294 |
| Release | : 2015-06-25 |
| Genre | : Music |
| ISBN | : 9781330179710 |
Excerpt from The Rise and Development of Opera The Creation Of French Opera; Lulli and the Early Writers; The Development of French Opera; The Rise of Opera Comique; French Opera from Herold to Gounod and Bizet; English Opera; English Music down to the Restoration; After the Restoration to the Death of Purcell; From the Death of Purcell to the Beginning of the Nineteenth Century; The Taste of the English for Ideal Drama. The Special Influence of Handelian Oratorio; The Help of a Strong Native School. Our Influence upon Sacred Musical Drama; Sir Edward Elgar; Wagner And Contemporary Dramatic Work. With Some Considerations On Debussy And Modern Art Forms; Some Tendencies of Contemporaneous Dramatic Work; Index About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
| Author | : David Charlton |
| Publisher | : Cambridge University Press |
| Total Pages | : 393 |
| Release | : 2021-12-16 |
| Genre | : Music |
| ISBN | : 1316515842 |
A major re-orientation in understanding opera, exploring musical comedies with spoken dialogue previously excluded from historical accounts.
| Author | : Malcolm Sterling Mackinlay |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 1971 |
| Genre | : Operetta |
| ISBN | : |
| Author | : David Charlton |
| Publisher | : Cambridge University Press |
| Total Pages | : 437 |
| Release | : 2012-10-25 |
| Genre | : Music |
| ISBN | : 1139789066 |
Historians of French politics, art, philosophy and literature have long known the tensions and fascinations of Louis XV's reign, the 1750s in particular. David Charlton's study comprehensively re-examines this period, from Rameau to Gluck and elucidates the long-term issues surrounding opera. Taking Rousseau's Le Devin du Village as one narrative centrepiece, Charlton investigates this opera's origins and influences in the 1740s and goes on to use past and present research to create a new structural model that explains the elements of reform in Gluck's tragédies for Paris. Charlton's book opens many new perspectives on the musical practices and politics of the period, including the Querelle des Bouffons. It gives the first detailed account of intermezzi and opere buffe performed by Eustachio Bambini's troupe at the Paris Opéra from August 1752 to February 1754 and discusses Rameau's comedies Platée and Les Paladins and their origins.
| Author | : Julia Doe |
| Publisher | : University of Chicago Press |
| Total Pages | : 327 |
| Release | : 2021-03-21 |
| Genre | : History |
| ISBN | : 022674339X |
Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.
| Author | : Richard Alexander Streatfeild |
| Publisher | : |
| Total Pages | : 366 |
| Release | : 1897 |
| Genre | : Opera |
| ISBN | : |
| Author | : David Boyle |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 420 |
| Release | : 2009-05-26 |
| Genre | : History |
| ISBN | : 0802718205 |
On his long journey home from the Third Crusade, Richard the Lionheart--one of history's most powerful and romantic figures--was ship-wrecked near Venice in the Adriatic Sea. Forced to make his way home by land through enemy countries, he traveled in disguise, but was eventually captured by Duke Leopold V of Austria, who in turn conveyed him to Henry VI, the Holy Roman Emperor. Henry demanded a majestic ransom, and Richard's mother, Eleanor of Aquitaine, raised the historic sum--one quarter of the entire wealth of England--and Richard was returned. But a peculiar legend followed him--that a troubadour named Blondel, a friend of Richard's, had journeyed across Europe singing a song he knew Richard would recognize in order to discover his secret place of imprisonment. David Boyle recreates the drama of the Third Crusade and the dynamic power politics and personalities of the late 12th century in Europe, as well as the growing fascination with romance and chivalry embodied in the troubadour culture. An evocation of a pivotal era, The Troubadour's Song is narrative history at its finest.
| Author | : R.J. Arnold |
| Publisher | : Taylor & Francis |
| Total Pages | : 245 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1134803699 |
Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
