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| Author | : Constance Sullivan |
| Publisher | : New York Graphic Society Books |
| Total Pages | : 278 |
| Release | : 1978-01-01 |
| Genre | : Documentary photography |
| ISBN | : 9780821207420 |
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1978-11-01 |
| Genre | : Photography |
| ISBN | : 9781223048888 |
Twenty-two photo essays treat subjects ranging from a tranquil winter in Maine to the violence of boxing arenas and from the somber aftermath of war to the intimacy of an adopted child's new family
| Author | : Katherine A. Bussard |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2020 |
| Genre | : Documentary photography |
| ISBN | : 9780300250886 |
The first comprehensive consideration of Life magazine's groundbreaking and influential contribution to the history of photography From the Great Depression to the Vietnam War, the vast majority of the photographs printed and consumed in the United States appeared on the pages of illustrated magazines. Offering an in-depth look at the photography featured in Life magazine throughout its weekly run from 1936 to 1972, this volume examines how the magazine's use of images fundamentally shaped the modern idea of photography in the United States. The work of photographers both celebrated and overlooked--including Margaret Bourke-White, Larry Burrows, Henri Cartier-Bresson, Frank Dandridge, Alfred Eisenstaedt, Fritz Goro, Gordon Parks, and W. Eugene Smith--is explored in the context of the creative and editorial structures at Life. Contributions from 25 scholars in a range of fields, from art history to American studies, provide insights into how the photographs published in Life--used to promote a predominately white, middle-class perspective--came to play a role in cultural dialogues in the United States around war, race, technology, art, and national identity. Drawing on unprecedented access to Life magazine's picture and paper archives, as well as photographers' archives, this generously illustrated volume presents previously unpublished materials, such as caption files, contact sheets, and shooting scripts, that shed new light on the collaborative process behind many now-iconic images and photo-essays.
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : 1978-11-01 |
| Genre | : Photography |
| ISBN | : 9780316326018 |
Twenty-two photo essays treat subjects ranging from a tranquil winter in Maine to the violence of boxing arenas and from the somber aftermath of war to the intimacy of an adopted child's new family
| Author | : |
| Publisher | : Life |
| Total Pages | : 310 |
| Release | : 2006-10-10 |
| Genre | : History |
| ISBN | : |
For seven decades, Life has been thrilling the world with its unrivaled presentation of the very best photography to be found. Here, the editors have assembled the crme de la crme from the magazines vast collection of images.Because Life has always dealt with matters of every sort, the entire spectrum of society is represented in these pages. One after another, there are unforgettable photos from Hollywoods greatest stars, from the wonders of small-town America, from the terrible wars, as well as from the zestful years of childhood. Life has always represented the apex in photojournalism and its roster of great photographers is unequaled.
| Author | : Michael Freeman |
| Publisher | : Ilex Press |
| Total Pages | : 540 |
| Release | : 2012-11-05 |
| Genre | : Photography |
| ISBN | : 1781570469 |
Having already taught you how to compose and interpret great photos, Michael Freeman now continues his best-selling series by exploring the most successful methods for presenting photography meaningfully and in an engaging format. This is the critical "next step" that separates adequate image galleries from captivating collections - and disinterested viewers from enthralled audiences. Tapping into his decades of experience shooting for such publications as Smithsonian, GEO, and Condé Nast Traveller (among many others), Michael Freeman studies the photo-essay phenomenon that took the world by storm and gave storytellers a completely new set of tools to construct their narratives. Having established how rhythm, pacing, and careful organisation build tension and cultivate interest, Freeman goes on to explain what this means for presenting your own photos, particularly in the new digital formats of online galleries, slideshows, and tablets. The Photographer's Story will enliven your images, refresh your perspective, and elevate your understanding of how photographs work together to tell a story. Your audiences will thank you for it.
| Author | : Brooks Jensen |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2004 |
| Genre | : Art and photography |
| ISBN | : 9781888803266 |
28 Essays on Photography and the Creative Life by Brooks Jensen, Editor of LensWork.
| Author | : Guy Tal |
| Publisher | : Rocky Nook, Inc. |
| Total Pages | : 427 |
| Release | : 2020-09-11 |
| Genre | : Photography |
| ISBN | : 168198685X |
A deeper look at the creativity, art, expression, craft, and philosophy of landscape photography.
More Than a Rock, 2nd Edition is a passionate and personal book about creativity and expression. In this series of over 70 brief essays, photographer and teacher Guy Tal shares his thoughts and experiences as an artist who seeks to express more in his images than the mere appearance of the subject portrayed. Following up on the success of the first edition, this revised edition contains updated imagery, a new essay in each of the book’s four sections—Art, Craft, Experiences, and Meditations—and is presented in a beautiful hardcover format.
Tal makes an argument to consider creative landscape photography—expressing something of the photographer's conception through the use of natural aesthetics—as a form of visual art that is distinct from the mere representation of beautiful natural scenes. Tal covers topics such as the art of photography, approaches to landscape photography, and the experiences of a working photographic artist. His essays also include reflections on nature and man’s place in it, living a meaningful life, and living as an artist in today’s world.
The book is decidedly non-technical and focuses on philosophy, nature, and visual expression. It was written for those photographers with a passion and interest in creative photography. Anyone who is pursuing their work as art, is in need of inspiration, or is interested in the writings of a full-time working photographic artist will benefit from reading this book. The book is visually punctuated with Tal’s inspiring and breathtaking photography.
“Some images look like things, while others feel like things; some images are of things, while others are about things. A creative image is not a record of a scene nor a substitute for a real experience. Rather, it is an experience in itself—an aesthetic experience—something new that the artist has given the world, rather than a contrived view of something that already existed independent of them.”
—Guy Tal
“The medium of photography has a long tradition of practitioners who were not only masterful photographers, but were also insightful and thoughtful writers—the thinking man’s photographers. Among them we find such greats as John Szarkowski, Minor White, Bill Jay, and Robert Adams. It is no exaggeration to include Guy Tal on this esteemed list.”
— From the Foreword, by Chuck Kimmerle
| Author | : Editors of Life |
| Publisher | : Life |
| Total Pages | : 0 |
| Release | : 2012-09-25 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781603202312 |
In the mid-1960s, when so much was happening in the world and the volume everywhere seemed dialed up to 11, the Beatles were the biggest thing on the planet. Their fans screamed from the fences as the Fab Four walked across the airport tarmac or into a vast stadium. They wanted to touch the Beatles. They wanted to know the Beatles. Who might help them? One photographer was inside. The young Australian Robert Whitaker had been noticed by Beatles manager Brian Epstein, who then hired him. When Beatlemania exploded, Whitaker was along for the wild ride. He was backstage, he was in the studio, he went to the boys' homes, he became their friend and confidante (He grew particularly close to John). Robert Whitaker fashioned many of the iconic Beatles images, and all his pictures of the band were taken in the period that Beatles fans most like to remember: when they were fab, when they changed our culture. Bob Whitaker-a great photographer, after all-was a friend of LIFE's and made contributions to earlier books on John Lennon and George Harrison. In the months before his death in September 2011, he was collaborating with us on this book, his Beatles magnum opus. In these pages are rarely or never seen photographs and his personal reflections, which add resonance to the images. For those who once wanted to touch the Beatles, wanted to know them, this is an essential document. It is full of vitality. Beatlemania was a crazy, crazy place to be, and it is captured here in all its nutty glory. Then, too, there are the famous Whitaker album covers, including the early drafts of the notorious-and banned-Yesterday and Today jacket. It is LIFE's good fortune, and it will be our readers', that Bob Whitaker talked about all this with us and others through the years. His testimony is that of a proverbial fifth Beatle: He was there, part of the scene. He saw it all, he recorded much of it on film, and he remembered even more. Here, then, is Bob Whitaker's final word on the Beatles-all his best photographs, all his reminiscences. LIFE is proud to bring forth this book. It does what we always try to do-present great photography-and it also pays tribute to a bygone time, a bygone band that we all loved, and a man who was a dear friend.
| Author | : Scott Walden |
| Publisher | : John Wiley & Sons |
| Total Pages | : 345 |
| Release | : 2010-03-29 |
| Genre | : Photography |
| ISBN | : 1444335081 |
This anthology offers a fresh approach to the philosophical aspects of photography. The essays, written by contemporary philosophers in a thorough and engaging manner, explore the far-reaching ethical dimensions of photography as it is used today. A first-of-its-kind anthology exploring the link between the art of photography and the theoretical questions it raises Written in a thorough and engaging manner Essayists are all contemporary philosophers who bring with them an exceptional understanding of the broader metaphysical issues pertaining to photography Takes a fresh look at some familiar issues - photographic truth, objectivity, and realism Introduces newer issues such as the ethical use of photography or the effect of digital-imaging technology on how we appreciate images
