Graphic Arts Literature Abstracts
Author | : |
Publisher | : |
Total Pages | : 780 |
Release | : 1986 |
Genre | : Graphic arts |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 780 |
Release | : 1986 |
Genre | : Graphic arts |
ISBN | : |
Author | : Grace Lees-Maffei |
Publisher | : Bloomsbury Publishing |
Total Pages | : 248 |
Release | : 2019-02-07 |
Genre | : Design |
ISBN | : 0857858025 |
Reading Graphic Design in Cultural Context explains key ways of understanding and interpreting the graphic designs we see all around us, in advertising, branding, packaging and fashion. It situates these designs in their cultural and social contexts. Drawing examples from a range of design genres, leading design historians Grace Lees-Maffei and Nicolas P. Maffei explain theories of semiotics, postmodernism and globalisation, and consider issues and debates within visual communication theory such as legibility, the relationship of word and image, gender and identity, and the impact of digital forms on design. Their discussion takes in well-known brands like Alessi, Nike, Unilever and Tate, and everyday designed things including slogan t-shirts, car advertising, ebooks, corporate logos, posters and music packaging.
Author | : |
Publisher | : |
Total Pages | : 584 |
Release | : 1972 |
Genre | : Archaeology |
ISBN | : |
Author | : Marietta Chicorel |
Publisher | : |
Total Pages | : 470 |
Release | : 1978 |
Genre | : Abstracting and indexing services |
ISBN | : |
Author | : Marietta Chicorel |
Publisher | : |
Total Pages | : 468 |
Release | : 1978 |
Genre | : Abstracting and indexing services |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 1987 |
Genre | : |
ISBN | : |
Author | : Henryk Sawoniak |
Publisher | : Walter de Gruyter |
Total Pages | : 1284 |
Release | : 2012-02-14 |
Genre | : Reference |
ISBN | : 3110975068 |
Author | : Andrea Meyertholen |
Publisher | : Boydell & Brewer |
Total Pages | : 311 |
Release | : 2021 |
Genre | : Art, Abstract, in literature |
ISBN | : 1640141049 |
An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
Author | : Mel Gooding |
Publisher | : Cambridge University Press |
Total Pages | : 96 |
Release | : 2001-08-13 |
Genre | : Art |
ISBN | : 9780521006316 |
Abstract art in its many forms has been a dominant mode in the visual arts for the better part of a century. Popular histories usually trace "abstraction" as a succession of style or "isms," each set within it particular art-historical context, assuming a general familiarity with this kind of critical narrative. The book addresses itself to the interested non-specialist who frequents galleries and reads art books, but who often feels mystified when confronted by abstract work. Abstract art by its nature demands an imaginative response, a personal constructon of meaning. Mel Gooding offers readings of specific paintings and sculptures--by artists such as Kandinsky, Mondrian, Gabo and Polloc--treating them as exemplary of particular tendencies within the overlapping histories of abstraction. The book defines distinctions between types of abstract art that may seem similar and discoveries underlying correspondences between those that may seem different, enabling the reader to identify links between abstract works across traditional art-historical periods.
Author | : |
Publisher | : |
Total Pages | : 700 |
Release | : 1985 |
Genre | : Industrial statistics |
ISBN | : |