Goldsmiths Journal
Author | : |
Publisher | : |
Total Pages | : 640 |
Release | : 1959 |
Genre | : Goldwork |
ISBN | : |
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Author | : |
Publisher | : |
Total Pages | : 640 |
Release | : 1959 |
Genre | : Goldwork |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 180 |
Release | : 1980 |
Genre | : Goldsmiths |
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Author | : |
Publisher | : |
Total Pages | : 512 |
Release | : 1852 |
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ISBN | : |
Author | : Rebecca Coleman |
Publisher | : MIT Press |
Total Pages | : 194 |
Release | : 2021-06-29 |
Genre | : Social Science |
ISBN | : 191268540X |
An original examination of the ubiquity of glitter—from bodily adornment to activist glitter bombing—and its vibrant and transformational properties. Glitter is everywhere, from crafting to makeup, from vagazelling to glitter-bombing, from fashion to fish. Glitter also gets everywhere. It sticks to what it is and isn't supposed to, and travels beyond its original uses, eliciting reactions ranging from delight to irritation. In Glitterworlds, Rebecca Coleman examines this ubiquity of glitter, following it as it moves across different popular cultural worlds and exploring its effect on understandings and experiences of gender, sexuality, class and race. Coleman investigates how girls engage with glitter in collaging workshops to imagine their futures; how glitter can adorn the outside and the inside of the body; how glitter features in the films Glitter and Precious; and how LGBTQ* activists glitter bomb homophobic and transphobic people. Throughout, Coleman attends to the plurality of politics that glitter generates, approaching this through the concepts of hope, wonder, fabulation, and prefigurative politics—all of which indicate the making of different, better worlds, although often not in ways that are straightforward or conventional. She develops an original account of future politics, where time is nonlinear and sometimes non-progressive. Coleman's argument brings together feminist cultural theory, feminist new materialisms, and theories on futures and temporality, in order to propose that we should understand glitter as a thing—vibrant, processual, transformational, and traversing boundaries between media and material, culture and nature, bodies and environments.
Author | : Architectural, Archaelogical and Historic Society for the County, City and Neighborhood of Chester |
Publisher | : |
Total Pages | : 650 |
Release | : 1864 |
Genre | : Cheshire (England) |
ISBN | : |
Author | : Royal Society for the Encouragement of Arts, Manufactures and Commerce |
Publisher | : |
Total Pages | : 888 |
Release | : 1868 |
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ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 470 |
Release | : 1852 |
Genre | : Art |
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Author | : |
Publisher | : |
Total Pages | : 458 |
Release | : 1863 |
Genre | : Clocks and watches |
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Author | : Christopher Hartop |
Publisher | : John Adamson Dist A/C |
Total Pages | : 180 |
Release | : 2005 |
Genre | : Architecture |
ISBN | : |
The partnership of Philip Rundell and John Bridge began in London toward the end of the eighteenth century and went on to become the greatest firm of goldsmiths, jewelers and medalists of the age. Its stable of distinguished artists, headed by the sculptor John Flaxman, was the driving force in the adoption of a new imperial style
Author | : |
Publisher | : |
Total Pages | : 378 |
Release | : 1863 |
Genre | : Technology |
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