Georgian Trick Riders In American Wild West Shows 1890s 1920s PDF Download

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Georgian Trick Riders in American Wild West Shows, 1890s-1920s

Georgian Trick Riders in American Wild West Shows, 1890s-1920s
Author: Irakli Makharadze
Publisher: McFarland
Total Pages: 219
Release: 2015-03-30
Genre: History
ISBN: 0786497394

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In 1893, Georgian horsemen from the Caucasus immigrated to the United States where for more than 30 years they performed in circuses and Wild West shows under the billing of "Russian Cossacks." The connection between Buffalo Bill Cody and the Georgian trick riders represents one of the earliest relationships between Georgia and the United States. Western historian Dee Brown wrote, "Trick riding came to rodeo by way of a troupe of Cossack daredevils imported by the 101 Ranch. Intrigued by the Cossacks' stunts on their galloping horses, western cowboys soon introduced variations to American rodeo." This is the story of the men who came in search of financial support for their families in Georgia and, without knowing it, influenced an essential fixture of American culture.


Art and Advertising in Buffalo Bill's Wild West

Art and Advertising in Buffalo Bill's Wild West
Author: Michelle Delaney
Publisher: University of Oklahoma Press
Total Pages: 249
Release: 2019-10-24
Genre: Art
ISBN: 080616512X

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William F. “Buffalo Bill” Cody, star of the American West, began his journey to fame at age twenty-three, when he met writer Ned Buntline. The pulp novels Buntline later penned were loosely based on Cody’s scouting and bison-hunting adventures and sparked a national sensation. Other writers picked up the living legend of “Buffalo Bill” for their own pulp novels, and in 1872 Buntline produced a theatrical show starring Cody himself. In 1883, Cody opened his own show, Buffalo Bill’s Wild West, which ultimately became the foundation for the world’s image of the American frontier. After the Civil War, new transcontinental railroads aided rapid westward expansion, fostering Americans’ long-held fascination with their western frontier. The railroads enabled traveling shows to move farther and faster, and improved printing technologies allowed those shows to print in large sizes and quantities lively color posters and advertisements. Cody’s show team partnered with printers, lithographers, photographers, and iconic western American artists, such as Frederic Remington and Charles Schreyvogel, to create posters and advertisements for Buffalo Bill’s Wild West. Circuses and other shows used similar techniques, but Cody’s team perfected them, creating unique posters that branded Buffalo Bill’s Wild West as the true Wild West experience. They helped attract patrons from across the nation and ultimately from around the world at every stop the traveling show made. In Art and Advertising in Buffalo Bill’s Wild West, Michelle Delaney showcases these numerous posters in full color, many of which have never before been reproduced, pairing them with new research into previously inaccessible manuscript and photograph collections. Her study also includes Cody’s correspondence with his staff, revealing the showman’s friendships with notable American and European artists and his show’s complex, modern publicity model. Beautifully designed, Art and Advertising in Buffalo Bill’s Wild West presents a new perspective on the art, innovation, and advertising acumen that created the international frontier experience of Buffalo Bill’s Wild West.


The American West and the World

The American West and the World
Author: Janne Lahti
Publisher: Routledge
Total Pages: 190
Release: 2018-09-21
Genre: History
ISBN: 1317285336

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The American West and the World provides a synthetic introduction to the transnational history of the American West. Drawing from the insights of recent scholarship, Janne Lahti recenters the history of the U.S. West in the global contexts of empires and settler colonialism, discussing exploration, expansion, migration, violence, intimacies, and ideas. Lahti examines established subfields of Western scholarship, such as borderlands studies and transnational histories of empire, as well as relatively unexplored connections between the West and geographically nonadjacent spaces. Lucid and incisive, The American West and the World firmly situates the historical West in its proper global context.


Galloping Gourmet

Galloping Gourmet
Author: Steve Friesen
Publisher: U of Nebraska Press
Total Pages: 320
Release: 2023
Genre: Cooking
ISBN: 1496236807

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Galloping Gourmet is a culinary biography, a deep dive into the different roles food and drink played in William F. "Buffalo Bill" Cody's life.


Buffalo Bill's Wild West and Congress of Rough Riders of the World

Buffalo Bill's Wild West and Congress of Rough Riders of the World
Author: Buffalo Bill's Wild West Company
Publisher:
Total Pages: 76
Release: 1893
Genre: Cowboys
ISBN:

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Beautiful full color litho cover, stagecoach under attack from Indians, cameo portrait of W.F. Cody.


Buffalo Bill's Wild West and Congress of Rough Riders of the World

Buffalo Bill's Wild West and Congress of Rough Riders of the World
Author: Buffalo Bill's Wild West Show
Publisher:
Total Pages: 64
Release: 1902
Genre: Buffalo Bill's Wild West Show
ISBN:

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Program of the events in the show is the first part. Main part covers the military career and the show career of Buffalo Bill, the West, and the Indians. With descriptions of the tours of the show in Europe. Contains advertising.


Black Elk Speaks

Black Elk Speaks
Author: John G. Neihardt
Publisher: U of Nebraska Press
Total Pages: 470
Release: 2014-03-01
Genre: Social Science
ISBN: 0803283938

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Black Elk Speaks, the story of the Oglala Lakota visionary and healer Nicholas Black Elk (1863–1950) and his people during momentous twilight years of the nineteenth century, offers readers much more than a precious glimpse of a vanished time. Black Elk’s searing visions of the unity of humanity and Earth, conveyed by John G. Neihardt, have made this book a classic that crosses multiple genres. Whether appreciated as the poignant tale of a Lakota life, as a history of a Native nation, or as an enduring spiritual testament, Black Elk Speaks is unforgettable. Black Elk met the distinguished poet, writer, and critic John G. Neihardt in 1930 on the Pine Ridge Reservation in South Dakota and asked Neihardt to share his story with the world. Neihardt understood and conveyed Black Elk’s experiences in this powerful and inspirational message for all humankind. This complete edition features a new introduction by historian Philip J. Deloria and annotations of Black Elk’s story by renowned Lakota scholar Raymond J. DeMallie. Three essays by John G. Neihardt provide background on this landmark work along with pieces by Vine Deloria Jr., Raymond J. DeMallie, Alexis Petri, and Lori Utecht. Maps, original illustrations by Standing Bear, and a set of appendixes rounds out the edition.


Corcoran Gallery of Art

Corcoran Gallery of Art
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
Total Pages: 0
Release: 2011
Genre: Painting
ISBN: 9781555953614

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This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.


Ladies' Book of Etiquette, and Manual of Politéness

Ladies' Book of Etiquette, and Manual of Politéness
Author: Florence Hartley
Publisher: Createspace Independent Publishing Platform
Total Pages: 348
Release: 1860
Genre: History
ISBN:

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Do unto others as you would others should do to you. You can never be rude if you bear the rule always in mind, for what lady likes to be treated rudely? True Christian politeness will always be the result of an unselfish regard for the feelings of others, and though you may err in the ceremonious points of etiquette, you will never be im polite. Politeness, founded upon such a rule, becomes the expression, in graceful manner, of social virtues. The spirit of politeness consists in a certain attention to forms and ceremonies, which are meant both to please others and ourselves, and to make others pleased with us ;a still clearer definition may be given by saying that politeness is goodness of heart put into daily practice; the.re can be no true, politeness without kindness, purity, singleness of heart, and sensibility. Many believe that politeness is but a mask worn in the world to conceal bad passions and impulses, and to make a show of possessing virtues not really existing in the heart; thus, that politeness is merely hypocrisy and dissimulation. Do not believe this; be certain that those who profess such a doctrine are practising themselves the deceit they condemn so much.


The Wild West in England

The Wild West in England
Author: William F. Cody
Publisher: U of Nebraska Press
Total Pages: 253
Release: 2012-10-01
Genre: History
ISBN: 0803244665

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Army scout, frontiersman, and hero of the American West, William F. “Buffalo Bill” Cody was also a shrewd self-promoter, showman, and entrepreneur. In 1888 he published The Story of the Wild West, a collection of biographies of four well-known American frontier figures: Daniel Boone, Davy Crockett, Kit Carson, and himself. Cody contributed an abridged version of his 1879 autobiography with an addendum titled The Wild West in England, now available in this stand-alone annotated edition, including all the illustrations from the original text along with photographs of Cody and promotional materials. Here Cody describes his Wild West exhibition, the show that offered audiences a mythic experience of the American frontier. Focusing on the show’s first season of performances in England, Cody includes excerpts of numerous laudatory descriptions of his show from the English press as well as stories of his time spent with British nobility—from private performances for Queen Victoria and the Prince and Princess of Wales to dinners and teas with the elite of London society. He depicts himself as an ambassador of American culture, proclaiming that he and his Wild West show prompted the British to “know more of the mighty nation beyond the Atlantic and . . . to esteem us better than at any time within the limits of modern history.”