Gender Roles In King Kong 1933 Ann Darrow As An Example For Independent Women Or The Traditional Image Of Womanhood PDF Download

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Gender roles in "King Kong" (1933). Ann Darrow as an example for independent women or the traditional image of womanhood??

Gender roles in
Author: Fabian Lukas
Publisher: GRIN Verlag
Total Pages: 17
Release: 2016-04-28
Genre: Performing Arts
ISBN: 3668207003

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Seminar paper from the year 2015 in the subject Film Science, University of Cologne, language: English, abstract: The film "King Kong" is one of the most famous films of Pre Code Hollywood. Its success was referred to the variety of topics and narratives that the film includes, combined with an excellent use of sound and special effects. This text lays the focus on the aspect of gender roles in the film. It will be shown that especially the figure of Ann Darrow embodies different stereotypes and that she can be seen as an example for an independent woman but also as a model for a more traditional image of womanhood. First of all the various contexts shall be presented (Historical context, men and women during the Great Depression and Hollywood during the Great Depression). After that follows a short analysis of two other important aspects, the Woman ́s film and the aspect of race in expedition films. Both of them are strongly interwoven with the question about gender roles in "King Kong". Finally the main characters in "King Kong" are going to be analyzed in view of the gender roles they embody and also how they change.


King Kong Theory

King Kong Theory
Author: Virginie Despentes
Publisher:
Total Pages:
Release: 2020
Genre: Electronic books
ISBN: 9781913097356

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Simianization

Simianization
Author: Wulf D. Hund
Publisher: LIT Verlag Münster
Total Pages: 249
Release: 2015
Genre: Social Science
ISBN: 3643907168

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Contents: Charles W. Mills: Bestial Inferiority. Locating Simianization within Racism - Wulf D. Hund: Racist King Kong Fantasies. From Shakespeare's Monster to Stalin's Ape-Man - David Livingstone Smith, Ioana Panaitiu: Aping the Human Essence. Simianization as Dehumanization - Silvia Sebastiani: Challenging Boundaries. Apes and Savages in Enlightenment - Stefanie Affeldt: Exterminating the Brute. Sexism and Racism in "King Kong" - Susan C. Townsend: The Yellow Monkey. Simianizing the Japanese - Steve Garner: The Simianization of the Irish. Racial Apeing and its Contexts - Kimberly Barsamian Kahn, Phillip Atiba Goff, Jean M. McMahon: Intersections of Prejudice and Dehumanization. Charting a Research Trajectory (Series: ?Racism Analysis - Series B: Yearbooks, Vol. 6) [Subject: Sociology, Race Studies]


Animal Horror Cinema

Animal Horror Cinema
Author: Katarina Gregersdotter
Publisher: Springer
Total Pages: 262
Release: 2016-02-22
Genre: Performing Arts
ISBN: 1137496398

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This first full-length scholarly study about animal horror cinema defines the popular subgenre and describes its origin and history in the West. The chapters explore a variety of animal horror films from a number of different perspectives. This is an indispensable study for students and scholars of cinema, horror and animal studies.


The Film Book

The Film Book
Author: Ronald Bergan
Publisher: DK Publishing (Dorling Kindersley)
Total Pages: 0
Release: 2021
Genre: Biography & Autobiography
ISBN: 9780241484838

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Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.


Sexuality & Space

Sexuality & Space
Author: Beatriz Colomina
Publisher: Princeton Architectural Press
Total Pages: 402
Release: 1992
Genre: Architecture
ISBN: 9781878271082

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"Both timely and well worth the time."-Thomas Keenan, Newsline. aia Award Winner & Oculus Bestseller.


Horror Noire

Horror Noire
Author: Robin R. Means Coleman
Publisher: Routledge
Total Pages: 294
Release: 2013-03
Genre: History
ISBN: 1136942947

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From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself. Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race. Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.


The Postfeminist Biopic

The Postfeminist Biopic
Author: B. Polaschek
Publisher: Springer
Total Pages: 274
Release: 2013-11-13
Genre: Literary Criticism
ISBN: 1137273488

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This book contributes to the growing literature on the biopic genre by outlining and exploring the conventions of the postfeminist biopic. It does so by analyzing recent films about the lives of famous women including Sylvia Plath, Frida Kahlo, Virginia Woolf and Jane Austen.


Great Moments in Social Climbing

Great Moments in Social Climbing
Author: Meaghan Morris
Publisher:
Total Pages: 49
Release: 1992
Genre: Architectural criticism
ISBN: 9780949793232

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Ruth Crawford Seeger

Ruth Crawford Seeger
Author: Judith Tick
Publisher: Oxford University Press
Total Pages: 488
Release: 2000-02-10
Genre: Biography & Autobiography
ISBN: 0195350197

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Ruth Crawford Seeger (1901-1953) is frequently considered the most significant American female composer in this century. Joining Aaron Copland and Henry Cowell as a key member of the 1920s musical avant-garde, she went on to study with modernist theorist and future husband Charles Seeger, writing her masterpiece, String Quartet 1931, not long after. But her legacy extends far beyond the cutting edge of modern music. Collaborating with poet Carl Sandburg on folk song arrangements in the twenties, and with the famous folk-song collectors John and Alan Lomax in the 1930s, she emerged as a central figure in the American folk music revival, issuing several important books of transcriptions and arrangements and pioneering the use of American folk songs in children's music education. Radicalized by the Depression, she spent much of the ensuing two decades working aggressively for social change with her husband and stepson, the folksinger Pete Seeger. This engrossing new biography emphasizes the choices Crawford Seeger made in her roles as composer, activist, teacher, wife and mother. The first woman to win a Guggenheim Foundation Fellowship in music composition, Crawford Seeger nearly gave up writing music as the demands of family, politics, and the folk song movement intervened. It was only at the very end of her life, with cancer sapping her strength, that she returned to composing. Written with unique insight and compassion, this book offers the definitive treatment of a fascinating twentieth-century figure.