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Gender in Achebe ́s Literary World and the Francophone African Literary Touch

Gender in Achebe ́s Literary World and the Francophone African Literary Touch
Author: Ikechukwu Aloysius Orjinta
Publisher: GRIN Verlag
Total Pages: 109
Release: 2011-08-23
Genre: Literary Collections
ISBN: 3640989937

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Research Paper (undergraduate) from the year 2011 in the subject Literature - Africa, , course: AFRICAN LITERATURE/ AFRICAN STUDIES, language: English, abstract: Feminism takes different dimensions: the men haters who are the extremists and the moderates who seek for dialogue between the genders for mutual benefits. Among the extremists are Julia Kristera. She calls for a non-sexist language. Jucie lrigaray’s thesis was her medium of launching attacks against freud’s light/darkness imagery. This work titled speculum de l’autre femme (speculum of the other woman) brought her expulsion from Lacan’s Ecole Freudienne at Vincennes. Helene Cixous took men on the sexist binary opposition. [...]


Gender in Achebe's Literary World and the Francophone African Literary Touch

Gender in Achebe's Literary World and the Francophone African Literary Touch
Author: Ikechukwu Aloysius Orjinta
Publisher: GRIN Verlag
Total Pages: 113
Release: 2011-08
Genre: Biography & Autobiography
ISBN: 3640990234

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Research Paper (undergraduate) from the year 2011 in the subject Literature - Africa, course: AFRICAN LITERATURE/ AFRICAN STUDIES, language: English, abstract: Feminism takes different dimensions: the men haters who are the extremists and the moderates who seek for dialogue between the genders for mutual benefits. Among the extremists are Julia Kristera. She calls for a non-sexist language. Jucie lrigaray's thesis was her medium of launching attacks against freud's light/darkness imagery. This work titled speculum de l'autre femme (speculum of the other woman) brought her expulsion from Lacan's Ecole Freudienne at Vincennes. Helene Cixous took men on the sexist binary opposition. [...]


Gender Issues in African Literature

Gender Issues in African Literature
Author: Chin Ce
Publisher: African Books Collective
Total Pages: 202
Release: 2014-04-02
Genre: Literary Criticism
ISBN: 9783603752

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Gender Issues in African Literature examines the ways in which some protagonists of African fictions are made to counter and challenge intertwined Western discourses on gender, employment, sexuality, and health. Here the conflict between Tradition and Modernity is argues from the favourite premise of male supremacist ideology showing how women have unlearned these false concepts to build a sustained feminist movement and (re)learn the value of sisterhood. There is a bold attempt to reread Achebe as a consistent in urging women to fight the seemingly oppressive structures that have traditionally discriminated against them, and to disregard their diversity and embrace their unity. A chapter of Feminist Re-writing disagrees with the attempt to equate theory with political activism and presents Feminist literature as more than a verbal assertion that points to Feminist aesthetics and politics. The use of the trauma theory and testimonio literature to explore traumatisation of female characters and its impact for Zimbabwean civil society is a useful addition to these gender studies in African literature.


Gender In Selected African Novels

Gender In Selected African Novels
Author: Ikechukwu Aloysius Orjinta
Publisher: GRIN Verlag
Total Pages: 21
Release: 2011-08-23
Genre: Literary Collections
ISBN: 3640989929

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Scientific Essay from the year 2011 in the subject Literature - Africa, Philosophisch-Theologische Hochschule Brixen (none), course: Gender Studies, language: English, abstract: In its oral and written forms, literature has constantly served as one of the major instruments in mirroring reality and society. Literature remains a consistent tool in the representation, comprehension and interpretation of fields of human endeavour such as religion, class struggle, politics, human situations, social conflicts and Gender relations. No wonder then, gender relations, especially feminism has laid hold on literature as a veritable machinery for gender activism Men discovered the gold mine in literature quite early and for ages tapped its resources to carve a niche for the male gender in politics, culture and religion. At the same time the male gender used the resources of literature and criticism to invent prejudices, stereotypes and superstitious beliefs and heaped them on the female gender. While women laboured under this burden for ages, men were busy upstaging them in every field of life. Few instances have however existed where certain female figures due to their exalted royal, military, economics and cultic backgrounds have through individual efforts raised their heads above water in their respective societies and eras. Literature has equally recorded cases where powerful women in various races have astutely and subtly cornered for themselves rights and priviledges which ordinary women and even ordinary men could never dream of. Such positions were like personal identity cards which neither outlived them nor were enjoyed by other women during and after their lifetime. These examples are today literature, in history and literary achieves. [...]


Female Subjectivities in African Literature

Female Subjectivities in African Literature
Author: Smith, Charles
Publisher: Handel Books
Total Pages: 204
Release: 2015-09-23
Genre: Literary Criticism
ISBN: 9783703625

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In literature the ambiguous portraiture of female characters by some male writers and the phallic nature of men's writings have proved a matter of concern to female writers in Africa. For decades within African writing the issue of silencing was interrogated particularly as it addressed the muting and marginalisation of black women by male writers through the script of patriarchy which men follow. In this series we continue the literary and dramatic tradition of feminist concern for women's issues and we review novels, plays and poetry which demonstrate a commitment to exploring the challenges facing modern women in changing times and excerpting the issues of gender, feminism, identity, race, history, national and international politics specifically as they affect women. Female Subjectivities collectively answers the need to question and adumbrate the possibilities of literary revisions, showing what it would mean to revise even the Feminist psychoanalyst in a discourse on the subjectivity of women of colour.


Society, Women and Literature in Africa

Society, Women and Literature in Africa
Author: Orabueze, Florence Onyebuchi
Publisher: M & J Grand Orbit Communications
Total Pages: 380
Release: 2016-03-07
Genre: Literary Criticism
ISBN: 9785412792

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Society, Women and Literature in Africa explores the ideological, literary, political, cultural and ethical issues related to feminist writing. She discusses how contemporary African writers have tried to counteract men’s false assumptions about sex, love, society, fecundity and womanhood, and further details how African writers have responded to the demands of feminism. “Woman’s Cross Cultural Burden in the selected works of West African Female writers” explores the recurrent themes of motherhood, polygamy, abandonment and widowhood in the works of Nwapa, Emecheta, Alkali, Aidoo and Mariama Bâ. In “Prostitution: A Metaphor for the Degradation of Womanhood in Bode Osanyin’s the Noble Mistress”, the author approaches the subject of woman degradation in society from the perspectives of comprehensive research and an in-depth referencing. “Gendered Social Division of Labour in the African Novel” explores the theme of unfairness, of institutionalized differentiation in the African novel. It reveals the total emasculation of woman in patriarchy and her desire to be liberated from male-annexation. “The Prison World of Nigeria Woman: Female Reticence in Sefi Attah’s “Everything Good Will Come”, the author explores the dimensions of “gender silences”. She shows how woman’s voice has been stolen in patriarchy, thus rendering her a social and political mutant. “Womanhood as a Metaphor for Sexual Slavery in Nawal El Saddawi’s Woman at Point Zero” underscores that in patriarchy a woman is educated to make an object of herself for male pleasure. She is excluded from politics as a result of religion. “The Ugly Face of Ghana in the New Millennium: Alienation of Children in Amma Darko’s Faceless” is a stylistic study of the consequences of globalization in postindependent Ghana. In “The Theme of Dispossession in A.N Akwanya’s the Pilgrim Foot”, the author examines the myriad perspectives of dispossession and the dispossessor.


Through A Female Lens: Aspects of Masculinity in Francophone African Women's Writing

Through A Female Lens: Aspects of Masculinity in Francophone African Women's Writing
Author: Sylvester Mutunda
Publisher:
Total Pages: 390
Release: 2009
Genre:
ISBN:

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This study was motivated by the realization that the subject of masculinity in African women's writing has not yet been explored. Little attention has been given to the analysis of women's writing with the tools that theories of masculinities provide. This study, therefore, sets to analyze the different masculinities in African women's fiction. The writers whose works are examined in include So Long a Letter (1981) and Scarlet Song (1986) by Mariama Bâ, The Beggars' Strike (1981) by Aminata Sow Fall, Vies de femmes (1983) by Delphine Zanga Tsogo, The Sun Hath Looked Upon Me (1996) and Your Name Shall Be Tanga (1996) by Calixthe Beyala, La tache de sang (1990) by Philomène Bassek, and finally, Sous la cendre le feu (1990) by Evelyne Mpoudi Ngolle. To carry out my investigation I use Robert Connell's (2005) perspective on masculinity. Connell recognizes that masculinity is a social construct rather that a biological state. He also argues that there is a variety of masculinities and that masculinity exists only in relation to femininity. The dissertation is divided in five parts. Part One provides the tools necessary for my literary analysis. These include the purpose, significance, and scope of the study, the conceptual and theoretical framework, which comprises definitions and approaches to masculinity in general and in specific African contexts. This part ends with the discussion of selected authors and texts. Part Two discusses the emergence of African Francophone women writers. It examines the reasons for African women's late entry into the literary world and how they represent their experiences. Parts Three and Four constitute the core of my study. It explores how a specific form of masculinity, known as hegemonic masculinity, is enacted in African women's literary texts. Part Four centers on male characters who reject the hegemonic forms of masculinity and seek a more egalitarian relationship with women. Part Five, which is essentially the conclusion to this work, summarizes the findings of my study. My analysis makes visible three categories of masculinity enacted by the different male characters that I examined. They include hegemonic masculinities, ambiguous masculinities and alternative masculinities.


Hermeneutics as a Theory of Interpretation and as a Literary Theory

Hermeneutics as a Theory of Interpretation and as a Literary Theory
Author: Ikechukwu Aloysius Orjinta
Publisher: GRIN Verlag
Total Pages: 33
Release: 2012-03-27
Genre: Literary Collections
ISBN: 3656160090

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Scientific Essay from the year 2012 in the subject Literature - Africa, University of Nigeria, language: English, abstract: Theories of language, linguistic and non linguistic communication are diverse. In the Humanities there are so many interpretative tools. These tools are means to an end and not the end in themselves. Just as we have equations in the natural sciences so do we have theoretical frameworks, literary criticisms and approaches to literature and the communication arts in the Humanities. These interpretative tools are keys to opening and analyzing works in the Humanities and other disciplines. Most of these theories are borrowed from other disciplines other than the ones exploiting them. In the literary sciences, rooms are given for inter-textual interpretations as well as for interdisciplinary and multidisciplinary approaches. Hence one could analyze a given fiction, drama or poem using one or more approaches as the case may be. At the primary and secondary school level, essays are simply written and novels are simply read and interpreted by simple minds. But at the tertiary educational level, one would expect the reader, the critic or the recipient to be thorough, analytical and scientific in his appraisal of the text before him. In receptions-theory the analytical mind is not left empty handed in this art of researching on or beyond the text .For one to access these tools effectively one must be equipped with literary terms. Interpretative tools are legion. Some are text-centered and linguistic and others are extra-textual and non linguistic. Hermeneutics and the sister theoretical frameworks like the positivism, formalism, explication de texte, New Criticism, Structuralism, post-structuralism, Semiotics, de-construction etc are text-centered interpretative tools while the society based theories like Marxist-socialism, psycho-analytic theory, feminism, receptions-theory, racial theory, cultural and intercultural studies, Literature and the media, literature and history, literature and biography etc fall under the beyond textual interpretative approaches. Our interest in this exercise is on the raw textual analytic approach. Many students usually prefer the easier approaches which are mostly society based and abhor the dry and puritanist approaches. This paper is aimed at introducing the audience to the rigors of scientific approaches to the study of texts, images and languages.


Gender in African Women's Writing

Gender in African Women's Writing
Author: Juliana Makuchi Nfah-Abbenyi
Publisher: Indiana University Press
Total Pages: 210
Release: 1997-12-22
Genre: History
ISBN: 9780253211491

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"This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists. . . . offers illuminating interpretations of worthy writers . . . " —Multicultural Review "This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography." —Choice ". . . a college-level analysis which will appeal to any interested in African studies and literature." —The Bookwatch This book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, Bá, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives.


Contemporary African Literature and the Politics of Gender

Contemporary African Literature and the Politics of Gender
Author: Florence Stratton
Publisher: Routledge
Total Pages: 197
Release: 2020-09-23
Genre: Literary Collections
ISBN: 1000158772

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The influence of colonialism and race on the development of African literature has been the subject of a number of studies. The effect of patriarchy and gender, however, and indeed the contributions of African women, have up until now been largely ignored by the critics. Contemporary African Literature and the Politics of Gender is the first extensive account of African literature from a feminist perspective. In this first radical and exciting work Florence Stratton outlines the features of an emerging female tradition in African fiction. A chapter is dedicated to each to the works of four women writers: Grace Ogot, Flora Nwapa, Buchi Emecheta and Mariama Ba. In addition she provides challenging new readings of canonical male authors such as Chinua Achebe, Ngugi wa Thiongo'o and Wole Soyinka. Contemporary African Literature and the Politics of Gender thus provides the first truly comprehensive definition of the current literary tradition in Africa.