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From Modernism to Postmodernism

From Modernism to Postmodernism
Author: Jennifer Ashton
Publisher: Cambridge University Press
Total Pages: 148
Release: 2006-01-05
Genre: Literary Criticism
ISBN: 1139448595

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In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.


Modernism/Postmodernism

Modernism/Postmodernism
Author: Peter Brooker
Publisher: Routledge
Total Pages: 312
Release: 2014-09-25
Genre: Literary Criticism
ISBN: 1317898753

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The concepts of 'Modernism' and 'Postmodernism' constitute the single most dominant issue of twentieth-century literature and culture and are the cause of much debate. In this influential volume, Peter Brooker presents some of the key viewpoints from a variety of major critics and sets these additionally alongside challenging arguments from Third World, Black and Feminist perspectives. His excellent Introduction and detailed headnotes for each section and essay provide an indispensable guide to interpreting the many different opinions, and prove to be valuable contributions in their own right.


From Modernism to Postmodernism

From Modernism to Postmodernism
Author: Lawrence E. Cahoone
Publisher: Wiley-Blackwell
Total Pages: 731
Release: 1996-01
Genre: Literary Criticism
ISBN: 9781557866028

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This outstanding volume provides an unparalleled collection of the essential readings of modernism and postmodernism. Motivated by the assumption that students cannot appreciate postmodernism without first understanding the development of modernity, this anthology puts contemporary debate in the context of the criticism of modernity since the seventeenth century. Chronologically and thematically arranged, the book is the ideal text for students and general readers alike. Its breadth and depth of coverage ensure that it will be an indispensable and multidisciplinary resource in philosophy, literature, cultural studies, social theory, and religious studies.


Modernism Since Postmodernism

Modernism Since Postmodernism
Author: Dick Higgins
Publisher: San Diego State University Press
Total Pages: 276
Release: 1997
Genre: Art
ISBN:

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From Modernism to Postmodernism

From Modernism to Postmodernism
Author: Gerhard Hoffmann
Publisher: BRILL
Total Pages: 750
Release: 2016-08-01
Genre: Social Science
ISBN: 9401202427

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This systemic study discusses in its historical, cultural and aesthetic context the postmodern American novel between the years of 1960 and 1980. A general overview of the various definitions of postmodernism in philosophy, cultural theory and aesthetics provides the framework for the inquiry into more specific problems, such as: the broadening of aesthetics, the relationship between aesthetics and ethics, the transformation of the artistic tradition, the interdependence between modernism and postmodernism, and the change in the aesthetics of fiction. Other topics addressed here include: situationalism, montage, the ordinary and the fantastic, the subject and the character, the imagination, comic modes, and the future of the postmodern strategies. The authors whose fiction is treated in some detail under the various aspects thematized are John Barth, Donald Barthelme, Richard Brautigan, Robert Coover, Stanley Elkin, Raymond Federman, William Gaddis, John Hawkes, Jerzy Kosinski, Thomas Pynchon, Ishmael Reed, Ronald Sukenick, and Kurt Vonnegut.


The Story of Post-Modernism

The Story of Post-Modernism
Author: Charles Jencks
Publisher: John Wiley & Sons
Total Pages: 281
Release: 2012-05-25
Genre: Architecture
ISBN: 1119960096

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In The Story of Post-Modernism, Charles Jencks, the authority on Post-Modern architecture and culture, provides the defining account of Post-Modern architecture from its earliest roots in the early 60s to the present day. By breaking the narrative into seven distinct chapters, which are both chronological and overlapping, Jencks charts the ebb and flow of the movement, the peaks and troughs of different ideas and themes. The book is highly visual. As well as providing a chronological account of the movement, each chapter also has a special feature on the major works of a given period. The first up-to-date narrative of Post-Modern Architecture - other major books on the subject were written 20 years ago. An accessible narrative that will appeal to students who are new to the subject, as well as those who can remember its heyday in the 70s and 80s.


What is Post-modernism?

What is Post-modernism?
Author: Charles Jencks
Publisher:
Total Pages: 64
Release: 1987
Genre: Philosophy
ISBN:

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æWhat is Post-Modernism?' Is it a new world view,or an outgrowth of the Post-Industrial Society? Is it a shift in philosophy, the arts and architecture? In this fourth, entirely revised edition, Charles Jencks, one of the founders of the Post-Modern Movement, shows it is all these things plus many other forces that have exploded since the early 1960s. In a unique analysis, using diagrams designed especially for this edition, he reveals the evolutionary, social and economic forces of this new stage of global civilisation. But why has post-modern culture arrived? In an ironic parable, æthe Protestant Crusade'. Jencks uncovers some hitherto hidden origins: the Modernists' abhorrence for all things sensuous and natural, and their zeal for all things orderly and mechanistic. This pseudo-religion led in the 1920s to the famous ævacuum-cleaning' period, the purgation of values, metaphysics and emotion. In the 1970s it led on to the æProtestant Inquisition' which inadvertently created the very enemy Modernists feared - Post-Modernism; a Counter-Reformation, the reassertion of worldliness, fecundity, humour and pluralism. However, more than one tradition emerged and Jencks, distinguishing two types of Post-Modernism (deconstructive and reconstructive) demonstrates that the former is often a disguised form of Late-Modernism. This takes the de-creation and nihilism of its parent to extremes. The main engine that drives global culture today - post-modernisation, the electronic economy and instant communications network - is analysed in its close relation to other æposts': Post-Fordism, Post-Socialism and the post-national world of trading blocs and unstable nations. Jencks argues that this may result in catastrophe and global governance, or a web of transnational institutions and obligations. The most radical idea of this challenging book is the conclusion: the notion that the post-modern world does not mean the end of metanarratives, but something quite different. Belief systems are flourishing as never before and, Jencks argues, æa new metanarrative, based on the story of the universe and its generative qualities, will soon create a new world view that will affect all areas. It is a story which grows directly out of the post-modern sciences of complexity and is thus both true and mythic.' Other What is...' titles include What is Abstraction?, What is Deconstruction?


From Modernism to Postmodernism

From Modernism to Postmodernism
Author: Katarina Bogunović Hočevar
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
Total Pages: 0
Release: 2016
Genre: Civilization, Western
ISBN: 9783631671443

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The book explores two radical changes of cultural and social paradigm that determined the World after 1945. It tries to establish the connection between the central modernistic idea of a radical break and postmodern pluralism. These turnarounds are investigated from various theoretical and historical viewpoints.


Laurence Sterne in Modernism and Postmodernism

Laurence Sterne in Modernism and Postmodernism
Author: David Pierce
Publisher: BRILL
Total Pages: 213
Release: 2023-04-17
Genre: History
ISBN: 9004658815

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Laurence Sterne's Tristram Shandy is the most wayward -- and in some respects the most powerful -- critique of Locke's theory of knowledge, while his interest in the gulf between biological and clock time makes him a contemporary of Proust and Bergson. In obscuring the fine line between autobiography and fiction, Sterne belongs to the generation of modern writers that includes Joyce and Nabokov. In his deliberate refusal to construct a 'goahead plot' Sterne commends himself to contemporary narratologists. In his concern with personal identity, he anticipates the Derridean stress on 'trace'. In his promiscuous borrowings from past authors, he offers himself as a suitably perverse model for the school of postmodern theory. In his attention to matters of typography and to a visual language, he provides a running commentary on almost every aspect of the relationship between word and image. Himself influenced by Rabelais, Montaigne, Cervantes and Burton, Sterne has influenced writers as diverse as Cabrera Infante, Kundera, Márquez, Rushdie and Beckett. And James Joyce. These influences are traced here by sixteen scholars from Europe and the USA, proof if any were needed that Laurence Sterne today is as rewardingly puzzling as he was in his own century.


Modern/Postmodern

Modern/Postmodern
Author: Peter V. Zima
Publisher: Bloomsbury Publishing
Total Pages: 323
Release: 2010-08-05
Genre: Philosophy
ISBN: 1441112898

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Modern/Postmodern: Society, Philosophy, Literature offers new definitions of modernism and postmodernism by presenting an original theoretical system of thought that explains the differences between these two key movements. Taking a contrastive approach, Peter V. Zima identifies three key concepts in the relationship between modernism and postmodernism - ambiguity, ambivalence and indifference. Zima defines modernism and postmodernism as problematics, as opposed to aesthetics, stylistics or ideologies. Unlike modernism, which is grounded in an increasing ambivalence towards social norms and values, postmodernity is presented as an era of indifference, i.e. of interchangeable norms, values and perspectives. Taking an historical, interdisciplinary and intercultural approach that engages with Anglo-American and European debates, the book describes the transition from late modernist ambivalence to postmodern indifference in the contexts of philosophy, literature and sociology. This is the ideal guide to the relationship between modernism and postmodernism for students and scholars throughout the humanities.