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French literature on screen

French literature on screen
Author: Homer B. Pettey
Publisher: Manchester University Press
Total Pages: 301
Release: 2019-05-16
Genre: Performing Arts
ISBN: 1526133164

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This collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian’s Oh... (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France’s literary representations in the history of global cinema.


The History of French Literature on Film

The History of French Literature on Film
Author: Kate Griffiths
Publisher: Bloomsbury Publishing USA
Total Pages: 327
Release: 2020-12-24
Genre: Performing Arts
ISBN: 1501311816

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French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert's Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.


The History of French Literature on Film

The History of French Literature on Film
Author: Kate Griffiths
Publisher: Bloomsbury Publishing USA
Total Pages: 327
Release: 2020-12-24
Genre: Performing Arts
ISBN: 1501311824

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French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert's Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.


The Cambridge Companion to Literature on Screen

The Cambridge Companion to Literature on Screen
Author: Deborah Cartmell
Publisher: Cambridge University Press
Total Pages: 389
Release: 2007-05-10
Genre: Literary Criticism
ISBN: 1139827553

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This Companion offers a multi-disciplinary approach to literature on film and television. Writers are drawn from different backgrounds to consider broad topics, such as the issue of adaptation from novels and plays to the screen, canonical and popular literature, fantasy, genre and adaptations for children. There are also case studies, such as Shakespeare, Jane Austen, the nineteenth-century novel and modernism, which allow the reader to place adaptations of the work of writers within a wider context. An interview with Andrew Davies, whose work includes Pride and Prejudice (1995) and Bleak House (2005), reveals the practical choices and challenges that face the professional writer and adaptor. The Companion as a whole provides an extensive survey of an increasingly popular field of study.


Cultural Afterlives and Screen Adaptations of Classic Literature

Cultural Afterlives and Screen Adaptations of Classic Literature
Author: H. Shachar
Publisher: Springer
Total Pages: 211
Release: 2012-07-17
Genre: Performing Arts
ISBN: 1137262877

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Film and television adaptations of classic literature have held a longstanding appeal for audiences, an appeal that this book sets out to examine. With a particular focus on Wuthering Heights , the book examines adaptations made from the 1930s to the twenty-first century, providing an understanding of how they help shape our cultural landscape.


Screening the Text

Screening the Text
Author: Thomas Jefferson Kline
Publisher:
Total Pages: 328
Release: 1992
Genre: Literary Criticism
ISBN:

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To make his case, Kline establishes the international range of the literary and cultural texts "screened" by Truffaut, Malle, Chabrol, Rohmer, Bresson, Godard, and Resnais. Their fascination with American film is well known, but their references extend well beyond--to classical mythology, to contemporary and classical French literature, and to a variety of Russian, Norwegian, German, and English writers and philosophers. Armed with terms such as auteur and camera stylo, the new cineastes engaged directly in "film writing," even while rejecting the orderliness required by straightforward adaptation of written works.


Screening Youth

Screening Youth
Author: Romain Chareyron
Publisher: Edinburgh University Press
Total Pages: 264
Release: 2019-05-14
Genre: Motion pictures
ISBN: 1474449441

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Youth has been represented on screen for decades and has informed many directors' visual, narrative and social perspectives, but there has not been a body of work addressing the richness and complexity of this topic in a French and Francophone context. This volume offers new insights into the works of emerging and well-established directors alike, who all chose to place youth at the heart of their narrative and aesthetic concerns. Showing how the topic of 'youth' has inspired filmmakers to explore and reinvent common tropes associated with young people, the book also addresses how the representation of youth can be used to mirror the tensions - political, social, religious, economic or cultural - that agitate a society at a given time in its history.


Rhetoric

Rhetoric
Author: Michael Hawcroft
Publisher: Oxford University Press, USA
Total Pages: 282
Release: 1999
Genre: Language Arts & Disciplines
ISBN: 9780198160076

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Setting out the principles of rhetoric with a wide range of illustrative examples in the first chapter, the author then explores rhetoric at work in different genres, via a close reading of texts.


The Greatest Works of French Literature (English Edition)

The Greatest Works of French Literature (English Edition)
Author: Charles Baudelaire
Publisher: e-artnow
Total Pages: 22266
Release: 2020-12-17
Genre: Fiction
ISBN:

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This unique collection of the greatest French classics books has been designed and formatted to the highest digital standards: A History of French Literature François Rabelais: Gargantua and Pantagruel Molière: Tartuffe or the Hypocrite The Misanthrope The Miser The Imaginary Invalid The Impostures of Scapin… Jean Racine: Phaedra Pierre Corneille: The Cid Voltaire: Candide Zadig Micromegas The Huron A Philosophical Dictionary… Jean-Jacques Rousseau: Confessions Emile The Social Contract De Laclos: Dangerous Liaisons Stendhal


French Film Theory and Criticism, Volume 1

French Film Theory and Criticism, Volume 1
Author: Richard Abel
Publisher: Princeton University Press
Total Pages: 480
Release: 2020-12-08
Genre: Performing Arts
ISBN: 1400835488

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These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.