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| Author | : Paul Vincent Rockwell |
| Publisher | : D. S. Brewer |
| Total Pages | : 664 |
| Release | : 2006 |
| Genre | : Literary Criticism |
| ISBN | : |
First modern critical edition of an important Arthurian romance, with facing translation.
| Author | : Beate Schmolke-Hasselmann |
| Publisher | : Cambridge University Press |
| Total Pages | : 380 |
| Release | : 1998-05-28 |
| Genre | : Literary Criticism |
| ISBN | : 9780521411530 |
This 1998 study serves as a contribution to both reception history, examining the medieval response to Chrétien's poetry, and genre history, suveying the evolution of Arthurian verse romance in French. It describes the evolutionary changes taking place between Chrétien's Eric et Enide and Froissart's Meliador, the first and last examples of the genre, and is unique in placing Chrétien's work, not as the unequalled masterpieces of the whole of Arthurian literature, but as the starting point for the history of the genre, which can subsequently be traced over a period of two centuries in the French-speaking world. Beate Schmolke-Hasselmann's study was first published in German in 1985, but her radical argument that we need urgently to redraw the lines on the literary and linguistic map of medieval Britain and France is only now being made available in English.
| Author | : Robert Toombs Ivey |
| Publisher | : |
| Total Pages | : 708 |
| Release | : 2006 |
| Genre | : Poetry |
| ISBN | : |
A verse poem in the Arthurian tradition, a genre popular in the Middle Ages, whose themes have been used in western European literature. It has received little attention despite its detailed development of character, of gender roles and their chivalric context, and of contemporary customs.
| Author | : |
| Publisher | : University of Wales Press |
| Total Pages | : 652 |
| Release | : 2020-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 1786837439 |
This major reference work is the fourth volume in the series "Arthurian Literature in the Middle Ages". Its intention is to update the French and Occitan chapters in R.S. Loomis’ "Arthurian Literature in the Middle Ages: A Collaborative History" (Oxford, 1959) and to provide a volume which will serve the needs of students and scholars of Arthurian literature. The principal focus is the production, dissemination and evolution of Arthurian material in French and Occitan from the twelfth to the fifteenth century. Beginning with a substantial overview of Arthurian manuscripts, the volume covers writing in both verse (Wace, the Tristan legend, Chretien de Troyes and the Grail Continuations, Marie de France and the anonymous lays, the lesser known romances) and prose (the Vulgate Cycle, the prose Tristan, the Post-Vulgate Roman du Graal, etc.).
| Author | : James Douglas Bruce |
| Publisher | : |
| Total Pages | : 456 |
| Release | : 1923 |
| Genre | : Arthurian romances |
| ISBN | : |
| Author | : Harward |
| Publisher | : BRILL |
| Total Pages | : 159 |
| Release | : 1958-06 |
| Genre | : History |
| ISBN | : 9004619925 |
| Author | : Leah Tether |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 521 |
| Release | : 2017-06-26 |
| Genre | : Literary Criticism |
| ISBN | : 311043248X |
The renowned and illustrious tales of King Arthur, his knights and the Round Table pervade all European vernaculars, as well as the Latin tradition. Arthurian narrative material, which had originally been transmitted in oral culture, began to be inscribed regularly in the twelfth century, developing from (pseudo-)historical beginnings in the Latin chronicles of "historians" such as Geoffrey of Monmouth into masterful literary works like the romances of Chrétien de Troyes. Evidently a big hit, Arthur found himself being swiftly translated, adapted and integrated into the literary traditions of almost every European vernacular during the thirteenth and fourteenth centuries. This Handbook seeks to showcase the European character of Arthurian romance both past and present. By working across national philological boundaries, which in the past have tended to segregate the study of Arthurian romance according to language, as well as by exploring primary texts from different vernaculars and the Latin tradition in conjunction with recent theoretical concepts and approaches, this Handbook brings together a pioneering and more complete view of the specifically European context of Arthurian romance, and promotes the more connected study of Arthurian literature across the entirety of its European context.
| Author | : Frank Brandsma |
| Publisher | : Boydell & Brewer |
| Total Pages | : 223 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 1843844214 |
Analysis of how emotion is pictured in Arthurian legend.
| Author | : Ulrich Fuetrer |
| Publisher | : Boydell & Brewer |
| Total Pages | : 201 |
| Release | : 2003 |
| Genre | : Arthurian romances |
| ISBN | : 1843846217 |
First ever English translation, with facing edition, of an important medieval German Arthurian romance.Composed in the 1480s by the Munich painter and writer Ulrich Fuetrer, Iban is the story of a young knight at King Arthur's court, who pursues adventure abroad, wins a land and its lady as his wife, loses both through his immaturity and negligence, and eventually regains his country and his spouse in a series of adventures that teach him to place the welfare of others above his own desires. A retelling of Hartmann von Aue's Middle High German classic Iwein from circa 1200, itself an adaptation of the Old French writer Chrétien de Troyes' earlier Yvain, the Knight with the Lion, Fuetrer's Iban is one of fifteen narratives making up his massive Arthurian anthology, The Book of Adventures, which the author compiled for Duke Albrecht IV of Bavaria-Munich. Among the last premodern retellings of the story of the knight Ywain, Ibanoffers modern readers an invaluable window onto how the most beloved Arthurian tales were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes. were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes. were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes. were reinterpreted at the end of the Middle Ages and at the threshold to the early modern period. This book offers an edition of the romance, the first for nearly a quarter of a century, accompanied by a facing translation, the first into a modern language of any part of the Book of Adventures. It also includes an introduction, putting the romance into its wider contexts, and explanatory notes.
| Author | : Thomas Hinton |
| Publisher | : DS Brewer |
| Total Pages | : 292 |
| Release | : 2012 |
| Genre | : Literary Criticism |
| ISBN | : 1843842858 |
A new study of the continuations to Chrétien's Conte du Graal shows their crucial influence on the development of Arthurian literature. Chrétien de Troyes's late twelfth-century Conte du Graal has inspired writers and scholars from the moment of its composition to the present day. The challenge represented by its unfinished state was quickly taken up, and over the next fifty years the romance was supplemented by a number of continuations and prologues, which eventually came to dwarf Chrétien's text. In one of the first studies to treat the Conte du Graal and its continuations as a unified work, Thomas Hinton considers the whole corpus as a narrative cycle. Through a combination of close textual readings and manuscript analysis, the author argues that the unity of the narrative depends on a balanced tension between centripetal and centrifugal dynamics. He traces how the authors, scribes and illuminators of the cycle worked to produce coherence, even as they contended with potentially disruptive forces: multiple authorship, differences of intention, and changes in the relation between text, audience and book. Finally, he tackles the long-held orthodoxy that places the Perceval Continuations on the margins of literary history. Widening the scope of enquiry to consider the corpus's influence on thirteenth-century verse romances, this study re-situates the Conte du Graal cycle as a vital element in the evolution of Arthurian literature. Thomas Hinton isJunior Research Fellow in Modern Languages at Jesus College, Oxford.
