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| Author | : Antoine Picon |
| Publisher | : |
| Total Pages | : 456 |
| Release | : 2009-12-17 |
| Genre | : Architecture |
| ISBN | : |
This book offers a unique insight to the teaching and practice of architects and engineers.
| Author | : Kathleen James-Chakraborty |
| Publisher | : U of Minnesota Press |
| Total Pages | : 897 |
| Release | : 2014-01-01 |
| Genre | : Architecture |
| ISBN | : 1452941726 |
The first global history of architecture to give equal attention to Western and non-Western structures and built landscapes, Architecture since 1400 is unprecedented in its range, approach, and insight. From Tenochtitlan’s Great Pyramid in Mexico City and the Duomo in Florence to Levittown’s suburban tract housing and the Bird’s Nest Stadium in Beijing, its coverage includes the world’s most celebrated structures and spaces along with many examples of more humble vernacular buildings. Lavishly illustrated with more than 300 photographs, plans, and interiors, this book presents key moments and innovations in architectural modernity around the globe. Deftly integrating architectural and social history, Kathleen James-Chakraborty pays particular attention to the motivations of client and architect in the design and construction of environments both sacred and secular: palaces and places of worship as well as such characteristically modern structures as the skyscraper, the department store, and the cinema. She also focuses on the role of patrons and addresses to an unparalleled degree the impact of women in commissioning, creating, and inhabiting the built environment, with Gertrude Jekyll, Lina Bo Bardi, and Zaha Hadid taking their place beside Brunelleschi, Sinan, and Le Corbusier. Making clear that visionary architecture has never been the exclusive domain of the West and recognizing the diversity of those responsible for commissioning, designing, and constructing buildings, Architecture since 1400 provides a sweeping, cross-cultural history of the built environment over six centuries.
| Author | : Pier Vittorio Aureli |
| Publisher | : MIT Press |
| Total Pages | : 268 |
| Release | : 2011-02-11 |
| Genre | : Architecture |
| ISBN | : 0262515792 |
Architectural form reconsidered in light of a unitary conception of architecture and the city. In The Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a sharpened formal consciousness in architecture is a precondition for political, cultural, and social engagement with the city. Aureli uses the term absolute not in the conventional sense of “pure,” but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Étienne Louis-Boullée, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an “archipelago” of site-specific interventions.
| Author | : Allan Braham |
| Publisher | : Univ of California Press |
| Total Pages | : 292 |
| Release | : 1989-01-01 |
| Genre | : Art |
| ISBN | : 9780520067394 |
Allan Braham's comprehensive treatment of this brilliant and complex period introduces the reader to the major buildings, architects, and architectural patrons of the day. At the same time, it explores the broader determinants of architectural production: the rapid economic expansion of Paris and the main provincial centers and the increasing demand for improved public amenities--theaters, schools, markets, and hospitals. This generously illustrated book provides a vivid commentary on society and manners in pre-Revolutionary France.
| Author | : Jenny E. Sabin |
| Publisher | : Routledge |
| Total Pages | : 469 |
| Release | : 2017-07-28 |
| Genre | : Architecture |
| ISBN | : 1317666364 |
LabStudio: Design Research between Architecture and Biology introduces the concept of the research design laboratory in which funded research and trans-disciplinary participants achieve radical advances in science, design, and applied architectural practice. The book demonstrates to natural scientists and architects alike new approaches to more traditional design studio and hypothesis-led research that are complementary, iterative, experimental, and reciprocal. These originate from 3-D spatial biology and generative design in architecture, creating philosophies and practices that are high-risk, non-linear, and design-driven for often surprising results. Authors Jenny E. Sabin, an architectural designer, and Peter Lloyd Jones, a spatial biologist, present case studies, prototypes, and exercises from their practice, LabStudio, illustrating in hundreds of color images a new model for seemingly unrelated, open-ended, data-, systems- and technology-driven methods that you can adopt for incredible results.
| Author | : Jean-Nicolas-Louis Durand |
| Publisher | : Getty Publications |
| Total Pages | : 363 |
| Release | : 2000-01-01 |
| Genre | : Architecture |
| ISBN | : 0892365803 |
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
| Author | : Franca Trubiano |
| Publisher | : Taylor & Francis |
| Total Pages | : 681 |
| Release | : 2022-11-25 |
| Genre | : Architecture |
| ISBN | : 131751033X |
Building Theories speaks to the value of words in architecture. It addresses the author’s fascination with the voices of architects, engineers, builders, and craftspeople whose ideas about building have been captured in text. It discusses the content of treatises, essays, articles, and letters by those who have been, throughout history, committed to the art of building. In this, Building Theories argues for the return of a practice of architectural theory that is set amongst building, buildings, and builders. This journey of close reading reinterprets the words of Vitruvius, Alberti, de L’Orme, Le Camus de Mézières, Boullée, Laugier, Rondelet, Semper, Viollet-le-Duc, Hübsch, Bötticher, Berlage, Muthesius, Wagner, Behrendt, Gropius, and Arup. With chapters dedicated to texts from antiquity, the Renaissance, and the nineteenth century, and with a critical eye on architectural theory popularized in the Anglo-Saxon world post-1968, readers are introduced to a wider, more inclusive definition of architectural ideas. Building Theories considers how contemporary scholarship has steered away from the topic of building in its reluctance to admit that both design and construction are central to its concerns. In response, it argues for a realignment of architecture with the concept of techné, with a dual commitment to fabrica e ratio, with a productive return to l’art de bien bastir, with the accurate translation of the term Baukunst, and with an appeal to the architect’s ‘composite mind.’ Students, practitioners, and educators will identify in Building Theories ways of thinking that strive for the integration of design with construction; reject the supposed primacy of the former over the latter; recognize how aesthetics are an insufficient scaffold for subtending the subject of architectural ethics; and accept, without reservation, that material transformations have always been at the origins of built form.
| Author | : Christopher Curtis Mead |
| Publisher | : University of Pennsylvania Press |
| Total Pages | : 332 |
| Release | : 2012 |
| Genre | : Architecture and society |
| ISBN | : 9780271050874 |
Investigates how architecture, technology, politics, and urban planning came together in French architect Victor Baltard's creation of the Central Markets of Paris. Presents a case study of the historical process that produced modern Paris between 1840 and 1870.
| Author | : Liat Margolis |
| Publisher | : Birkhäuser |
| Total Pages | : 208 |
| Release | : 2014-10-27 |
| Genre | : Architecture |
| ISBN | : 3038210064 |
Water scarcity is becoming increasingly familiar to us. Although access to water resources is an issue of global concern, arid climates are where necessity begets inventions that may serve as examples for action or prevention across a multitude of climate zones and geographies. In facing the prevalence of water scarcity across the globe, due to a mix of climatological and man-made factors, the question we must ask ourselves today is Water for What? Which approaches can landscape, urban and architectural designers take in order to apply their specific professional skills and means? What potential do available technologies and materials offer, and what methods and tools can be derived from social engagement? Based on five years of research, the preparation of and feedback on a traveling exhibition, as well as a major conference, the results of the Out of Water project are laid out here in a series of case studies and essays by international experts, including analytical drawings of both projected and implemented solutions.
| Author | : Freek Schmidt |
| Publisher | : Routledge |
| Total Pages | : 379 |
| Release | : 2017-07-28 |
| Genre | : Art |
| ISBN | : 1134797044 |
Passion and Control explores Dutch architectural culture of the eighteenth century, revealing the central importance of architecture to society in this period and redefining long-established paradigms of early modern architectural history. Architecture was a passion for many of the men and women in this book; wealthy patrons, burgomasters, princes and scientists were all in turn infected with architectural mania. It was a passion shared with artists, architects and builders, and a vast cast of Dutch society who contributed to a complex web of architectural discourse and who influenced building practice. The author presents a rich tapestry of sources to reconstruct the cultural context and meaning of these buildings as they were perceived by contemporaries, including representations in texts, drawings and prints, and builds on recent research by cultural historians on consumerism, material culture and luxury, print culture and the public sphere, and the history of ideas and mentalities.
