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| Author | : Laura Riding |
| Publisher | : |
| Total Pages | : 79 |
| Release | : 1993 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780892551927 |
Letters written by the poet to an eight-year-old girl explain the difference between learning and knowing, the value of thinking, and the benefits of avoiding hypocrisy and pretension
| Author | : Laura (Riding) Jackson |
| Publisher | : |
| Total Pages | : 50 |
| Release | : 1930 |
| Genre | : Poets, American |
| ISBN | : |
| Author | : Elizabeth Friedmann |
| Publisher | : |
| Total Pages | : 571 |
| Release | : 2005-01-01 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780892553006 |
A decade in the making and eagerly anticipated, here is the authorized biography, written by the woman Laura (Riding) Jackson took into her confidence. Elizabeth Friedmann met Laura (Riding) Jackson in 1985, after five years of correspondence, and worked with her until her death in 1991. From the vantage point of a close friend and with access to all of (Riding) Jackson's papers, Friedmann now sheds new light on the life and work of one of the most important yet perplexing figures in American and British literary history. With fascinating detail, Friedmann recreates the writer and her world. We share a young Laura's excitement when, in the early 1920s, her poems attract the attention of John Crowe Ransom and Allen Tate. We recognize her sense of destiny when she goes to England and begins her productive collaboration with Robert Graves. Friedmann shows the life and world circumstances that led to such historic works as A Survey of Modernist Poetry (written with Graves) and the Collected Poems of 1938. She takes us into Laura's diverse circle of associates that included Hart Crane, Gertrude Stein, and Virginia Woolf. So intimate is this portrait that the "scandals" of (Riding) Jackson's personal and professional lifeher "three-life" with Graves and Nancy Nicholson, her attempted suicide, her role in the breakup of Schuyler Jackson's first marriage, and her renunciation of poetryare demystified, put into perspective, made understandable. Friedmann shows that (Riding) Jackson was not a divided woman, as some have said. Rather, she maintained a "mannered grace" and possessed an inner consistency of thought and purpose. Beautifully written, fair-minded, and compassionate, A Mannered Grace humanizes a complex and often demonized figure, and allows for a reassessment of her remarkable achievement.
| Author | : Jean Moorcroft Wilson |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 497 |
| Release | : 2018-08-09 |
| Genre | : Biography & Autobiography |
| ISBN | : 1472929152 |
The writer and poet Robert Graves suppressed virtually all of the poems he had published during and just after the First World War. Until his son, William Graves, reprinted almost all the Poems About War in 1988, Graves's status as a 'war poet' seems to have depended mainly on his prose memoir (and bestseller), Good-bye to All That. None of the previous biographies written on Graves, however excellent, attempt to deal with this paradox in any depth. Robert Graves the war poet and the suppressed poems themselves have been largely neglected – until now. Jean Moorcroft Wilson, celebrated biographer of poets Siegfried Sassoon, Isaac Rosenberg and Edward Thomas, relates Graves's fascinating life during this period, his experiences in the war, his being left for dead at the Battle of the Somme, his leap from a third-storey window after his lover Laura Riding's even more dramatic jump from the fourth storey, his move to Spain and his final 'goodbye' to 'all that'. In this deeply-researched new book, containing startling material never before brought to light, Dr Moorcroft Wilson traces not only Graves's compelling life, but also the development of his poetry during the First World War, his thinking about the conflict and his shifting attitude towards it. Robert Graves: From Great War Poet to Good-bye to All That casts new light on the life, prose and poetry of Graves, without which the story of Great War poetry is incomplete.
| Author | : Laura (Riding) Jackson |
| Publisher | : University of Michigan Press |
| Total Pages | : 284 |
| Release | : 2007 |
| Genre | : Literary Criticism |
| ISBN | : 9780472069576 |
Brings together four decades of largely unpublished work by Jackson, exploring the rationale for her renunciation of poetry in 1941 after two decades as a poet
| Author | : Logan Esdale |
| Publisher | : University of New Mexico Press |
| Total Pages | : 176 |
| Release | : 2023-06 |
| Genre | : Authors, American |
| ISBN | : 0826364896 |
Gertrude Stein and Laura Riding enjoyed a fascinating if brief three-year friendship via correspondence between 1927 and 1930, and in A Description of Acquaintance, Logan Esdale and Jane Malcolm make the letters available to a larger audience for the first time. Riding and Stein are important figures in twentieth-century poetry and poetics and are considered progenitors of later movements such as L=A=N=G=U=A=G=E poetry. The editors contextualize their relationship and its time period with an introduction; annotations to the letters; and supplementary materials, including pieces by Stein and Riding that exemplify their singular perspectives on modernism as well as their personal poetics. The book provides unique insight into Stein's and Riding's writing processes as well as the larger literary world around them, making it a must-read for anyone interested in twentieth-century poetry.
| Author | : Michael Schmidt |
| Publisher | : Harvard University Press |
| Total Pages | : 1299 |
| Release | : 2014-05-12 |
| Genre | : Literary Criticism |
| ISBN | : 0674369068 |
The 700-year history of the novel in English defies straightforward telling. Geographically and culturally boundless, with contributions from Great Britain, Ireland, America, Canada, Australia, India, the Caribbean, and Southern Africa; influenced by great novelists working in other languages; and encompassing a range of genres, the story of the novel in English unfolds like a richly varied landscape that invites exploration rather than a linear journey. In The Novel: A Biography, Michael Schmidt does full justice to its complexity. Like his hero Ford Madox Ford in The March of Literature, Schmidt chooses as his traveling companions not critics or theorists but “artist practitioners,” men and women who feel “hot love” for the books they admire, and fulminate against those they dislike. It is their insights Schmidt cares about. Quoting from the letters, diaries, reviews, and essays of novelists and drawing on their biographies, Schmidt invites us into the creative dialogues between authors and between books, and suggests how these dialogues have shaped the development of the novel in English. Schmidt believes there is something fundamentally subversive about art: he portrays the novel as a liberalizing force and a revolutionary stimulus. But whatever purpose the novel serves in a given era, a work endures not because of its subject, themes, political stance, or social aims but because of its language, its sheer invention, and its resistance to cliché—some irreducible quality that keeps readers coming back to its pages.
| Author | : Carol Z Rothkopf |
| Publisher | : Routledge |
| Total Pages | : 731 |
| Release | : 2020-09-10 |
| Genre | : Literary Criticism |
| ISBN | : 1000161862 |
Of the 16 WWI poets memorialized in Westminster Abbey, two were destined to become lifelong friends. Although both served on the Western Front, it was not until 1919 that Siegfried Sassoon received his first letter from Edmund Blunden. This collection of Sassoon and Blunden’s correspondence contains more than 1,000 letters, cards and telegrams.
| Author | : Deborah Baker |
| Publisher | : iUniverse |
| Total Pages | : 510 |
| Release | : 2000-11 |
| Genre | : Authors, American |
| ISBN | : 0595140416 |
In Extremis is hte first major biography of a major 20th century modernist.
| Author | : David Bradshaw |
| Publisher | : Oxford University Press |
| Total Pages | : 497 |
| Release | : 2016-07-07 |
| Genre | : Literary Criticism |
| ISBN | : 0191081957 |
The essays in Moving Modernisms: Motion, Technology, and Modernity, written by renowned international scholars, open up the many dimensions and arenas of modernist movement and movements: spatial, geographical and political: affective and physiological; temporal and epochal; technological, locomotive and metropolitan; aesthetic and representational. Individual essays explore modernism's complex geographies, focusing on Anglo-European modernisms while also engaging with the debates engendered by recent models of world literatures and global modernisms. From questions of space and place, the volume moves to a focus on movement and motion, with topics ranging from modernity and bodily energies to issues of scale and quantity. The final chapters in the volume examine modernist film and the moving image, and travel and transport in the modern metropolis. 'Movement is reality itself', the philosopher Henri Bergson wrote: the original and illuminating essays in Moving Modernisms point in new ways to the realities, and the fantasies, of movement in modernist culture.
