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| Author | : Florian Hecker |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art, German |
| ISBN | : 9780985136420 |
Tiré du site Internet de Primary Information: "A recently developed artist book, "Chimerizations" documents Florian Hecker's recent sound works dramatizing the phenomenon of auditory chimeras. With texts by Reza Negarestani, Stefan Helmreich and Catherine Wood."
| Author | : Vanessa Joan Müller |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Sound in art |
| ISBN | : 9783956794711 |
Documenting Florian Hecker's multichannel psychoacoustic installation with essays, images, and data. This book documents an exhibition at Kunsthalle Wien that took place from November 2017 to January 2018. In Hecker's multichannel installation Resynthese FAVN, the auditory stimuli produced from the objects within the exhibition space and the synthetic sounds he composed were designed to subliminally override the mechanical processes of human sense. The result was an intervention into the psychoacoustics of the audience, dramatizing their subjective experience through auditory hallucinations. The catalogue collects essays by curators, researchers, theorists, and art historians on Hecker's work and its relation to topics ranging from musique concrète, Mallarmé's poem "The Afternoon of a Faun," and computer music. The psychoacoustic phenomenon of Resynthese FAVN is illustrated with a series of tensor acoustic measurements resembling the colorized impressions of thermal imaging, which is followed by 270 pages of densely sprawling data tables abstracting sound and its textures into text. Contributors Matthew Fuller, Vincent Lostanlen, Vanessa Joan Müller, Michael Newman, Axel Röbel, Magnus Schaefer
| Author | : FLORIAN. HECKER |
| Publisher | : |
| Total Pages | : 16 |
| Release | : 2019-09-27 |
| Genre | : |
| ISBN | : 9781913029715 |
"Masochism is cruel because, in subverting the model, it imposes it with exaggerated severity..."--Amy Ireland Florian Hecker's latest CD release continues his work with computational techniques for analysis and resynthesis. In Inspection II we hear the progressive reconstruction of original source material using algorithms based upon human hearing and designed to capture timbral characteristics of sound. As the source is iteratively extracted from featureless noise, a complex ongoing dialogue commences between formal model and empirical experience of sound. Like Charon, the boatman who ferries souls of the dead across the Styx, Inspection II crosses perpetually from one bank to the other: from the formal anticipations of analysis to the unexpected artefacts of synthesis. In Robin Mackay's libretto, recited by a synthetic voice, this inspective dialogue is transferred to the introspective psychoanalytic situation, where the continual re-narration of the self creates further disturbances and transformations--to attain a definitive image of oneself would be to face one's own death. As discussed in Amy Ireland's essay "Beside a Cold Statue" commissioned for the CD sleevenotes, this process, whose symptomatology is recognizably that of masochism, sees the coldness of the formal model subverted as Hecker's continual resynthesis delivers up a series of harsh, tantalizing, and bewildering textures and timbres: "the resynthesized sound is more intractable, more disorienting, and more empirically obscene--a contingency that always disrupts the plan [...] synthetic progency, nourished on nothing but ice and noise."
| Author | : Susanne Hecker |
| Publisher | : UCL Press |
| Total Pages | : 582 |
| Release | : 2018-10-15 |
| Genre | : Science |
| ISBN | : 1787352331 |
Citizen science, the active participation of the public in scientific research projects, is a rapidly expanding field in open science and open innovation. It provides an integrated model of public knowledge production and engagement with science. As a growing worldwide phenomenon, it is invigorated by evolving new technologies that connect people easily and effectively with the scientific community. Catalysed by citizens’ wishes to be actively involved in scientific processes, as a result of recent societal trends, it also offers contributions to the rise in tertiary education. In addition, citizen science provides a valuable tool for citizens to play a more active role in sustainable development. This book identifies and explains the role of citizen science within innovation in science and society, and as a vibrant and productive science-policy interface. The scope of this volume is global, geared towards identifying solutions and lessons to be applied across science, practice and policy. The chapters consider the role of citizen science in the context of the wider agenda of open science and open innovation, and discuss progress towards responsible research and innovation, two of the most critical aspects of science today.
| Author | : Reza Negarestani |
| Publisher | : MIT Press |
| Total Pages | : 591 |
| Release | : 2018-11-27 |
| Genre | : Philosophy |
| ISBN | : 0997567406 |
A critique of both classical humanism and dominant trends in posthumanism that formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things. In Intelligence and Spirit Reza Negarestani formulates the ultimate form of intelligence as a theoretical and practical thought unfettered by the temporal order of things, a real movement capable of overcoming any state of affairs that, from the perspective of the present, may appear to be the complete totality of history. Intelligence pierces through what seems to be the totality or the inevitable outcome of its history, be it the manifest portrait of the human or technocapitalism as the alleged pilot of history. Building on Hegel's account of Geist as a multiagent conception of mind and on Kant's transcendental psychology as a functional analysis of the conditions of possibility of mind, Negarestani provides a critique of both classical humanism and dominant trends in posthumanism. The assumptions of the former are exposed by way of a critique of the transcendental structure of experience as a tissue of subjective or psychological dogmas; the claims of the latter regarding the ubiquity of mind or the inevitable advent of an unconstrained superintelligence are challenged as no more than ideological fixations which do not stand the test of systematic scrutiny. This remarkable fusion of continental philosophy in the form of a renewal of the speculative ambitions of German Idealism and analytic philosophy in the form of extended thought-experiments and a philosophy of artificial languages opens up new perspectives on the meaning of human intelligence and explores the real potential of posthuman intelligence and what it means for us to live in its prehistory.
| Author | : Dennis Cooper |
| Publisher | : Harper Collins |
| Total Pages | : 27 |
| Release | : 2009-05-26 |
| Genre | : Fiction |
| ISBN | : 0061926787 |
“[A] brilliant, triumphantly lurid writer as well as a supremely talented, elegant stylist whose prose is smart and nervy. He might also be the last literary outlaw in mainstream American fiction.” —Bret Easton Ellis Internationally acclaimed writer Dennis Cooper continues to study the material he's always explored honestly, but does so now—in stories—with a sense of awareness and a satirical touch that exploits and winks at his mastery of this world. As it has done for decades, Cooper’s taut, controlled prose lays bare the compulsions and troubling emptiness of the human soul.
| Author | : Barbara London |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Art |
| ISBN | : 9780870708886 |
Catalog of an exhibition held at the Museum of Modern Art, New York, Aug. 10-Nov. 3, 2013.
| Author | : Hans Ulrich Obrist |
| Publisher | : |
| Total Pages | : 248 |
| Release | : 2009 |
| Genre | : Art and science |
| ISBN | : |
This publication records the project which was comprised of public events and a large exhibition held at the Reykjavik Art Museum (2008) and at the Serpentine Gallery in London (2007).
| Author | : Joasia Krysa |
| Publisher | : MIT Press |
| Total Pages | : 369 |
| Release | : 2015-09-11 |
| Genre | : Art |
| ISBN | : 0262029588 |
A critical mapping of the multiplicities of Finnish artist and technology pioneer Erkki Kurenniemi—composer of electronic music, experimental filmmaker, inventor, collector, futurologist. Over the past forty years, Finnish artist and technology pioneer Erkki Kurenniemi (b. 1941) has been a composer of electronic music, experimental filmmaker, computer animator, roboticist, inventor, and futurologist. Kurenniemi is a hybrid—a scientist-humanist-artist. Relatively unknown outside Nordic countries until his 2012 Documenta 13 exhibition, ”In 2048,” Kurenniemi may at last be achieving international recognition. This book offers an excavation, a critical mapping, and an elaboration of Kurenniemi's multiplicities. The contributors describe Kurenniemi's enthusiastic, and rather obsessive, recording of everyday life and how this archiving was part of his process; his exploratory artistic practice, with productive failure an inherent part of his method; his relationship to scientific and technological developments in media culture; and his work in electronic and digital music, including his development of automated composition systems and his “video-organ,” DIMI-O. A “Visual Archive,” a section of interviews with the artist, and a selection of his original writings (translated and published for the first time) further document Kurenniemi's achievements. But the book is not just about one artist in his time; it is about emerging media arts, interfaces, and archival fever in creative practices, read through the lens of Kurenniemi.
| Author | : Joël Vacheron |
| Publisher | : |
| Total Pages | : 207 |
| Release | : 2015 |
| Genre | : |
| ISBN | : 9782970099215 |
