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| Author | : Klaus Dodds |
| Publisher | : Columbia University Press |
| Total Pages | : 137 |
| Release | : 2014-05-14 |
| Genre | : Performing Arts |
| ISBN | : 023185059X |
Download International Politics and Film Book in PDF, ePub and Kindle
International Politics and Film introduces readers to the representational qualities of film but also draws attention to how the relationship between the visual and the spatial is constitutive of international politics. Using four themes—borders, the state of exception, homeland and distant others—the territorial and imaginative dimensions of international affairs in particular are highlighted. But this volume also makes clear that international politics is not just something "out there"; film helps us better understand how it is also part of everyday life within the state—affecting individuals and communities in different ways depending on axes of difference such as gender, race, class, age, and ethnicity.
| Author | : Tüysüz, Dilan |
| Publisher | : IGI Global |
| Total Pages | : 248 |
| Release | : 2020-12-22 |
| Genre | : Social Science |
| ISBN | : 1799847799 |
Download International Perspectives on Rethinking Evil in Film and Television Book in PDF, ePub and Kindle
Aestheticization of evil is a frequently used formula in cinema and television. However, the representation of evil as an aesthetic object pushes it out of morality. Moral judgments can be pushed aside when evil is aestheticized in movies or TV series because there is no real victim. Thus, situations such as murder or war can become a source of aesthetic pleasure. Narratives in cinema and television can sometimes be based on a simple good-evil dichotomy and sometimes they can be based on individual or social experiences of evil and follow a more complicated method. Despite the various ways evil is depicted, it is a moral framework in film and television that must be researched to study the implications of aestheticized evil on human nature and society. International Perspectives on Rethinking Evil in Film and Television examines the changing representations of evil on screen in the context of the commonness, normalization, aestheticization, marginalization, legitimization, or popularity of evil. The chapters provide an international perspective of the representations of evil through an exploration of the evil tales or villains in cinema and television. Through looking at these programs, this book highlights topics such as the philosophy of good and evil, the portrayal of heroes and villains, the appeal of evil, and evil’s correspondence with gender and violence. This book is ideal for sociologists, professionals, researchers and students working or studying in the field of cinema and television and practitioners, academicians, and anyone interested in the portrayal and aestheticization of evil in international film and television.
| Author | : Angus Finney |
| Publisher | : Routledge |
| Total Pages | : 303 |
| Release | : 2014-10-10 |
| Genre | : Performing Arts |
| ISBN | : 1136295038 |
Download The International Film Business Book in PDF, ePub and Kindle
The International Film Business examines the independent film sector as a business, and addresses the specific skills and knowledge it demands. It describes both the present state of the industry, the significant digital and social media developments that are continuing to take place, and what changes these might effect. The International Film Business: describes and analyses the present structure of the film industry as a business, with a specific focus on the film value chain discusses and analyses current digital technology and how it potentially may change the structure and opportunities offered by the industry in the future provides information and advice on the different business and management skills and strategies includes case studies on a variety of films including The Guard (2011), The King’s Speech (2010), The Best Exotic Marigold Hotel (2012), Cloverfield (2008), Pobby & Dingan (aka Opal Dream, 2005), Confessions of a Dangerous Mind (2002), The Reckoning (2002)and The Mother (2003), and company case studies on Pixar, Renaissance, Redbus and Zentropa. Further case studies on films that failed to go into production include Neil LaBute’s Vapor and Terry Gilliam’s Good Omens. Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies and projects and features exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.
| Author | : Tricia Jenkins |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 287 |
| Release | : 2018-09-20 |
| Genre | : Performing Arts |
| ISBN | : 1786724693 |
Download International Film Festivals Book in PDF, ePub and Kindle
More than 5,000 film festivals take place globally and many of these have only been established in the last two decades. International Film Festivals collects the leading scholarship on this increasingly prominent phenomenon from both historical and contemporary perspectives, using diverse methods including archival research, interviews and surveys and drawing widely from fields like sociology, urban studies and film criticism to patent technology and history. With contributors from across the world and covering the major festivals - Cannes, Venice, Toronto, Berlin - as well as niche, genre and online film festivals, this book is an authoritative and exemplary guide to the evolution of these key sites for film distribution, exhibition and reception. Chapters unravel topics such as the relationship between corporations and festivals, the soft power function they can perform for their host nations and the changing identities of audiences on arrival at, and during exploration of, a given festival venue. Tricia Jenkins' edited volume reconceives the film festival for the global, digital age whilst drawing out its historic importance and ultimately makes a major intervention in film festival studies as well as film and cultural studies more widely.
| Author | : Albert Moran |
| Publisher | : Routledge |
| Total Pages | : 294 |
| Release | : 2005-08-18 |
| Genre | : Business & Economics |
| ISBN | : 1134859988 |
Download Film Policy Book in PDF, ePub and Kindle
Film Policy is the first comprehensive overview of the workings of the international film industry. The authors examine film cultures and film policy across the world, explaining why Hollywood cinema dominates the global film market, and the effects of the rise of television and video on the international industry. In a series of case studies drawn from North America, Europe, Latin America, Asia and Australia, the authors explore the relationship between Hollywood cinema product and national film cultures, and trace the development of international and national film policies, looking at issues of financing, regulation, protectionism and censorship.
| Author | : Corey K Creekmur |
| Publisher | : Edinburgh University Press |
| Total Pages | : 291 |
| Release | : 2013-01-11 |
| Genre | : Performing Arts |
| ISBN | : 0748654305 |
Download International Film Musical Book in PDF, ePub and Kindle
A unique study of the film musical, a global cinema tradition.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1975 |
| Genre | : Motion pictures |
| ISBN | : |
Download The International Encyclopedia of Film Book in PDF, ePub and Kindle
| Author | : Malte Hagener |
| Publisher | : Springer |
| Total Pages | : 489 |
| Release | : 2016-12-16 |
| Genre | : Performing Arts |
| ISBN | : 3476036863 |
Download Film – An International Bibliography Book in PDF, ePub and Kindle
Kommentierte Bibliografie. Sie gibt Wissenschaftlern, Studierenden und Journalisten zuverlässig Auskunft über rund 6000 internationale Veröffentlichungen zum Thema Film und Medien. Die vorgestellten Rubriken reichen von Nachschlagewerk über Filmgeschichte bis hin zu Fernsehen, Video, Multimedia.
| Author | : Danny Shipka |
| Publisher | : Intellect (UK) |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Horror films |
| ISBN | : 9781783206537 |
Download International Horror Film Directors Book in PDF, ePub and Kindle
Horror films have for decades commanded major global audiences, tapping into deep-rooted fears that cross national and cultural boundaries in their ability to spark terror. This book brings together a group of scholars to explore the ways that this fear is utilized and played upon by a wide range of filmmakers. Contributors take up such major figures as Guillermo del Toro, Lars Von Trier, and David Cronenberg, and they also offer introductions to lesser-known talents such as Richard Franklin, Kiyoshi Kurosawa, Juan López Moctezuma, and Alexandre Aja. Scholars and fans alike dipping into this collection will discover plenty of insight into what chills us.
| Author | : Steven Jay Schneider |
| Publisher | : Wayne State University Press |
| Total Pages | : 404 |
| Release | : 2005 |
| Genre | : Performing Arts |
| ISBN | : 9780814331019 |
Download Horror International Book in PDF, ePub and Kindle
As global cinema becomes increasingly difficult to distinguish, characterizations of horror films from various geographical and cultural locations seem more fluid and transitional than ever before. However, this does not mean denying the existence of national features that affect and are reflected in horror films, whether from an artistic or a reception standpoint. Horror is one of the most studied genres in cinema, yet none of the many books on the subject focus on films or traditions outside the United States or the United Kingdom. While Italian, Japanese, Mexican, German, and Hong Kong horror films have received a modicum of critical recognition, the areas of Egyptian, Romanian, Belgian, Dutch, New Zealand, and Thai horror all still need-in fact, demand-some attention. Horror International seeks to rectify this by giving the global perspectives and cross-cultural dynamics of world horror cinema its due. This groundbreaking collection of eighteen original essays examine a myriad of films, showing how each draws from Hollywood horror conventions and also local cinematic traditions, local folklore, and national historical and cultural concerns. The production, marketing, and reception of various national cinemas are also addressed, demonstrating how these films are understood by different audiences worldwide. This in turn sheds new light on the original cultural production of many works and their subsequent "translations" and meanings in different national contexts. The diverse and highly informative essays in Horror International will engross both scholars and fans of horror films and finally illuminate the distinct multicultural factors of this exciting cinematic genre.
