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Faulkner and Welty and the Southern Literary Tradition

Faulkner and Welty and the Southern Literary Tradition
Author: Noel Polk
Publisher: Univ. Press of Mississippi
Total Pages: 221
Release: 2008
Genre: History
ISBN: 1604733233

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As one of the preeminent scholars of southern literature, Noel Polk has delivered lectures, written journal articles and essays, and discussed the rich legacy of the South's literary heritage around the world for over three decades. His work on William Faulkner, Eudora Welty, Walker Percy, and other writers is incisive and groundbreaking. His essays in Faulkner and Welty and the Southern Literary Tradition maintain an abiding interest in Polk's major area of literary study: the relationship between the smaller units of construction in a literary work and the work's larger themes. The analysis of this interplay between commas and dashes, curious occlusions, passages, and characters who have often gone unnoticed in the critical discourse--the bricks and mortar, as it were--and a work's grand design is a crucial aspect of Polk's scholarship. Faulkner and Welty and the Southern Literary Tradition collects Polk's essays from the late-1970s to 2005. Featuring an introduction that places Faulkner and Welty at the center of the South's literary heritage, the volume asks useful, probing questions about southern literature and provides insightful analysis. Noel Polk is professor of English at Mississippi State University and editor of the Mississippi Quarterly . From 1981 to 2006, he edited the Library of America's complete edition of William Faulkner's novels. He is the author of Outside the Southern Myth; Children of the Dark House: Text and Context in Faulkner; and Eudora Welty: A Bibliography of Her Work .


William Faulkner and Southern History

William Faulkner and Southern History
Author: Joel Williamson
Publisher: Oxford University Press
Total Pages: 539
Release: 1995-12-14
Genre: Literary Criticism
ISBN: 0195356403

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One of America's great novelists, William Faulkner was a writer deeply rooted in the American South. In works such as The Sound and the Fury, As I Lay Dying, Light in August, and Absalom, Absalom! Faulkner drew powerfully on Southern themes, attitudes, and atmosphere to create his own world and place--the mythical Yoknapatawpha County--peopled with quintessential Southerners such as the Compsons, Sartorises, Snopes, and McCaslins. Indeed, to a degree perhaps unmatched by any other major twentieth-century novelist, Faulkner remained at home and explored his own region--the history and culture and people of the South. Now, in William Faulkner and Southern History, one of America's most acclaimed historians of the South, Joel Williamson, weaves together a perceptive biography of Faulkner himself, an astute analysis of his works, and a revealing history of Faulkner's ancestors in Mississippi--a family history that becomes, in Williamson's skilled hands, a vivid portrait of Southern culture itself. Williamson provides an insightful look at Faulkner's ancestors, a group sketch so brilliant that the family comes alive almost as vividly as in Faulkner's own fiction. Indeed, his ancestors often outstrip his characters in their colorful and bizarre nature. Williamson has made several discoveries: the Falkners (William was the first to spell it "Faulkner") were not planter, slaveholding "aristocrats"; Confederate Colonel Falkner was not an unalloyed hero, and he probably sired, protected, and educated a mulatto daughter who married into America's mulatto elite; Faulkner's maternal grandfather Charlie Butler stole the town's money and disappeared in the winter of 1887-1888, never to return. Equally important, Williamson uses these stories to underscore themes of race, class, economics, politics, religion, sex and violence, idealism and Romanticism--"the rainbow of elements in human culture"--that reappear in Faulkner's work. He also shows that, while Faulkner's ancestors were no ordinary people, and while he sometimes flashed a curious pride in them, Faulkner came to embrace a pervasive sense of shame concerning both his family and his culture. This he wove into his writing, especially about sex, race, class, and violence, psychic and otherwise. William Faulkner and Southern History represents an unprecedented publishing event--an eminent historian writing on a major literary figure. By revealing the deep history behind the art of the South's most celebrated writer, Williamson evokes new insights and deeper understanding, providing anyone familiar with Faulkner's great novels with a host of connections between his work, his life, and his ancestry.


Twentieth-Century Southern Literature

Twentieth-Century Southern Literature
Author: J. A. BryantJr.
Publisher: University Press of Kentucky
Total Pages: 430
Release: 2021-11-21
Genre: Literary Collections
ISBN: 0813187400

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Authors discussed include: Wendell Berry, Erskine Caldwell, Truman Capote, Ralph Ellison, William Faulkner, Shelby Foote, Zora Neal Hurston, Bobbie Ann Mason, Cormac McCarthy, Flannery O'Connor, William Styron, Anne Tyler, Alice Walker, Robert Penn Warren, Eudora Welty, Tennessee Williams, Thomas Wolfe, Richard Wright, and many more. By World War II, the Southern Renaissance had established itself as one of the most significant literary events of the century, and today much of the best American fiction is southern fiction. Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was the crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable, controversial magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays. With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style. No lover of great American literature can afford to be without this book.


Faulkner and the Southern Renaissance

Faulkner and the Southern Renaissance
Author: Doreen Fowler
Publisher:
Total Pages: 304
Release: 1982
Genre: History
ISBN:

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"What is the Southern Renaissance? Who are its major figures? Why did it happen? What role did William Faulkner play in its advent? These are some of the questions scholars attempted to answer at the 1981 Faulkner and Yoknapatawpha Conference. The history of the Southern Renaissance has not yet been written, and its relationship to its leading figure, William Faulkner, has still not been fully explored. At the 1981 conference entitled "Faulkner and the Southern Renaissance," noted scholars of Southern literary history gathered to define and describe this startling literary phenomenon. It was in the 1930s that the rest of the nation first noticed that something important was happening in the South. A powerful and eloquent new voice was issuing from a seemingly improbable place, the rural, agrarian Southland. In every literary genre, an emphatically Southern accent was making itself known, and today that accent is still being heard all over the world. Faulkner was the first and unquestionably the greatest exponent of this new Southern literature, but his voice was soon joined by a chorus of others: John Crowe Ransom, Allen Tate, Robert Penn Warren, Flannery O'Connor, Carson McCullers, Katherine Anne Porter, Eudora Welty, James Dickey, Richard Wright, Walker Percy, William Styron, Reynolds Price, ElizabethSpencer, and a host of others. This literary flowering, this amazing proliferation of Southern letters which began in the 1930s and continues to the present day, is called the Southern Renaissance. The papers contained in this volume take a major step toward explaining this extended period of extraordinary literary productivity. Together, these essays form a philosophical as well as critical inquiry into a cultural movement that resists simple or rigid categorizations." -- Publisher.


William Faulkner and the Southern Landscape

William Faulkner and the Southern Landscape
Author: Charles Shelton Aiken
Publisher: University of Georgia Press
Total Pages: 305
Release: 2009
Genre: Social Science
ISBN: 0820332194

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Charles S. Aiken, a native of Mississippi who was born a few miles from Oxford, has been thinking and writing about the geography of Faulkner's Yoknapatawpha County for more than thirty years. William Faulkner and the Southern Landscape is the culmination of that long-term scholarly project. It is a fresh approach to a much-studied writer and a provocative meditation on the relationship between literary imagination and place. Four main geographical questions shape Aiken's journey to the family seat of the Compsons and the Snopeses. What patterns and techniques did Faulkner use--consciously or subconsciously--to convert the real geography of Lafayette County into a fictional space? Did Faulkner intend Yoknapatawpha to serve as a microcosm of the American South? In what ways does the historical geography of Faulkner's birthplace correspond to that of the fictional world he created? Finally, what geographic legacy has Faulkner left us through the fourteen novels he set in Yoknapatawpha? With an approach, methodology, and sources primarily derived from historical geography, Aiken takes the reader on a tour of Faulkner's real and imagined worlds. The result is an informed reading of Faulkner's life and work and a refined understanding of the relation of literary worlds to the real places that inspire them.


Twentieth-century Southern Literature

Twentieth-century Southern Literature
Author: J. A. Bryant
Publisher: University Press of Kentucky
Total Pages: 296
Release: 1997-01-01
Genre: Literary Collections
ISBN: 9780813170558

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"Though the flowering of realistic and local-color writing during the first two decades of the century was a sign of things to come, the period between the two world wars was a crucial one for the South's literary development: a literary revival in Richmond came to fruition; at Vanderbilt University a group of young men produced The Fugitive, a remarkable magazine that published some of the century's best verse in its brief run; and the publication and widespread recognition of Faulkner (among others) inaugurated the great flood of southern writing that was to follow in novels, short stories, poetry, and plays." "With more than forty years of experience writing and reading about the subject, and friendships with many of the figures discussed, J. A. Bryant is uniquely qualified to provide the first comprehensive account of southern American literature since 1900. Bryant pays attention to both the cultural and the historical context of the works and authors discussed, and presents the information in an enjoyable, accessible style." --Book Jacket.


Inventing Southern Literature

Inventing Southern Literature
Author: Michael Kreyling
Publisher: Univ. Press of Mississippi
Total Pages: 219
Release: 2012
Genre: History
ISBN: 9781604737769

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I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Agrarian group, a band of poet-critics that wished not only to design but also to control the southern cultural entity in a conservative political context. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented the South and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve a South as the South. As the Fugitive-Agrarians molded the region according to their definition in I'll Take My Stand, they professed to have developed a critical method that disavowed any cultural or political intent or content, a claim that Kreyling disproves. He shows that their torch was taken by Richard Weaver on the Right and Louis D. Rubin, Jr., on the Center-Left and that both critics tried to preserve the Fugitive-Agrarian credo despite the severe stresses imposed during the era of desegregation. As the southern literary paradigm has been attacked and defended, certain issues have remained in the forefront. Kreyling takes on three: reconciling the imperatives of race with the traditional definitions of the South; testing the ways white women writers of the South have negotiated space within or outside the paradigm; and analyzing the critics' use and abuse of William Faulkner (the major figure of southern literature) as they have relied on his achievement to anchor the total project called Southern Literature. Michael Kreyling, a professor of English at Vanderbilt University, is the author of several books, including "Eudora Welty's Achievement of Order" and "Author and Agent: Eudora Welty and Diarmuid Russell."


Struggles Over the Word

Struggles Over the Word
Author: Timothy Paul Caron
Publisher: Mercer University Press
Total Pages: 182
Release: 2000
Genre: African Americans in literature
ISBN: 9780865546691

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This literary critical study counters the usual tendency to segregate Southern literature from African American literary studies. Noting that William Faulkner and Flannery O'Connor are classified as Southern writers, whereas Zora Neale Hurston and Richard Wright are considered black authors, Timothy P. Caron argues for an integrated study of the South's literary culture. He shows that the interaction of Southern religion and race binds these four writers together. Caron broadens our understanding of Southern literature to include both white and African American voices. Analyzing O'Connor's Wise Blood, Faulkner's Light in August, Hurston's Moses, Man of the Mountain, and Wright's Uncle Tom's Children, Caron shows that these writers share an intertwined concern for issues of race and religion. These two significant components of Southern culture form the intertextual network that binds together such seemingly disparate texts. These authors not only interact among themselves in acknowledged and unacknowledged ways, but also with the South's discursive practices. Most particularly, Caron sees common struggles over the Word, as he investigates how these writers use the Bible in their understandings of race and religion in the American South. While all four authors argue for the centrality of the Bible in both the black and white Southern experience, each offers a different view of how this iconic text has shaped Southern culture and its literature.