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| Author | : Rebecca Beasley |
| Publisher | : Cambridge University Press |
| Total Pages | : 4 |
| Release | : 2007-06-21 |
| Genre | : Art |
| ISBN | : 0521870402 |
An important contribution to the study of Pound's influences and of the relationship between modernism and art.
| Author | : Jean-Michel Rabaté |
| Publisher | : John Wiley & Sons |
| Total Pages | : 485 |
| Release | : 2015-12-21 |
| Genre | : Literary Criticism |
| ISBN | : 111912140X |
Featuring the latest research findings and exploring the fascinating interplay of modernist authors and intellectual luminaries, from Beckett and Kafka to Derrida and Adorno, this bold new collection of essays gives students a deeper grasp of key texts in modernist literature. Provides a wealth of fresh perspectives on canonical modernist texts, featuring the latest research data Adopts an original and creative thematic approach to the subject, with concepts such as race, law, gender, class, time, and ideology forming the structure of the collection Explores current and ongoing debates on the links between the aesthetics and praxis of authors and modernist theoreticians Reveals the profound ways in which modernist authors have influenced key thinkers, and vice versa
| Author | : Jo Brantley Berryman |
| Publisher | : |
| Total Pages | : 180 |
| Release | : 2020-05-30 |
| Genre | : Literary Criticism |
| ISBN | : 9781913087166 |
Ezra Pound - one of the most innovative and influential, if controversial, poets of the 20th century - continues to dominate the current literary landscape. / He was a key figure in helping to create what became 'modernism'. Pound wrote poetry and criticism based on revolutionary aesthetic principles still relevant to our understanding of the arts today. / This new work asks what are these principles and how did Pound develop them? Who and what influenced him? What beliefs enabled him not only to write poetry that remains challenging, intriguing and original, but also to recognize other writers and visual artists of distinction? / The author places Pound in the cultural context, examining how his early and wide ranging interests from antiquity to the contemporary shaped his aesthetic views. From his study and analysis of literature and art across cultures and centuries, Pound developed guiding principles for his own work and an enduring way of conceptualizing imaginative and lived experience. / Emerging from the cultural background of his immediate predecessors, the English Romantics and American Transcendentalists, Pound relied on his own understanding of particular writers from ancient Greece, Rome, and medieval Italy as well as China, in order to discover techniques and themes he could adapt. He synthesized sources from East and West. The catchphrase "Make it New" associated with Pound's modernism takes on a different light in the full context of his translation: "AS THE SUN MAKES IT NEW -- DAY BY DAY MAKE IT NEW." His aesthetics thus present not a rejection of the past, but an ongoing vision for today. This is an original study which will be widely welcomed.
| Author | : Rebecca Beasley |
| Publisher | : Routledge |
| Total Pages | : 157 |
| Release | : 2007-10-03 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1134451407 |
Exploring the work of T.S. Eliot, T.E. Hulme and Ezra Pound - this book offers invaluable insight into the modernist movement and demonstrates the impact of these influential theorists on the shape and value of English Literature.
| Author | : Sam Rose |
| Publisher | : Penn State Press |
| Total Pages | : 221 |
| Release | : 2019-05-10 |
| Genre | : Art |
| ISBN | : 0271084308 |
This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with the social world. Art and Form thus opens discussions on a range of urgent topics in art writing, from its history and the constructions of high and low culture to the idea of global modernism. Rose demonstrates the true breadth of formalism and shows how it lends a new richness to thought about art and visual culture in the early to mid-twentieth century. Accessibly written and analytically sophisticated, Art and Form opens exciting new paths of inquiry into the meaning and lasting importance of formalism and its ties to modernism. It will be invaluable for scholars and enthusiasts of art history and visual culture.
| Author | : Mark Byron |
| Publisher | : Cambridge University Press |
| Total Pages | : 305 |
| Release | : 2019-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 1108499015 |
Essays on recent developments in Pound scholarship and research, including newly available primary sources and methodological advances in cognate fields.
| Author | : Vincent Sherry |
| Publisher | : Oxford University Press |
| Total Pages | : 241 |
| Release | : 1993-02-25 |
| Genre | : Literary Criticism |
| ISBN | : 0195360311 |
Ezra Pound and Wyndham Lewis developed a highly experimental art; they were attracted simultaneously to political programs remarkably backward in outlook--the autocracies of Fascist Italy and Germany. That paradox, central to the problematic achievement of Anglo-American modernism, is freshly addressed in this study. Here Sherry examines the influence of music and painting on literature, presents original research on European intellectual history, and proposes a new understanding of ideology as a force in the literary imagination. Following the example of continental ideologues, the English modernists use the material of aesthetic experience to prove truths of human nature, making art the basis for social values and recommendations. This sensibility enriches their work, shaping the varied textures of Pound's Cantos and the complex designs of Lewis's painting and fiction, but their mastery of avant-garde techniques endorses the authority of an antique state. Sherry returns their "totalitarian synthesis" of art and politics to its originating moment, following its trajectory from 1910 to the eve of World War II.
| Author | : Daniel Tiffany |
| Publisher | : Harvard University Press |
| Total Pages | : 336 |
| Release | : 1995 |
| Genre | : Literary Criticism |
| ISBN | : 9780674746626 |
Focusing on the necrophilic dimension of Pound's poetry and the inflections of materiality enabled by the modernist image, Tiffany finds a continuum between Decadent practice and the avant-garde, between the image's prehistory and its political afterlife, between the "corpse language" of Victorian poetry and a conception of the "radioactive" image
| Author | : Frances Dickey |
| Publisher | : University of Virginia Press |
| Total Pages | : 367 |
| Release | : 2012-06-29 |
| Genre | : Literary Criticism |
| ISBN | : 0813932696 |
In The Modern Portrait Poem, Frances Dickey recovers the portrait as a poetic genre from the 1860s through the 1920s. Combining literary and art history, she examines the ways Dante Gabriel Rossetti, Algernon Swinburne, and J. M. Whistler transformed the genre of portraiture in both painting and poetry. She then shows how their new ways of looking at and thinking about the portrait subject migrated across the Atlantic to influence Ezra Pound, T. S. Eliot, William Carlos Williams, Amy Lowell, E. E. Cummings, and other poets. These poets creatively exposed the Victorian portrait to new influences ranging from Manet’s realism to modern dance, Futurism, and American avant-garde art. They also condensed, expanded, and combined the genre with other literary modes including epitaph, pastoral, and Bildungsroman. Dickey challenges the tendency to view Modernism as a break with the past and as a transition from aural to visual orientation. She argues that the Victorian poets and painters inspired the new generation of Modernists to test their vision of Aestheticism against their perception of modernity and the relationship between image and text. In bridging historical periods, national boundaries, and disciplinary distinctions, Dickey makes a case for the continuity of this genre over the Victorian/Modernist divide and from Britain to the United States in a time of rapid change in the arts.
| Author | : Ezra Pound |
| Publisher | : DigiCat |
| Total Pages | : 32 |
| Release | : 2022-05-29 |
| Genre | : Poetry |
| ISBN | : |
Cathay is a compilation of traditional Chinese poems translated into English by poet Ezra Pound. These fifteen poems are seen less as strict translations and more as new pieces in their own right.
