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Experimental Apparel Construction

Experimental Apparel Construction
Author: Anita A. Stamper
Publisher:
Total Pages: 304
Release: 1988
Genre: Clothing and dress
ISBN:

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This lab manual is designed as a companion to Evaluating Apparel Quality, 2nd Edition.


Experimental Fashion

Experimental Fashion
Author: Francesca Granata
Publisher: Bloomsbury Publishing
Total Pages: 232
Release: 2017-02-23
Genre: Social Science
ISBN: 1786720299

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Shortlisted for the Millia Davenport Publication Award Experimental Fashion traces the proliferation of the grotesque and carnivalesque within contemporary fashion and the close relation between fashion and performance art, from Lady Gaga's raw meat dress to Leigh Bowery's performance style. The book examines the designers and performance artists at the turn of the twenty-first century whose work challenges established codes of what represents the fashionable body. These innovative people, the book argues, make their challenges through dynamic strategies of parody, humour and inversion. It explores the experimental work of modern designers such as Georgina Godley, Bernhard Willhelm, Rei Kawakubo and fashion designer, performance artist, and club figure Leigh Bowery. It also discusses the increased centrality of experimental fashion through the pop phenomenon, Lady Gaga.


Kinetic Garment Construction

Kinetic Garment Construction
Author: Rickard Lindqvist
Publisher: Rickard Lindqvist
Total Pages: 348
Release: 2015-03-27
Genre: Business & Economics
ISBN: 9187525429

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Fashion designers are presented with a range of methods and concepts for pattern cutting are presented, the main body of these methods, both traditional and contemporary, is predominately based on a theoretical approximation of the body that is derived from horizontal and vertical measurements of the body in an upright position: the tailoring matrix. As a consequence, there is a lack of interactive and dynamic qualities in methods connected to this paradigm of garment construction, from both expressional and functional perspectives. This work proposes and explores an alternative paradigm for pattern cutting that includes a new theoretical approximation of the body as well as a more kinetic method for garment construction that, unlike the prevalent theory and its related methods, takes as its point of origin the interaction between the anisotropic fabric and the biomechanical structure of the body. As such, the research conducted here is basic research, aiming to identify fundamental principles for garment construction. Based on some key principles found in the works of Geneviève Sevin-Doering and in pre-tailoring methods for constructing garments, the proposed theory for – and method of – garment construction was developed through concrete experiments by cutting and draping fabrics on live models. Instead of a static matrix of a non-moving body, the result is a kinetic construction theory of the body that is comprised of balance directions and key biomechanical points, along with an alternative draping method for dressmaking. This methodology challenges the fundamental relationship between dress, garment construction, and the body, working from the body outward, as opposed to the methods that are based on the prevalent paradigm of the tailoring matrix, which work from the outside toward the body. This alternative theory for understanding the body and the proposed method of working allows for diverse expressions and enhanced functional possibilities in dress.


Clothing Construction

Clothing Construction
Author: University of Illinois (Urbana-Champaign campus). Agricultural Experiment Station
Publisher:
Total Pages:
Release: 1933
Genre:
ISBN:

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Sewing Techniques

Sewing Techniques
Author: Jennifer Prendergast
Publisher: Bloomsbury Publishing
Total Pages: 184
Release: 2014-03-27
Genre: Design
ISBN: 2940447713

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Sewing techniques are sometimes overlooked in the design process but acquiring these skills can be transformational. The ability to turn a two-dimensional design into its three-dimensional realization comes from having mastered basic sewing techniques. Sewing Techniques simplifies the often complex techniques that lie behind this process by arming designers with the precise information and skills needed to undertake each task. Designers who develop a basic understanding of the processes involved in sample and garment construction often produce successful outcomes based on a more experimental and creative approach applied during the product development process. Developing a sample folio and being able to refer to samples and develop them according to each individual design project is a process that requires experimentation and creative thought underpinned by a basic understanding of sewing techniques. This book explores the essential equipment needed - from fabric types to diagrams identifying component parts of a sewing machine, to machine operation. Throughout each process, clear diagrams accompanied by explanatory description panels allow readers to achieve the best possible results, including how to troubleshoot problems that may be encountered before and during sewing. Each section concludes with a project, progressing from easy to challenging. Fabrics for each project give designers the opportunity to handle different fabric types and understand the complexities of sourcing and selecting. Mastering the basic principles covered in Sewing Techniques will enable both fashion students and the contemporary craftworker to develop their techniques with a view to becoming creative practice-based professionals.


A Comparison of the Experimental and the Existing Elementary Clothing Construction Courses at Oregon State University in Terms of Student Background and Achievement in Factual Knowledge

A Comparison of the Experimental and the Existing Elementary Clothing Construction Courses at Oregon State University in Terms of Student Background and Achievement in Factual Knowledge
Author: Anne Elaine Miller
Publisher:
Total Pages: 184
Release: 1971
Genre: Clothing and dress
ISBN:

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The purpose of this thesis was to compare the 5-hour experimental (CT 213X) and the two 3-hour existing (CT 210-CT 212) elementary clothing construction courses at Oregon State University in terms of the composition of students in each course, the student's background and the achievement of each group in knowledge of basic clothing construction terminology, techniques and methods. An attempt was also made to determine various opinions and attitudes held by each group toward their respective courses. From observations of the CT 213X, CT 210 and CT 212 courses and from examination of the objectives and printed syllabi for each course, a list of commonly taught basic clothing construction processes was drawn up. The list was used as an outline for constructing an objective paper-and-pencil pretest-retest. In order to obtain background information as well as various opinions and attitudes held by the students, two questionnaires were developed. These materials, as well as the pretest-retest, were submitted to a panel consisting of members of the clothing faculty and graduate students in clothing and textiles. Based on the panel's criticism, they were revised where necessary. Students enrolled in CT 213X, CT 210 and CT 212 during spring term, 1969, were used as the sample for this study. The total sample consisted of 106 students, with 35 in the CT 213X group, 46 in the CT 210 group and 25 in the CT 212 group. Not included in the sample were students who had been absent for either the pretest or retest, students in a section of CT 210 taught by a graduate assistant and students in CT 212 who had transferred from other colleges. The pretest and general information questionnaire were administered to each course group during the first week of classes, spring term, 1969. During the last laboratory period of the term, the retest and final questionnaire were given. The reliability coefficient of the pretest-retest, using the Kuder - Richardson formula (21), was computed to be .810. The pretest- retest was accepted as having content or curricular validity, as the makeup of the test closely followed each course outline. Based on the results of this study, it was concluded that CT 210 is taken more often than is CT 213X by students from other schools in the university, upperclassmen and students who would like to learn to sew for their own personal use. Students who enroll in CT 213X generally have had more previous instruction in sewing and are more knowledgeable in basic clothing construction terminology, techniques and methods than are students in CT 210. However, students who have completed the one-term course, CT 213X, and those who have completed the two-term sequence, CT 210-CT 212, generally have an equal knowledge of basic clothing construction. It was recommended that CT 213X be given regular course status as a five-hour elementary clothing construction course, thereby listing it in the catalog as CT 213.